The History of the Dj Essay Example
The History of the Dj Essay Example

The History of the Dj Essay Example

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  • Pages: 4 (954 words)
  • Published: October 27, 2017
  • Type: Article
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A Disc Jockey is an individual who utilizes compact discs, vinyl, or tape to play pre-recorded songs according to their personal preference.

Dj's can be found at various locations such as weddings, nightclubs, school parties and radio shows, and the music genre they choose to play is determined by the audience and their personal preference. Depending on the type of music and the crowd they're playing for, there are a range of techniques that Dj's use including chopping and dropping for Drum and Bass and blending for House. Other mixing techniques include scratching and juggling, but a Dj's reputation is not solely based on their use of these methods.

Being an established DJ requires a unique talent, which some DJs possess while others do not. In this assignment, I will discuss four exceptional DJs who have succeeded in th

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e music industry and explain how they have impacted turntablism and DJing over the past 30 years. Jimmy Saville, who was known for his show "Jim'll Fix It," is considered the founder of DJing. Saville is credited with being the first DJ to use two turntables to mix two records together.

During the late 1940s, Jimmy held discos at various suitable locations, including halls, which attracted many young people who wanted to hear good music and stay out late. Before Jimmy introduced two turntables, DJs would have to talk between songs as they couldn't change the record quickly enough. This innovation allowed dancers to keep dancing without any interruptions. Jimmy's innovative idea spread across Manchester and across the country and beyond. His career took off after he was given a job at radio station Luxembourg while working at a Leeds

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dancehall.

After nine years at the station, Jimmy Saville received the top British Dj award eight times. In 1964, he began hosting the first Top of The Pops on television. Although there were fewer Djs in the 70s and beyond, Saville's influence on the industry was considerable as Dj'ing had rapidly evolved by that time. Paul Oakenfold, the next Dj to follow in Saville's footsteps, has achieved accomplishments that others in the field would envy.

During the late seventies, Paul and his close friend Trevor Fung started playing soul music at a wine bar in Convent Garden. After visiting New York City and witnessing the emergence of Hip Hop music, Paul secured an A&R position at Champion when he returned to London. He made history by signing significant Hip Hop acts like Salt and Pepa, as well as Jazzy Jeff and Fresh Prince. Whilst on holiday in Ibiza, Paul experienced unique music at a relatively unknown club called 'Amnesia'. He loved it so much that he brought it back to England with him. Despite continuing to play his regular jazz set at the Project in Streatham, Paul convinced the owner to host an after-hours 'Ibiza Reunion Party'.

Back in the day, the Balearic sounds were not what the crowd desired. However, in 1987 at Streatham's Heaven Nightclub, the music had started to appeal to them. This signaled the emergence of Club Culture. Meanwhile, Paul received a Brit award for Best Producer in 1991, together with a colleague, for their work on The Happy Mondays' Classic Pills, Thrills and Bellyaches LP. Paul's skills also earned him the title of Best DJ from numerous music magazines and made his name

'Oakey' a popular cry in clubs, festivals, and raves around the world. Paul continued his rise to fame by conducting a two-year residency at Cream in Liverpool.

Paul Oakenfold quickly gained a substantial fan base, with club promoters willing to pay significant amounts of money to book him for their venues. His reputation as both an A-list DJ and one of the four main people to recognize Ibiza's potential helped solidify his success. In contrast, DJ EZ has only been active for the past decade and fully realized his potential in the past six years. His DJ career began at age 15 on a pirate station, and he played at school discos and local house parties in 1988 and 1989.

As he hopped from one radio station to another, his ambitious nature and DJ skills gained him recognition. He dazzled the audience with his silky mixing and cut and drop techniques at an emerging garage night called 'Garage Nation' during his tenure at Freak Fm. In 1999, he secured a prime time slot on the youthful radio station Kiss Fm and was acknowledged as the ninth-best DJ in Kiss' top 100 DJ polls while bagging underground DJ awards. In February 2000, he released his first compilation titled 'Pure Garage,' which went Platinum, followed by a series of Pure Garage releases.

Dj EZ has played a crucial role in popularizing Underground Garage, thanks to his Pure Garage Compilations. As a DJ, he is an inspiration to many aspiring artists, constantly showcasing new turntable and mixing techniques in his sets. Following in his footsteps is D&B's Dj Hype, known for his extraordinary confidence when performing.

Having a wealth of experience

in scratching and manipulating beats, he showcased his skills as England's representative at the 1989 DMC's Scratch Masters competition. He kicked off his career as a DJ during the late 80s by spinning Hip Hop and Reggae tracks on one of the most notable pirate radio stations – Fantasy FM. In the 90s, he received numerous prestigious awards for his work, such as Best Male DJ and Best Radio DJ. Additionally, he unveiled 'Drum and Bass Selection,' his inaugural official compilation album that was made available to fans.

Roni Size was a key figure in the rise of Drum and Bass, leading to prosperous compilations such as Jungle Massive in mainstream music.

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