With Funeral’ Be Considered A British Essay Example
With Funeral’ Be Considered A British Essay Example

With Funeral’ Be Considered A British Essay Example

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  • Pages: 3 (585 words)
  • Published: December 19, 2017
  • Type: Essay
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It appears that 'Four Weddings and a Funeral' (FWF) is predominantly a British film, as evidenced by its media forms and conventions. These conventions, which reflect stereotypical British traits, are evident in the film's use of generic codes and conventions, which in turn contribute to the media's portrayal of masculinity, class, sexuality, and British identity.

A portrayal of the upper class in the film can be observed from their wealthy status, refined accents, and exclusive residential areas visible in locations such as the wedding grounds and Hugh Grant's pub. Additionally, the majority of the cast is British, typical of a British film, and portrayed with stereotypically British attributes such as their accents and vocabulary.

The film's conversation revolves around school and rugby, and the humor is stereotypically British with a focus on sex. Addit

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ionally, the characters use expressions such as "g. gosh" and "splendid dash."

You could argue that the portrayal of Britain in Four Weddings and a Funeral is more akin to a Hollywood-style film, as it does not depict the gritty reality typically shown in British cinema. Instead, the film presents Britain as a splendid and pleasant place, while Hugh Grant embodies the quintessential English male. These stereotypes may appeal to American audiences, who tend to view Britain and the British through this lens. From the perspective of media institutions, Hugh Grant can be considered an institution of British cinema himself, as all of his films following Four Weddings and a Funeral fall within the genre of British romantic comedy.

Hugh Grant has often portrayed a floppy haired romantic in his films, and is closely associated with this role. While he does contribute to th

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film's British feel, he has also achieved success in Hollywood. The movie was distributed by Grammercy Pictures, representing American influence, while the production was handled by Working Title Films and Film Four.

These two British production companies contribute to the Britishness of the film, despite it being considered low budget for media audiences as an art-house film. However, it gained popularity among audiences, especially British ones, due to its British-style humour. Stereotypical representations of upper-class British characters can be observed within the film as portrayed by FWF.

In FWF, British stereotypes are evident in several ways. For instance, characters are articulate and employ phrases like "gosh" and "dash." The mise-en-scene at the pub is also a typical representation of Britain, featuring items like a portrait of Queen Elizabeth and whisky, which are quintessentially British. Moreover, Hugh Grant's character represents a non-typical form of masculinity. He is portrayed as nervous and lacks the butch male stereotype. Interestingly, his physical appearance is thin with floppy hair, which embodies peculiar British traits.

Sexual themes are prominent in the film, as British humor often revolves around this topic. Additionally, the female characters are portrayed as assertive.

Engaging in sexual discussions while intoxicated is a common practice among the British, making it a characteristic of the culture. Hence, the film FWF can be classified as British due to various reasons. Firstly, the British nationality of the protagonist and majority of the cast play a significant role in giving it a British feel. Additionally, the movie's setting being in Britain adds to its distinct Brit vibes. To sum up, FWF is undoubtedly a British film based on its portrayal of typical British traits and elements.

Although certain elements of the movie appear to be typical of Hollywood, such as the stylish settings in which it takes place.

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