Mary Oliver Rhetorical Analysis Essay

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The Portuguese man-of-war. a perilously arresting submerged animal. can adequately typify the phenomenon that is nature. Cipher denies the “medusa” of its attractive characteristics. such as. its dazing pink colour. elegant frame. and most of import. its transparent organic structure that displays running electricity. However. touch it submerged and see the wrath of its oblique abilities. Its colourful stingers have the power to shoot an electrical toxin into their quarry. It can kill.

Furthermore. Mary Oliver. the author of “Owls” . successfully delineates the ambidextrous personality nature is affiliated with. In this rich extract. Oliver makes it a precedence to indicate out that nature can be both marvelous and corrupt at the same clip. Like the Portuguese man-of-war. nature can convey “immobilizing happiness” . but it can besides be complex. and convey forth “death. ”

From the beginning. Oliver uses Vonnegut-like imagination to make a distinguishable contrast between the “terrifying” and the absorbing parts of nature. For case. when Oliver describes the great horned bird of Minerva and the Fieldss full of roses. Harmonizing to Oliver. the great horned bird of Minerva has a “hooked beak” that makes “heavy. chip. and breathy snapping” sounds. and a set of “razor-tipped toes” that “rasp the limb. ” Not merely that. but this mystical animal is characterized as “merciless” . and as a dark animal that would “ eat the whole world” if it could. The Fieldss full of roses. on the other manus. are used to typify felicity. They are described as Sweet. lovely. and “red and tap and white collapsible shelters of softness and nectar. ” Through Oliver’s originative usage of descriptive imagination. she begins to explicate the inexplicable enigmas of nature.

In the same manner. Oliver uses vivid and showy enunciation to stress nature’s intricate ways. To depict the darkness of nature. Oliver uses words such as. “hopelessness” . “headless bodies” . and “immutable force” . On the contrary. for the awing parts of nature. Oliver’s transition includes words like. “exquisite” . “luminous wanderer” . and “sheer frolicing glory” . As a consequence. her impressive manner presents a clear image of how Oliver is “standing at the border of enigma. and finally. “conquered. ”

Finally. Oliver uses her intimate grasp for nature to associate to the audience and thrust her claim place. First. Oliver uses an anaphora to speak about the field full of roses. Oliver begins eight back-to-back phrases with the word “I. ” Thus. connoting the impact nature has on her as an person. and dismaying the reader of the love she has towards this prodigy. Oliver so acknowledges that “the universe where the bird of Minerva is infinitely hungry and infinitely on the Hunt is the universe in which” she lives excessively. Correspondingly. she mentions that nature’s wonders involve the audience of this extract. every bit good as everyone else on planet Earth.

Indeed. in this lyrical extract. Mary Oliver uses her impressive manner to depict how nature can be convoluted. capturing. and over-powering. One can’t aid to admit the originative manner Oliver uses the English linguistic communication to successfully contrast the positive and negative parts of the environment. In add-on. Oliver strives to do her nuanced authorship and fable for the complexness of nature. When looking at the large image. it is easy to see how Oliver’s authorship may exhibit to all how 1 might portion whatever it is they feel passionately about.

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