Contrary to autobiographical pieces such as those by St. Augustine and St. Teresa that primarily concentrated on spiritual and religious matters aimed at converting people to Christianity or other religions, Jean Jacques Rousseau's "Confessions" adopted an alternative method (Cranston). His autobiography was largely influenced by his personal emotions, life events, and even episodes that caused him embarrassment. The book’s preface provides profound disclosures about his personality.
Rousseau made a daring proclamation, "I have set forth on an incomparable journey that none will dare to replicate... let everyone listen to my confessions, recoil at my malevolence, and shy away from my tribulations; each individual should honestly expose their own shortcomings and the transgressions of their heart. And if they possess the courage, proudly declare: I was superior to this man." He realized he could potentially be the p
...ioneer in writing such intimate autobiographical content. It seemed as though he was unabashedly showcasing his book as a trailblazing masterpiece.
Even though his work was not referenced in this specific debate, he insisted on the authenticity of his art. His creation, "Confessions", which symbolizes the essence of Romanticism in literature, served as Rousseau's platform to chronicle his life - an act possibly motivated by self-regard or the urge to document personal experiences. This impulse stems from romantic poets' intrinsic preference for recalling and narrating their exploits. Without inhibition, Rousseau highlighted aspects of his past and narrated both triumphant and regrettable incidents. Undoubtedly, he did not hesitate to write about his dalliances with women and sporadic instances of mischief.
Initially, what does romanticism or the Romantic Period signify? Today's generation often associate the ter
"Romance" with love narratives. However, becoming a romantic author doesn't automatically entail writing about love. Romanticism originated in the 18th century as a thing of opposition to the Classical or Enlightenment age literature of the 17th century. The Romantics highlighted imagination, emotion, and intuition over rationality, making their work more sentimental and consequently irrational compared to their Classical counterparts.
Numerous romantics penned works revolving around nature, the common folk, especially women and the elderly. These writers often displayed a profound attachment to the past, frequently incorporating elements of legends, medieval narratives and folklore into their writing – a trait evident in “Confessions”. Rousseau, for example, writes affectionately about a particular walnut tree that held his admiration. As he memorably said, “The thought of this walnut tree, and the minor stories it inspired, have remained warmly anchored in my memory... The opportunity to revisit it seems slight at present; however, should I ever revisit that charming location and discover my beloved walnut tree still standing, I am certain that I would bestow upon it my tearful gratitude.” In this brief snippet, Rousseau conveys his deep desire to be reunited with his cherished walnut tree – a symbol of fond remembrances for him. While this may seem overly sentimental to some, it is characteristic of romantic authors. Memory serves as the catalyst that provokes these writers into exhibiting intense emotion and passion about their subject matter.
The depicted literary method was outstandingly extraordinary when contrasted with the works of Classical authors from the 16th and early 17th centuries. The prose gravitated towards a freer, more personal, and emotive tone. While not as direct as modern
non-fiction, it signifies the development of language flexibility in writing during this period. Importantly, two respected English writers - William Wordsworth and Samuel Coleridge who rose to prominence after Rousseau, were known for their Romantic creations that championed this form.
It was renowned that they were excellent poets, often penning about the ordinary folks, journeys, and narratives borne from their creativity, employing straightforward and uncomplicated language. Given that the original text is in French, it's uncertain whether Rousseau actually utilized simplistic French language. Nonetheless, from perusing numerous translations conducted over time by English authors, we can conjecture that his writing style was indeed simple.
Without a doubt, these translations have been undertaken by proficient translators who succeeded in grasping and conveying virtually all the same emotions that Rousseau initially articulated in French. Recognized as one of the earliest romanticists, Rousseau also earned a reputation as a philosopher. He is celebrated for his teachings that humans inherently possess goodness, personifying the noble savage, and it's the institutions which taint this innate purity. Many followers of romanticism adopted this concept, and even in today's context, some people still apply Rousseau's theories in dealing with socio-economic reform.
Moreover, creative techniques of articulation were born from romantic ideologies. In the domain of written works, post-Rousseau romantics comprised of well-known personalities like Edgar Allen Poe, Nathaniel Hawthorne, Samuel Taylor Coleridge, William Wordsworth, and Emily Dickinson. The Romantic Period had a substantial imprint on the arts by not only generating and introducing a significant amount of esteemed authors and artists but also inspiring numerous individuals with ideas that surfaced in this timeframe. It held an instrumental part in
forming the 19th-century Modernism movement.
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