The 2001 film, The Others, is considered a terrifying horror that keeps its viewers on edge until the very end. Through analyzing Alejandro Amenabar's directing approach, this article will explore how elements such as cinematography, character development, setting, and narrative progression contribute to the buildup of suspense. The film heavily relies on suspense as a core feature, as the audience remains uncertain about the events to unfold. This sense of unease persists throughout the movie, thanks to Amenabar's skillful use of filming techniques and gradual unfolding of the plot, ultimately building towards a climactic finish. From the very start of the film, the director captures viewers' attention and holds it through a masterful use of lighting and sound, and the incorporation of visual elements relevant to the plot helps increase tension before the final re
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The photos of children drawing or reading the bible are panned and tilted slowly. Segments of the film are highlighted with the use of lighting while others are obscured in shadow, creating a sense of mystery about what lies hidden. The images transition smoothly through a fading effect, allowing them to linger in the viewer's mind. Overall, this sequence of images confuses the audience at first, as they appear disconnected from the story. Eventually, as the story unfolds, their relevance becomes clear.
The use of props in creating suspense is small in comparison to other techniques, however, in The Others, these props are frequently used. The rosary stands out as the best example and it appears multiple times, contributing to the sense of anxiety as it suggests something unnerving is about to occur. The audience is given this impression du
to a prior mention in the film that it should be used when feeling fearful. Additionally, the statues found in the junk room also have a frightening quality to them. Overall, elements such as cinematography, characterisation, setting, and narrative sequence are essential in building suspense because they have become fundamental components of horror movies. By maintaining these elements throughout the film with subtlety and mystery, the audience's interest is captivated. Sound, both diegetic and non-diegetic, is also significant in creating suspense.
There are several instances of sound in the film that either lead to or resemble a climax. The diegetic sound of footsteps and breathing add to the atmosphere as the protagonist approaches and enters the junk room. A sudden moment of silence in the room effectively builds up anticipation towards the climax. Similarly, silence is used to build up tension before the climactic scene with the curtains. As soon as the curtains are drawn, non-diegetic music kicks in.
The audience is unsettled by the strange condition of the children, leaving them feeling trapped in the seemingly inescapable house. The disappearance of previous housemaids only adds to their uneasiness and uncertainty about Grace and the children. Through her dialogue, Mrs. Mills, a peculiar character, causes worry among the audience as she speaks of her intimate knowledge of the house, a revelation only explained at the end. Such speeches create tension between the audience and the story.
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