Creative Writing : Away Essay Example

towards marginalized groups such as migrants, those with less wealth, and artists.

Gwen needs to apologize for her behavior. She often complains and exaggerates, which is a problem. For instance, she criticized Meg's performance in the play by asking why she had to do Shakespeare. Moreover, when Jim asked for his keys during the play, Gwen lost her temper and caused a scene by throwing things around. It's crucial that Gwen apologizes to Jim for this incident.

Gwen recognizes that she can't continue behaving in this way and must make changes in her life. As George Bernard Shaw once said, "Progress is impossible without change, and those who cannot change their minds cannot change anything."

Gwen has come to accept that change is an inevitable part of life, as she confronts intense emotional conflicts. The lives of Jim, Meg, and Gwen are all transforming significantly, disproving the notion that we remain unaltered and unchangeable. The storm serves as a symbol for their emotional turmoil and the resulting changes in their lives. Coral, who has different values and perspectives on life compared to Gwen, experiences a similarly profound transformation. One key difference between Coral and Gwen is that Coral is less preoccupied with material possessions.

When Roy urges Coral to return to the real world, she retorts that she may not enjoy it there, signifying her grappling with the loss of her identity. Coral is constantly immersed in sorrow due to the demise of her child. Despite Roy's indignation and unease towards her uncustomary conduct in public, his impassioned pleas for Coral to exhibit conventional behavior have negligible impact on her. She resembles a juvenile who is

determined to adhere to expectations, promising to "be good" and "improve."

Witness my improvement...

Coral and Gwen share the trait of being unable to have fun. Roy pleads for Coral to revert back to the woman she used to be, who was lively and reminded him of Kim Novak. Rick's presence triggers memories of Coral's son, and her desire to be with the dead transforms into a desire to be present with the living. Coral's fear of change is reflected in her behavior and is indicated by the mermaid's statement, "I cannot walk, I am afraid." Tom, as the sailor, shows Coral that change is possible by stating, "I will show you how."

Coral appeared subdued, but the tension between her and Roy propelled her to take a drastic step towards a new life. Similarly, Gwen made a decision to break free from her family and control her own destiny. Coral follows suit, breaking away from Roy's demands and intimidation. She now has the courage to reveal what she once concealed in secrecy.

In "The Conciliation" by Benjamin Duterreau, 1840, the question is asked: "What's the word they say in those plays? Alas." George Robinson's objective was to relocate the remaining aborigines from Tasmania to a distant, safe location, resulting in substantial changes to their lives. These changes were not voluntary but instead imposed upon them. The Lieutenant Governor and Robinson believed their actions would safeguard the aborigines from massacre. Meanwhile, Robinson's historical account, Where Changes are taken place through history, narrates this event.

Despite Robinson's efforts to prepare the indigenous people for mainstream society and white culture, his methods involved separating families and enforcing strict prison-like routines, leading to

their unhappiness and ultimate failure. However, Robinson's legacy serves as both a celebration of his accomplishments and a reminder for future generations to value gentle treatment over violence, as demonstrated in comparison to Geoff Parr's 1985 national report.

By utilizing the medium of photography, Parr borrows from Dutterau's work in order to reconstruct the viewer's sense of intertextuality and transformation, leading them to ponder how societal values and attitudes may have altered over the past 150 years and ultimately suggesting the need for change. Triganini, featured in an oil canvas, is portrayed as a powerful agent for change within her tribe, persuading her peers to embrace Robinson's proposed transformations for their living environment. Her presence alone was enough to evoke substantial change among her people. Triganini was among the nine aboriginals that Robinson brought with him to convince others that his changes would ultimately benefit them.

Although she was occasionally labeled as a traitor, Trugininis was largely seen as a victim. To illustrate Trugininis' dedication to transforming black society and encouraging them to follow her lead in embracing change, Parr superimposed her photograph onto a black figure dressed in white. Moreover, the surveying equipment serves as a representation of progress, construction, and the assertion of ownership over the land.

Jeans epitomize our casual and laid-back lifestyle, while the suit donned by the older figure symbolizes the changes in the corporate and political world. Accompanying this is the sterioplayer, representing the technological advancements in the music industry. The esky is also a notable feature of our outdoor leisure and lifestyle. The kangaroo skin stands for people's attitudes towards animal species and the environment. The "set" induces skepticism

as it appears to be a mere portrayal of what is true, maybe even staged, considering that Aborigines still do not possess the authority that Robinson once did over them. The man in the suit clarifies this point to us.

Our everyday lives demonstrate the obvious presence of change, as the acceptance of equal rights among males and females becomes more prevalent with each generation. In the early 1960s, women were confined to household duties, placed in the role of caretakers for their homes, children, and husbands. Comparing these times to the present day, we can see that the declaration "we continue as we are unchanged and unchanging" is clearly refuted. Women in the 20th century have transformed from being portrayed solely as loving and submissive housewives, presented through television at that time as the epitome of perfection, to today's physically active women who exude strength and sex appeal while wearing leather attire, and without the need for a male counterpart.

The article "La Femme Fatale" discusses how women have evolved in TV dramas, moving away from traditional gender roles. Today's television features slender and seductive women in action-packed roles, rather than being stuck in the kitchen. For instance, the character Gere Ryan from Star Trek Voyager wears a form-fitting blue outfit that highlights her intelligence while still being alluring to viewers. This is in contrast to the typical housewife drama that features women solely focused on cooking.

The changing role of women is not only evident in society, but also in popular culture such as the television series Star Trek. In addition, there have been strong female characters depicted in TV dramas. One example is

La Femme Lakida, portrayed by Peta Wilson, who is both sexy and strong and made an impact on small cable television. Although she is portrayed as a reluctant assassin who only kills in self-defense, Lakida represents a courageous figure that reflects the evolving image of women in society. Another example is Xena the warrior Princess, played by Lucy Lawless, which has become a feminist icon and inspiration for many lesbian women due to her fearless, tough, and brave persona.

The recognition of sexuality has evolved, resulting in Xena being regarded as a symbol for lesbianism. Xena and Lakida challenge conventional female roles with their strength and resilience. Mary Richards played a significant role in making this transformation possible by paving the way for numerous female characters on television today.

As these characters have evolved, women are portrayed in a new light with increased respect and success in the TV industry. Mary Richards exemplifies this change by joyfully throwing her hat up as a hard-working woman. It is clear that times are changing.