Pep Ventosa Essay Example

Spring Photo Competition, and his photography book reached the top of the New York Times bestseller list for photography books (0).

Furthermore, Vendetta's techniques have become guides for photography teachers who use them to instruct their students (0). His works can be described as photographs with a painterly illusion or that utilize a unique mosaic technique (0). These images allow for personal interpretation and provide entertainment through detailed analysis. For instance, his bibliographic series called The Collective Snapshot (Image 1) takes familiar photos of places and creates entirely new and somewhat unfamiliar images (0). By combining snapshots taken by different individuals, Vendetta offers a fresh perspective on iconic landmarks in this series (0).The new images resemble our memories of these landmarks, presenting a unique narrative space that combines elements of memory and imagination, similar to the way we perceive. The pictures have a hazy look and emphasize color and light over the actual shape of the landmarks, resulting in a quality similar to watercolor paintings. In Vendetta's Carousel series, he captured the carousels in motion while moving around them, allowing for various 360-degree views. The final images are blurred composites that enhance the colors and light. Vendetta's mosaic technique involves shooting fragments and reconstructing them into a new image that reveals unnoticed details.Vendetta's collections of Reconstructed Works - Europe and Reconstructed Works - America showcase various interesting examples of the mosaic technique. These collections have also gained recognition in the International Photography Awards.

In the artwork titled "Radio City" (Image 3), the mosaic is intentionally not seamless or perfect. Different colored blocks and blocks with less saturation immediately capture your attention. Upon closer examination, these blocks reveal

intriguing elements, such as half of a woman or a single large foot in the middle of the street. The image transforms from a mere street scene into a work of art.

To create his digital images, Pentose relies on specific equipment. As of 2006, his preferred cameras were the Nixon DAD and the Nixon Colloid 995. He opts to use digital photographs rather than a scanner. His computer setup consists of a Dell computer with a large monitor, two internal hard drives, two external hard drives, and a portable hard drive.

For color management, Pentose utilizes the Collision Spidery PRO lour calibration system and the RUG ICC Profiles from Epsom for printing. He employs either the Epsom Stylus Pro 7600 with Ultramarine pigment inks or the Epsom Stylus Photo 1280 for printing purposes. Vendetta's preferred papers for his artwork are the Epsom Enhanced Matte Paper and the Epsom Premium Assimilate Photo Paper.As technology evolves, Vendetta's equipment is likely to have also evolved. To begin his work, Pentose uses fragment photography, capturing thirty to forty digital photos of different parts of the scene from various angles. These photographs are then opened as separate layers in a blank document in Photos. Pentose reconstructs the scene by assembling the puzzle pieces, seeking natural symmetry as he overlaps each photograph. He works with Photos to balance colors, textures, and how the images blend together. His experimentation mainly involves layers masking, blending modes, adjusting levels, and combining selections or duplicated areas. Each photograph is edited in Photos to find something interesting. Pentose spends hours editing layers, considering it the most creative part of the process. Through rearranging or combining layers, he

discovers a natural shape for the final image. The image is then flattened, cropped to his preference, and some minor adjustments are made. Determining when the work is complete is difficult for Pentose because of the experimental nature of his editing process.Despite enjoying the mystery of the process, Pentose acknowledges that you never know what will happen -

Vendetta's Carousel collection caught my attention with its resemblance to Impressionist paintings. As someone who has always favored Impressionist art and gained a deeper understanding through an Art Appreciation course, I often find myself seeking similarities between modern and Impressionist pieces. When I first saw Vendetta's Carousel collection, I was pleasantly surprised by its use of color and light, reminiscent of the Impressionist style.

Intrigued by this unique collection and my passion for Impressionism, I sought out Vendetta's other works and was equally impressed. In the realm of digital art, many question its ability to create fine art. However, fine art is defined as an art form created for aesthetic value rather than commercial gain, requiring skill. Vendetta's breathtaking creations undoubtedly qualify as works of aesthetic value, speaking volumes for themselves.

Given the technical intricacy and skill required in photography and Photos, not everyone possesses the abilities needed. However, Vendetta's worldwide exhibitions and the knowledge I gained about their techniques and beliefs made it clear that Pentose deserves recognition as a fine art digital imaging artist. Vendetta's perspective on creating digital fine art images enlightened me to the fact that digital photography serves a purpose beyond capturing a moment or object; it strives to generate fresh visual experiences.