Response to Ap-Style Prompt on Meena Alexander’s “Fault Lines” Essay Example
Response to Ap-Style Prompt on Meena Alexander’s “Fault Lines” Essay Example

Response to Ap-Style Prompt on Meena Alexander’s “Fault Lines” Essay Example

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  • Pages: 3 (587 words)
  • Published: November 16, 2016
  • Type: Essay
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Alexander uses various aspects of the language to represent herself, "a woman cracked by multiple migrations. " The diction, imagery, and figurative terms that Alexander utilizes create a clear picture for the reader of a woman who is questioning her life and what might have been. There is an extended metaphor that runs throughout the piece that compares Alexander to something fragile and cracked. Words like "splintered", "shards" and "fractured" imply glass and all of its frailty. She sees herself as a mass of distinct pieces,"a mass of faults,"that cannot succeed in coming together, "fluid and whole" to complete her as a satisfied person.

In opposition to this "glass diction," Alexander uses another metaphor that compares herself with a beautiful flower. This is the life th

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at lives only in her memories and dreams, the life of a "dutiful wife ... blooming in du season ... in a sweet perpetual place. " The juxtaposition of these two metaphors accentuate the painful distinctions between Alexander's realized life, one of brokenness and disunity and her imagined life, one of happiness and peace. But , she soon points out that even this "good" life is "filled with ghosts" for it would have meant not having freedom; it would have been a "choke held. Thus, these metaphors and the diction that brings them to life illustrate conflicting feelings within Alexander. On the one hand, she is dissatisfied with her present life and feels separated from her roots and culture, on the other one, she knows that if she had stayed in India, she would have been unhappy for different reasons and always longed for independence. The image

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that Alexander presents of "mango trees fruit[ing] in the rough asphalt of upper Broadway" accurately illustrates her conflict.

The blossoming tree represents the life that would have been here in India and the asphalt of upper Broadway her present home. The almost impossibility of this event - a tropical tree flourishing in the middle of New York - emphasizes Alexander's knowledge that her old life and actual life can never be reconciled. The image of "selves jammed into my skin, multiple beings locked into the journeys of one body" further illustrate her conflicting feelings . She has various "selves," all of who want different things from life. Unfortunately, she has only one life to live and must decide among her onflicting emotions and choose the path that she will take. The words "jammed into my skin" also show how painful the subject is for Alexander. Alexander's use of rhetorical questions and parallel structure also enhance her story "And what ... " in lines 19 and again in 26 introduce parallel paragraphs, the first explains her geographic uprooting, with a list of hometowns, and the second shows her cultural fracturing, with a list of languages she knows. "Odd shards" of these cultures survive in her mind but she cannot unify them into a pleasing whole.

Rhetorical questions like "What could I ever be but a mass of faults, a fault mass? " She that Alexander is uncertain about the decisions she has made and the ones that she must make in the future. She has "trembling hands" that cannot guide her to happiness. Alexander's account of her self examination ends without resolve - she

allows her mind to "slip ... back into the darkness, [to] the shelter of memory. " She is unable to resolve her problem and is not strong enough to confront it for very long. Thus ends the personal struggle of a woman torn between past and present, haunted by many selves.

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