Filipino Psychology Essay Example
Filipino Psychology Essay Example

Filipino Psychology Essay Example

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  • Pages: 7 (1755 words)
  • Published: September 21, 2017
  • Type: Research Paper
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Humanistic disciplines have been present in the Philippines since pre-colonization, encompassing various fields and expressions with a primary focus on spirituality.

The native humanistic disciplines of the Philippines are in danger of disappearing as attention turns to foreign cultures. Filipino painting today combines different cultural influences, with a strong Western influence but also drawing from Eastern traditions. The earliest art in the Philippines can be observed in the red slip designs on ritual pottery, such as the famous Manunggul Jar. Pottery-making in the Philippines has been found as far back as 6000 BC, unearthed in Sanga-sanga Cave.

In the Philippines, pottery making was a popular activity during prehistoric times. Evidence from Sulu and Laurente Cave in Cagayan indicates that this ancient craft originated around 5000 BC. Notably, Filipinos started making pottery before t

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he people of Kampuchea but around the same period as the Thais, suggesting a shared advancement in pottery technology during the Ice Age.

The tattoo tradition of early Filipinos, known as Pintados or the ‘Painted People’ of the Visayas, helps to highlight additional reasons for painting. These early Filipinos decorated their bodies with various colorful pigments, depicting designs of plants, animals, and celestial bodies. Today, we can still see some of the most intricate artwork created by early Filipinos in the arts and architecture of the Maranao. The Maranao are particularly famous for their carved and painted Naga Dragons and Sarimanok found in the beautiful Panolong of their Torogan or King’s House.

Filipinos started creating images in the European style during the Spanish period in the seventeenth century. The earliest of these images were Church frescoes that portrayed religiou

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imagery rooted in Biblical origins. Additionally, there were engravings, sculptures, and lithographs that depicted Christian icons and European aristocracy.

During the 19th and 20th centuries, a combination of spiritual, political, and landscape art was produced in the form of pictures and sculptures. These works often exhibited qualities of sweetness.

Dark and light are prominent themes in the work of early modernist painters like Damian Domingo.

Spiritual and secular pictures were affiliated with art. Juan Luna and Felix Hidalgo's artwork demonstrated a propensity for political expression. Artists like Fernando Amorsolo employed post-modernism to depict Filipino culture, nature, and harmony. On the other hand, Fernando Zobel utilized words and abstract elements in his work. Furthermore, in the early 80s, there were other unique and ordinary artists present.

Elito Circa, also known as amang pintor, is a renowned Filipino folk painter who creates his own paintbrushes using his own hair. He personalizes his artwork by signing his name with his own blood on the right side of his pictures. Despite lacking formal training or guidance from experts, he has developed his own unique style.

The literature of the Philippines reflects both its Prehistory and European colonial heritage.

The literature in the Philippines is a mix of indigenous and Hispanic authorship systems. Traditional Filipino literary works were written in Spanish during the Mexican and Spanish period.

Filipino students are currently engaged in the study of the acclaimed literary works of the Philippines. These include Noli Me Tangere, El Filibusterismo, Florante at Laura, and Ibong Adarna. These literary masterpieces are written in various languages such as Tagalog, English, and other native Philippine languages.

The common dances of the Philippines include the Tinikling and Carinosa. In the southern part

of Mindanao, Singkil is a popular dance that tells a story of a prince and princess in the woods. The dance involves using bamboo poles arranged in a tic-tac-toe form, with the dancers moving between them.

The early music of the Philippines was a combination of Indigenous influences.

The music that thrived before European and American colonization in the 16th and 20th centuries encompassed Islamic and various Asian sounds. Both Spanish colonists and Filipinos showcased a diverse range of musical instruments such as flutes, guitars, ukuleles, and fiddles.

Traditional vocal and dance performances, utilizing huntsman's horns and membranophones, have been a significant aspect of Filipino culture for a long time. These performances were traditionally held during joyous occasions. In the present day, these traditional vocal and dance performances still hold great cultural significance in the Philippines. Notable groups such as Bayanihan and Filipinescas are known for their captivating showcases of these performances.

The Karilagan Ensemble, Barangay-Barrio, and various groups associated with the clubs of Manila and Fort Santiago theaters are all part of Hariraya.

Several notable Filipino instrumentalists, such as composer and music director Antonio J. Molina and composer Felipe P. de Leon, have achieved prominence.

Modern Philippine music covers a range of styles, from Filipino rock and hip hop to other contemporary genres. It is well-known for its chauvinistic subjects and the opera vocalist Jovita Fuentes.

Traditional elements of Filipino culture encompass various aspects such as folk music and architectural designs. One prominent example is the Nipa hut, also referred to as Bahay Kubo, which serves as the prevailing housing style in the country. This type of dwelling is created using basic materials like bamboo, coconut, and cogon grass.

Nipa

palm leaves and coconut fronds serve as roofing material, especially in areas prone to heavy rainfall. Many homes in these regions are constructed on elevated piles to avoid flooding. In mountainous areas, thicker and denser thatching materials are used for roofs, while coastal regions may require longer piles for buildings constructed over water. Additionally, the architectural style of indigenous communities often features angular wooden roofs.

Bamboo was used instead of leafy thatching and for ornate wooden carvings. Rocks were introduced by the Spaniards for building and housing materials. Christianity brought European churches and architecture, which eventually became the focal point of most towns and cities. Spanish architecture can still be seen in Intramuros and Vigan.

Iloilo and Jaro are regions in the Philippines where Islamic and other Asiatic architectural styles can be observed on buildings such as mosques and temples. The Coconut Palace is a notable example of Philippine Architecture.

Contemporary architecture in rural countries still includes pre-Hispanic lodging, while in metropolises like Manila and surrounding states, American manner suburban-gated communities are popular.

The history of Philippine cinema dates back to 1897 when a Spanish theatre owner showed imported moving images. From the 1930s, Philippine film began to establish itself as a new medium for artistic expression. Scripts and characters in films were influenced by popular theater shows and Philippine literature. This trend continued into the 1940s.

The Philippine film industry achieved global acclaim for raising awareness through its movies, particularly those that emphasized chauvinism, war, and bravery. These films resonated well with Filipino audiences and became popular. The 1950s ushered in a golden age for Philippine cinema as it saw the rise of more refined and artistically crafted films.

During

this time in the Philippines, there were significant advancements in cinematic techniques, resulting in a substantial increase in activity within the movie industry. Numerous films were produced each year and some local productions gained recognition on an international level. Additionally, award-winning filmmakers and actors emerged during this period. Eventually, as the decade drew to a close,

The studio system monopoly faced challenges as a result of labor-management conflicts. By the 1960s, the dominance established in previous years was declining. This period was marked by widespread commercialization in films. The Philippine movie industry experienced both positive and negative changes during the disruptive years of the 1970s and 1980s.

The films during this time focused on more serious subjects as a result of the Martial jurisprudence era. Additionally, there were advancements in the quality of action, western, drama, adult, and comedy films.

In the 1980s, the film industry of the Philippines experienced a significant change with the rise of alternate or independent films. This trend continued in the 1990s when various genres such as teen-oriented romantic comedies, adult comedies, and action movies gained popularity.

Over the years, the Philippines has remained unmatched in Asia in terms of theater admission levels. This can be attributed to their early establishment of a movie industry and sustained success as manufacturers.

Film viewership in the Philippine film industry has undergone a substantial decrease, dropping from 131 million in 1996 to 63 million in 2004. The number of films produced was previously high, with 350 movies per year during the 1950s and 200 films per year during the 1980s. However, this figure declined between 2006 and 2007. Nevertheless, independent filmmaking has undergone a revolution in the twenty-first

century due to digital technology. Consequently, numerous films have regained broad recognition and acclaim.

Psychological Foundation.

The realization that psychological science doesn't need to be imported from the United States of America brought a sense of freedom. This realization also brought new energy, new significances, and new directions for Philippine psychology. The growing interest of Filipino psychologists in the arts is expected to lead to an intriguing redefinition of psychology itself. Felipe de Leon Jr. is enthusiastic about exploring indigenous Filipino psychology in music and the arts.

De Leon, the 5th president of the association, led the Sikolohiyang Pilipino movement, advocating for increased awareness in the humanities. He differentiates between people's art and specialized art, with the former encompassing traditional, indigenous, cultural, and folk art.

The presence of people's art can be found everywhere in the state, especially among both rural and urban populations. In these communities, instruction is closely tied to the life process, rather than being artificially structured and purely theoretical.

Mental acquisition occurs in a formal environment such as a school. It is an art that is incorporated through diverse means, including everyday matters, engagements, charts, and tasks.

Specialist art, on the other hand, is created by individuals who have received formal education and training in diverse humanities fields such as fine arts, literature, music, and dance.

One way to delve into the Filipino worldview through folk art, which encompasses the concept of kapwa, is by playing or showing movies in schools. This practice also highlights the presence of up-and-coming artists who specialize in capturing everyday life, further emphasizing this vibrant cultural tradition.

The depth, challenges, and hopes of modern Filipino life undoubtedly revolve around pakikiisa, which embodies the highest

level of kapwa psychology. Understanding the Filipino mindset is crucial for liberation, not only by merely describing their arts, behavior, and culture, but by motivating them to take action based on their own worldview and terms.

The Filipino psychologists themselves undergo a transformation in their self-image due to their active engagement in the humanities. This engagement may also impact their individuality. It can be argued that psychologists should move towards art, not to avoid psychology, but to approach its core essence.

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