James Bond Casino Royale Coursework Essay Example

Green enters the scene. If you don't understand what I'm trying to say, I'll sum it up in two words: James Bond. Children watch James Bond for the action-packed scenes that are more predictable than Middlesbrough not getting promoted in the Championship. The bond girls will always be sexy and alluring.

Throughout the history of Bond films, women have consistently been portrayed as sex symbols. However, over time, these female characters have become increasingly intelligent, culminating in Martin Campbell's portrayal of Vesper Lynd. Women hold a significant role as icons within the Bond genre and play a crucial part in Bond's life. Like 'Batman and Robin', Bond and the lead female character form a strong partnership based on their cognitive bond.

If the Bond films did not feature women, they would have ceased production fifty years ago. This is because Bond would have perished without the assistance of women, such as when Vesper Lynd attaches a wire to the 'defibulator' and saves his life. Additionally, men would have one less reason to watch Bond. Casino Royale features Vesper Lynd as the primary Bond girl, portrayed by French actress Eva Green, born on July 5th, 1980. In the original Casino Royale, the role of Vesper was played by Ursula Andress. Vesper initially worked as a personal assistant to the head of section S at M16 before being assigned to Bond in an attempt to bankrupt Le Chiffre.

Vesper is a unique Bond girl compared to the others, capturing Bond's heart until Tracy appears in On Her Majesties Secret Service. She stands out due to her intelligence, which puts her on par with Bond. Although Bond

himself is smart, Vesper often corrects him after he says something. Even just by looking at him, she manages to guess his background, showcasing her astuteness. After Bond provides an unexpectedly accurate judgment of her, she flirts with him while discussing the government's money: "So as charming as I find you, Mr. Bond, I will be keeping my eye on our Government's money, and off your perfectly formed arse."

Vesper Lynd is typically regarded as James Bond's true love, displaying a romance that seems unbreakable until the moment of betrayal. Despite initially being portrayed as allies, Bond's perception of Vesper shifts, viewing her as an enemy. This transformation is evident when he says, "The bitch is dead." Subsequently, he discovers that she had betrayed him in order to spare his life immediately after insulting her. This revelation renders Bond speechless. Initially, Vesper gives off an impression of seriousness, cunningness, and agility.

The way she swiftly sits down near Bond suggests her fast and agile nature. With this swift move, she gives the impression of performing tasks quickly and smoothly. As the first time you see her, the way she moves into the chair implies her slyness. Her attire hints at both work and play, as she wears business-like clothes that also reveal a bit of skin. The dark colors of her clothing convey a sense of death and despair. However, when he discovers her betrayal, the red dress she wears may symbolize warning and sacrifice.

The clothes Vesper wears always cover her up, even if a few buttons are undone, indicating her innocence. Unlike other Bond girls, Vesper is never seen in revealing outfits such

as swimsuits or underwear. The perception of earlier Bond girls differs depending on the gender of the observer. From a male perspective, they are seen in a sexualized manner, while women tend to view them as promiscuous individuals engaging in casual sex. Honey Ryder, the third and primary Bond girl, was originally named Honeychile Rider but her name was shortened in 1962.

Swiss actress Ursula Andress, who portrayed Vesper Lynd in the first Casino Royale, portrayed the character of Honey Ryder. In typical Bond girl fashion, her name held a double entendre referencing a well-known sexual position. Honey Ryder's initial impression mainly revolved around her sexual appeal. She made her entrance holding two large shells, symbolizing her breasts. Wearing a revealing swimsuit further emphasized her sexual nature. Connecting the dots, one could also perceive a notion of stupidity. Back then, the stereotype dictated that every beautiful girl was presumed to be an airhead. The way she emerged from the water exuded an aura of exoticness.

Bond and Honey's relationship is characterized by Bond taking the lead and Honey obediently following his commands. Shortly after they begin working together, Bond is already shown protecting her, indicating his belief that he has the authority to do as he pleases. However, Bond is taken aback when Honey confesses to killing her landlord who had raped her, revealing a darker side to her character and causing Bond to reassess his approach towards her. Additionally, the use of gadgets in this film is portrayed as accomplished ideas. In other words, the gadgets featured in Casino Royale are pre-existing concepts, such as the mobile phone that Bond utilizes.

He also

utilizes his Aston Martin to insert a device into Le Chiffre's inhaler, meanwhile employing an explosive key ring which Bond attaches to a henchman. The action sequences portrayed in Casino Royale surpass those seen in subsequent Bond films. These action scenes appear more realistic owing to advancements in modern technology. Additionally, they present a greater sense of fairness, attributed to Bond's relative inexperience and lack of expertise. The film's locations hold symbolic significance, reflecting the characters' emotional states. For instance, when Bond and Vesper are in love, the city of Venice conveys a romantic atmosphere, earning its reputation as Europe's most amorous destination.

They filmed the Aston Martin crash scene at Millbrook race circuit, which is ironically used for testing cars on their turning capability. It appears that the Aston Martin didn't perform well on that track. The filming techniques used include a blurred screen, an inside view of a flipping car, and a black and white intro. The blurred screen was employed to depict Bond's vision when he gets poisoned and heads towards his car, showing how his vision would have been at that moment. The scenes of the car flipping also convey Bond's perspective of the outside world.

The black and white introduction sets a dark and vintage atmosphere, reflecting the fact that this film is a prequel to the Bond genre. Martin Campbell has successfully modernized the Bond genre while also staying true to its roots. This remarkable film is based on a novel written 53 years prior. The portrayal of the Bond girl has evolved to be on par with Bond himself, aligning with modern times. The only flaw, in my

opinion, is the absence of gadgets, which diminishes the traditional Bond feel. Nevertheless, overall it is an excellent film that appeals to a contemporary audience.