Cindy Sherman’s image Essay Example
Cindy Sherman’s image Essay Example

Cindy Sherman’s image Essay Example

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  • Pages: 5 (1174 words)
  • Published: December 18, 2017
  • Type: Essay
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Cindy Sherman, a renowned filmmaker and photographer from the United States, was born on January 19, 1954 in Glen Ridge, New Jersey. At 54 years old, she currently resides and works in New York City although she grew up in Huntington, Long Island. It was during her college days that Sherman found her love for visual arts and began painting.

After feeling restricted by her chosen medium, Cindy switched to photography where she could invest time into an idea and create more meaningful work. She focused on photography during college and became a successful photographer and film director known for her unique conceptual self-portraits that explore the characteristics of females, including general stereotypes.

In her photographs, Cindy Sherman captures herself portraying women with the most artificial appearances and unreal figures. She achieves this by depicting vario

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us costumes and styles.

Despite being photographs of herself, Cindy Sherman argues that they are not self-portraits as she feels anonymous when viewing the images. One of her notable works is "Untitled #153", taken in 1985 and captivating in its surrealism. The artwork's dimensions are 170.7 x 125.

The photo measures 7 cm and contains elements of reality but not all appear realistic. Taking up almost half the image on the right side, a girl lies on grass. With short, wavy, light-catching strands, her hair commands attention. Dirt smudges her skin and clothes.

The girl appears stoic with a bruised face, while her clothing has an interesting texture created by the interplay of light and shadow. The background of the photo consists mostly of grass, which possesses a pleasant, grainy texture in a vibrant green hue. Initially, my gaze was drawn to the girl's

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hair upon first viewing the image.

My attention was drawn by the bright light reflecting off her hair as it led down to her face, neck, and clothes before spreading across the background. The photograph, captured by Cindy Sherman, utilizes curved lines and various shapes to achieve a soft focus effect. The image is lit by artificial light and composed both horizontally and vertically.

The photo uses the grass to create a horizontal direction and the girl's position for a vertical direction, successfully applying the rule of thirds. Despite having little depth, it contains flat space. The use of high key tones emphasizes the lighting effect and unifies the work, while light and dark shades were used for shadows.

In this photograph, the predominant aspect is its dullness, which is reflected in the neutral colors used throughout. Nevertheless, these colors complement each other effectively in this image, with the shades of gray performing particularly well alongside the hair and shirt. Texture is the most essential design component of this photograph, and Cindy Sherman has successfully captured a diverse array of textures, including folds in the girl's clothing, smoothness on her forehead due to the lighting, roughness on her neck, a grainy appearance on the grasses in the background, and sharpness in her hair's tips.

The photograph was taken outside and evokes a sense of mystery, with an unpredictable narrative that leaves the viewer feeling neutral yet uninterested. The main focus of the composition is on light and various textures. It's likely that the photographer's main objective was to document an event.

The surreal, cinematic quality of Ansel Adams' renowned black and white photographs depicting the American West is

a result of his focus on light and texture. Born on February 20, 1902 on his parents' bed, Adams was a photographer who excelled in capturing stunning images.

Ansel Adams, born in San Francisco's Western Addition, California, where his family had migrated from Northern Ireland in the early 1700s, died on April 22nd, 1984 at age 82. During a visit to Yosemite National Park in 1916 as a hyper-active child, he was given a Kodak Brownie box camera to take photos. The next year he returned with better equipment and took more photographs.

Published in 1921, his first photographs were followed by the sale of his Yosemite prints from Best's Studio the next year. Even in his early works, he displayed meticulous composition skills and a keen sense of tonal balance. Although music was his primary interest during his youth and early adulthood, he abandoned attempts at a musical career after getting married. He effectively utilized his art to advance various environmental causes, but remained steadfast in his commitment to beauty as the primary focus of his photographs.

Despite the passage of time, Ansel Adam's evocative pictures continue to enjoy widespread appeal in various forms such as calendars, posters and books. His initial experience of the Yosemite Valley ignited his passion for photography, as he recollected: "The splendor of Yosemite burst upon us and it was glorious...One wonder after another descended upon us."

Light was present in all directions.

Ansel Adams, a renowned photographer, was greatly impacted by the Western wilderness and the environmental movement. He was always deeply interested in the beauty of the natural environment and frequently captured it in his photographs. One such photograph, "Jeffrey

Pine, Sentinel Dome," was published by Adams on an unknown date and will be analyzed and evaluated here.

This artwork is a black and white photograph, measuring around 4.5 x 6.5 inches, which has been manipulated by mounting and double-matting with non-archival mat board. The photograph features a distinctive tree tilted to the right, seemingly being pushed by the force of the wind.

The photograph depicts a tree standing in the middle ground with huge rocks at its base for stability. The background shows the smooth sky and blurred mountains, creating a range of textures in the image. The photographer made use of highly contrasted tones to bring about a striking visual impact. The tree branch was the first element to catch my eye and led my gaze across the photo, down to the middle ground and then deep into the background where the mountains were situated. The use of different textures such as the smooth sky, rough and sharp tree, and prickly rocks and ground further adds depth to the photograph.

The photograph portrays the bulk as uninteresting with dull tones and shadows. The artist intentionally captured the image from an intriguing angle and created a lively vertical composition with careful consideration.

This black and white photograph has a vertical composition that appears to have been taken outside in natural light, achieved by tilting the trees to the right. The resulting image is clear and sharp, giving visibility into the background.

The image taken from space displays various shapes and lines comprising curves, vertical elements, straight lines, and thin features. The design primarily emphasizes depicting motion in the photo that is

notably impressive. Moreover, the composition accentuates a tree as its main subject matter resulting in an awe-inspiring image that reflects environmentalism and its fundamental principles.

According to me, the primary objective of a photographer is to capture the beauty of nature in their photographs and preserve it forever. Achieving this aim results in producing magnificent works of art that showcase the photographer's extraordinary talents and exhibit delightful, imaginative, and breathtaking pictures.

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