The novel The Running Man by Michael Gerard Bauer explores the effects of war and societal expectations through different relationships. Similarly, Bruce Dawe's poem 'Weapons Training' uses the relationship between a drill sergeant, soldiers, and their enemy to portray the brutality and demands of war and society.
The theme of the effects of war is explored through the relationship between Joseph and Tom in The Running Man. Tom's participation in the war has deeply affected him, as evidenced by his changed behavior and Joseph's efforts to engage him. Tom's eyes, described as dark green and devoid of emotion, serve as a recurring motif throughout the book. This lack of emotion initially hinders Joseph's ability to connect with Tom. However, their shared interest in silkworms ultimately strengthens and solidifies their relationship.
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As Joseph and Tom Leyton's relationship grows, Joseph gradually perceives Tom's true nature. Despite this, Tom's eyes remain cold and lifeless, his face impossible to read. However, Joseph's understanding of Tom is evident in the gentle smiling face that fills the frame, as if he has witnessed a miracle. Joseph sees past the rumors and judgments he has heard about Tom, helping him emerge from his cocoon. This deepening bond allows both Joseph and Tom to gain insight into each other's lives. Furthermore, the theme of war is conveyed through relationships in "Weapons Training".
The relationship between the drill sergeant and the soldiers displays the brutality of war. The intensity of their interaction is depicted through visual and aural imagery, such as "I want to hear those eyeballs click and the gentle pitter-patter of falling dandruff," derogatory metaphors like "elephan
ears," and alliteration with "magazine man, pitter-patter." We can imagine the verbal attack and its subsequent psychological impact on the recruits' well-being due to the crucial delivery of these words.
The constant flow of words without punctuation in his writing imitates the quick gunfire experienced during battle. This technique intimidates readers and presents them with an aggressive tone that enables them to sympathize with soldiers enduring relentless abuse. By frequently mentioning their body parts, particularly their genitalia, the speaker emphasizes the hazards of being on the battlefield. Sexual references such as "cockpit drill," "the old crown jewels," and "turning the key in the ignition" are employed to add levity to his speech.
The soldiers develop empathy for the sergeant by experiencing the same hardships he faces, which helps them understand his aggression. Additionally, they also learn about themselves through the fear and intimidation imposed by the sergeant. Similarly, The Running Man depicts the psychological impact of war, with Tom's behavior transforming after the war and the soldiers being profoundly influenced during their training for war.
The theme of society’s expectations in The Running Man is highlighted through the relationship between Joseph and Simon Jamieson, also known as the running man. At the bus stop, Joseph metaphorically describes the running man as an 'ogre' with shuffling feet and haunted, hunted eyes. This comparison paints a vivid picture of the running man as a terrifying monster. This metaphor underscores the theme of society's expectations, as society and their neighborhood judge Tom Leyton in the same way Joseph labels the running man.
However, the relationship between Joseph and Simon undergoes changes as the
novel unfolds. This is evident in the description of Joseph studying the Running Man closely, observing his puffy eyes and stubble, as well as his father's rage against unspeakable horrors. Initially, Joseph's fear of the Running Man is depicted through his emotive surrender to sheer panic. However, as the story progresses, Joseph starts to overcome his initial judgments and sees Simon Jamieson as a lost soul.
The relationship between Joseph and the Running Man progresses positively, as Joseph attempts to communicate with him and eventually gives him his silkworm poem. This gesture indicates that Joseph gains an understanding of Simon, and this understanding is reciprocated. Both characters gain insight into each other's lives, leading to a mutual understanding. Similarly, the theme of societal expectations is expressed through the relationship between the drill sergeant and the enemy in Weapon's Training.
Using a graphic image and a mix of war jargon and racist remarks, the sergeant constructs a war scenario for his soldiers. The graphic image illustrates the sergeant informing the soldiers that they have a "number-one blockage" and new enemies on their necks, emphasizing the need for immediate action. By employing terms like "number-one blockage," the sergeant establishes credibility and reinforces society's expectation for his extensive knowledge about warfare and the enemy. Consequently, he is obligated to train the soldiers by any means necessary to secure triumph.
The sergeant employs racist language such as "mob of little yellows" and "brand new pack of Charlies" to insult the enemy and dehumanize them, aiming to reduce sympathy towards them and facilitate their killing. This racist rhetoric underscores society's expectations, as the sergeant's role is to
cultivate hatred towards the enemy, encouraging soldiers to be willing to sacrifice their lives for the nation's interest. Through the interaction with the enemy, the sergeant develops self-awareness and gains insight into himself.
In both "The Running Man" by Bauer and "Weapons Training" by Dawe, similarities can be found with the society's expectations for certain individuals. Just like Joseph, who expects The Running Man to be frightening, and society has the expectation that the sergeant will win the war. Through examining relationships, we can gain insight into ourselves and others, which is evident in both texts. These relationships highlight the brutal and violent nature of war and also emphasize the importance of human relationships in shaping our emotional identity. Additionally, they raise questions about the extent to which we should conform to societal expectations.
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