Palace at Knossos (Grete) and Bull-Leaping, from the Palace at Knossos (Crete) Essay Example
Throughout the Minoan Period, the Palace of Knossos was destroyed and rebuilt many times due to natural disasters. Its final deterioration began around 1380 BC, affecting both the physical and social constructs of the Minoan society. The Palace of Knossos is described as an imposing structure that gives insight into the ancient Minoan civilization it once held within its walls. The la
...rgest of the palaces was the legendary home of King Minos, and it was said that in here the Hero Theseus had a battle with the bull-man Minotaur.
After defeating the monster he left taking with him the king’s daughter, Ariadne, who helped Theseus mark his path to enter and to find this way out safely. 1. Bull-leaping, from the palace at Knossos (Crete) 1450-1400 BC, Greece. The bull-leaping is one of the frescoes from the palace at Knossos, this fresco describes the Minoan ceremony in which young men grasped the horns of a bull and vaulted onto its back. This ceremonies were celebrations and rituals dedicated to the God Apollo.
The bull-leaping was a local sport, also a form of distraction, and a way for Minoan people to have fun. This ritual did not demand the killing of the bull; the main goal was to designate th
courage and gallantry of the participants. Four daring men and women were in the field, trying to control the bull. One of them had to jump on the bull and perform several exercises holding the bull’s horns, such as acrobatics and somersaults. At the end he had to jump over the bull.
The common ancient paintings distinguished male and female by painting the male skin in a darker color and the female with fair skin color, the bull-leaping frescoes is an example of this. In this fresco the bull is elongated using sweeping lines in order to form a funnel of energy; the human figures are painted with stylized shapes, typically Minoan pinched waists, and highly animated. These paintings also have twisted perspective as all of the Egyptian’s work, with the body in profile but a full eye view.
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