Postmodernism And Authenticity Essay Example

traced back through the archeological of the ancient Egypt which was so endowed by art activities, and to all the way from Mesopotamia, who tend to be the traceable old societies use to their artwork to record information. It is believed that these were the first human societies who had the capability of storing their information on written records.

Over the centuries, the power of art has driven the human world, in this case, it became a way of expressing ideas or what someone perceives from the internal part of the brain. Through this creativity was developed in the formulation and presentation of the artwork. In the ancient Egypt, there used to be drawings on the economic activities in a store and also later, the development of the heliographic as a form of writing.
In the modern world, the subject of art as a way of expressing the opinion and a way of showing the level of interpretation of the human brain makes it a driving factor in understanding the society. The development of the new and the digital technology makes it much better and easier to observe and present artworks (Moore, Robin). The major dilemma that exists is the question whether there are still the original authors in the art world. This is attributed by the fact that all the artists always tend to mimic the already existing artworks, with very little modification which makes their works to appear unique.

Portraits identification is the ability to distinguish picture from other types of arts and capacity to develop personal interpretations of these pictures. The introduction of artwork is, therefore, essential for the proper analysis of the artwork. There

are distinct ways of identifying portraits, which majorly involve four essential areas to put into consideration, which includes:
a) Subject.
One of the major factor is the subject in which the portrait is based. There is need to answer questions like the posture the person takes in the picture. This will help to analyze the subject of the artwork. It is also important to identify whether the portrait was a self-portrait. This will help the interpreter to have a clear picture of the painting based on the message it reveals and ensure accuracy in the interpretation and understanding the content of the portrait.
b) Time, place and reasons.
After the identification of the subject of the portrait, it is important to analyze the question to do with when, where and why the picture was drawn. This can only be achieved by establishing the period the subject lived in the geographical location, the person the paint was meant to reach, and the uniqueness that exist in the portrait.
c) Emotion drawn from the portrait.
Another important aspect of picture identification is to establish the emotion that the portrait creates in the mind of the observer. Based on this matter, the feeling that is created on the observer becomes essential in the analysis. In this case, the person should have a sense of interest or disinterest based other arrangement in the portrait. It is important to take recognition how the artist has presented its details. This will also enable the person to predict the gender of the artist. It will also allow the analyst to read the feeling or the emotion the artist had in the mind when he or she drew the

portrait. This part will also enable the designer to predict the perception of the person in the picture.
d) Set-up of the image.
In the portrait identification, the set-up of the image becomes a major factor. This involves the way the artist arrange the image, and whether the person captured was settled for the purpose of being captured. It is also important to determine whether there are more than one person in the portrait, and the major focus of the artist. This case there were more than in person in the portrait, it necessary to ask the meaning of that based on their relation to each other.
Other factors to consider in the painting analysis involve, the determination of the reasonability of the portrait. In such a case, the analyst should be able to depict if the person was actually presenting something real in the world or just an unusual presentation from his or her mind. There is also need to take into consideration the shape line and space as the essential elements of the art. The idea also includes the coloring.
Causes of difficulties in identifying portraits.
In art, there may exist a difficulty in the identification of portraits based on the observation it gives to the observer. This issue may emanate from several reasons that interfere with the analysis. In this case, it is important to analyze the causes of the difficulties critically. Some of the primary reasons that make the issue include the visual processing problem, the existence of memory lapse and the missing concept in the identification

The problem of visual processing is one of the difficulties in the determination of portraits. This inability to make sense

of the painting through the observation. In this incidence, there is the analyst is incapable of creating an effective interpretation of the painting (Panofsky et al., 39-54.,). The causing factor is the lack of prior knowledge of the information or the practice of a society at a particular time. It, therefore, becomes difficult for an observer who is ignorant of a particular culture or practice to learn that culture just by observing the portrait which does not make sense to him.
As stated by Roland Barthes, there is no a fundamental knowledge in the art world or any work of presentation. All the artworks get their base information from the prior invented information. Therefore it requires a person with prior knowledge to be able to interpret an artwork (Barthes, 3-8). Therefore in the case where a person lacks the previous experience, visual processing issue is likely to arise.
Apart from prior experience, there may also a visual problem resulting from other factors like cases where there is no clear message the portrait was trying to portray. Since some artworks were not meant to represent any message, their meaning can be understood by the artist himself. This include cases when the artist, through the power of imagination, creates an object which do not exist in reality and he or she just view it in the imagination world. An example is a drawing how heaven looks like, which no one has never seen.

Memory lapse is the second major cause of difficulties in the identification of a portrait. This is the inability to recall the time in the history that the subject presented refers. In most cases, due to lack

of stored information about a historical event, it may be difficult for the interpreter to recall the time and the types of activities that took place. Or that period which led to the drawing of a portrait, since an art work is a way of storing information for future reference, there is a need to have a backup on the minds of individuals regarding the occurrence of that period.
The concept of memory lapse is, therefore, a difficulty that is experienced in the interpretation of the portraits. It is, therefore, necessary for any person who wants to interpreter a portrait to be well acquainted with the particular history of that time. Being that no new information is added in the world, especially in the artwork, all the works that are presented in the portraits are based on the past information or the already existing information. Therefore, proper interpretation requires the ability to recall that particular event in the chronologies of a particular society.

Missing of some details in the in the portrait identification.
The inability to link information being portrayed in the portrait becomes a major issue in the process of identifying a painting. The missing links tend to be the key in the content identification, since, though the interpreters have idea about the concept, but not complete information (Srinivasan, et al 90). In this case, the interpreter finds it difficult to link one process with the other in order to pass the information. It is for this reason why it becomes necessary for the person to have all the information of the past historical event in their chronological basis to be able to comprehend the entire information

in the portrait.
The missing concept has several effects on the interpretation. One of such effect is the delivery of wrong information. Due to the missing link in the understanding, the person may assume the most important part of the portrait and hence result to the delivery if wrong information. Therefore the process of the interpretation should be accompanied by step by step flow of information, so as to complete the information required in the information.

In the process of portrait identification, therefore, there is a possibility to come up with various and contradicting information on the subject matter. This problem is majorly caused by the inability to have complete information from distinct interpreters.
Possible ways to enhance portrait identification.
To enhance the ability and ease in the portrait identification, there is a necessity to take several factors into consideration. One of the major factories the issue of prior knowledge. Since artistic work requires prior knowledge often formations, to becomes essential for one to familiarize himself or herself with the past information. In this occasion where there is a difficulty, the first step is to establish the primary cause of the difficulty in the identification (Rose, Charles). Once the cause is identified, there is a need to address the particular challenge. This will enable an individual to be able to understand the dynamics of the society.
The problem of memory lapse is easily solved by brainstorming on the past historical events in the community that the portrait is inked. In this case, the interpreter to use at least one identity in the picture that will enable him or her recall. Once he gets a clue, it becomes necessary to seek

more information on the trace so as to enable him or her to remember the event. In doing this it proves that the information in the portraits is always based on the already existing information, and hence no single individual is right to claim the ownership of information.
In solving the problem visual processing issue, it is required for the interpreter to take into considerations factors to do with knowledge inquiry on the subject matter, in this case, the person can only be capable of understanding the portrait in the event of the presence of prior information. It, therefore, means paintings or artworks are to be used as reminders and not just a source of original information. For this to happen, the portrait must address the specific society. It, therefore, becomes impossible for an outsider to interpret or understand, not unless he or she does an anthropological research on the way of living of that particular society.

The missing concept issue can easily be dealt with through further research so as to update oneself with the lost information. A brainstorm of the society way of life and the incidences, recorded, or not recorded, or by use of oral tales will help in this matter (Hertz, Paul, and Debra). Also, the interpretation and identification of portraits will always be clear if the individual has all the previous occurrences in the society. This is achieved by being a lover of historical research. Since portraits are source and storage of information, one is likely to be perfect in the identification if he or she can trace back the historical events that emanated to that particular concept.

As acknowledge earlier, the current

society does not have original artwork, and it is, therefore, necessary to accept the hybrid information that most authors have. The modern society with is acquainted with increased technology applies the concept of the presentation of pictures and portraits based on the past information and the addition of new technology to present it. This is majorly enhanced by the creativity to manipulate artworks so that they appear so original.
The improvement of artistic works ids majorly seen in creative presentations such as the music and movies. The background in such works always gives a clue on the lifestyle and all the content matter that an individual can use to understand the set-up of that particular society. Since it is a stylistic mixture of already existing artwork or information, it brings the impression of originality. In the real sense, their work is just but a hybrid of the already existing information.

This research was based on the identification of portraits based on the information they portray.in the identification process; it is essential to take into consideration of the keen factors that will enable one to correctly interpreted the portrait. (Panofsky et al, 41). In this case, proper judgment is necessary so as to come up with the accurate information on the painting. It is also necessary to acknowledge that artists use portraits as a way of storing information for future use. The ability to interpret depends on the capacity to recall the past occurrences in that particular society.
The research also focused on the factors that make identification to be impossible. Factors such memory lapse, visual processing issue and the missing concepts were the key issues in the portrait

identification. To overcome these problems, it becomes necessary to acquaint oneself with the required prior knowledge on the interpretation
Therefore, for an understanding of the art world, originality becomes a critical issue. Being that all information already exist I the memories of individuals, an artist must have the ability to present the information in a manner that will help the interpreter to genuinely think and come up with the details on the portraits.