In their works, composers utilize unique voices to mold, question, or reinforce our understanding of the world we live in. Marele Day uses crime fiction as a medium in "The Life and Crimes of Harry Lavender" to confront societal norms related to gender roles. Likewise, Martin Luther King's "I have a dream" speech also explores these important topics.
The aim was to uplift individuals battling racism and to enlighten America that African Americans will no longer tolerate bias. Every creator skillfully employs distinctive voices to convey ideas and stir thoughts about significant global matters. In Sydney, a young investigator named Claudia Valentine delves into the enigmatic demise of Mark Banister. As she unveils new facts, Claudia grows wary and starts an intricate pursuit in Sydney's criminal underworld teeming with crime and corruption.
The protagoni
...st of the story, Claudia Valentine, possesses a uniquely distinctive voice in the narrative. Her one-of-a-kind voice is what sets her apart from other private investigators. The uniqueness of her voice is further enhanced by her independent spirit and strength. She uses investigative lingo naturally and smoothly, for instance when she states, "The crims don't discriminate anyway: they'll blow away a women on their trail as readily as a man." Day's creation of Claudia's unique voice not only makes her character credible but also attracts readers' attention and interest.
Claudia Valentine's voice is characterized by its informality and colloquial terms, which resonate with Australian readers. Her voice exudes confidence and strength, while also revealing vulnerability and uncertainties, intriguing the reader with the surrounding mysteries. Similarly, Martin Luther King delivers a memorable speech urging all Americans to unit
in eradicating racial prejudice for a better country. King's voice is passionate, emotive, articulate, persuasive, and powerful. Claudia Valentine shares some of these qualities in her strong and confident approach to her job and relationships, as she declares, "My legs are my best weapon," using a metaphor that cleverly navigates male ego. Figurative language elements such as metaphors, similes, and personification contribute to King's poetic and engaging voice.
The speaker's utilization of language empowers the audience to visualize and be persuaded by his thoughts. A compelling instance of this is his portrayal of African-Americans' feelings about the Emancipation Proclamation, which he labels as a "great beacon light of hope" for those enduring unfairness. This figurative expression adeptly encapsulates the anguish of bondage and the joy of liberation. King's distinctive voice is realized through his proficient application of figurative language.
In his speech, King embodies America, using symbolism to create a distinct voice. He often articulates his aspirations for improved conditions for African-Americans by attributing human characteristics to America with the statement "I have a dream that one day this nation will rise up and live out the true meaning of its creed." Likewise, Day makes use of figurative language in order to provide her characters an expressive and creative tone. Claudia frequently resorts to figures of speech like similes, metaphors, personification and alliteration to express her perception of her environment. This is evident in Martin Luther King's address "I have a dream," where his initial depiction of the city's "slow sprawl of suburbs" paints a picture through the sibilant sound generated from repeating 's'. Harry Lavender also employs metaphors as tools to convey
his viewpoints on power and progress. He portrays Sydney's resolve to carve out its own identity without being influenced by any individual's ideals. According to Harry, achieving success in this city metaphorically entails "recognizing the shape and growing with it," further underlining the necessity to comprehend what will prosper and what will perish.
Claudia’s colloquial and casual narrative is filled with perceptive judgements and assessments of individuals and the world. As she walks through the city to buy flowers for the funeral, she remarks on how “memories are short in this city and facades change all the time”. These frequent shifts in Claudia’s tone of voice convey important ideas, often connected to the themes of Days. Day uses an informal and casual style to create humor and involve her readers in Claudia Valentine's life.
Claudia's sarcastic tone draws attention to her apprehension about the effects of development in Sydney. She refers to Darling Harbour as a location where an original building, symbolized by having its eye gouged out, was destroyed to make space for development, allowing powerful men to construct monoliths for their own benefit. This personification evokes sympathy for history, emphasizing the ruthless pursuit of power by these individuals. Throughout her discourse, Claudia's voice varies between dramatic, menacing, and emotional.
The changing tones in this speech effectively express the shifts in focus. There is an urgent and dramatic tone when he emphasizes the "fierce urgency of now". Later, a menacing tone emerges as King warns against overlooking the urgency and underestimating the determination of the Negro. Finally, a emotive and personal tone is present as King expresses his hope for
the future.
In their texts, composers use distinctive voices to prompt us to contemplate important global issues. For instance, Marele Day challenges our notions about relationships, society, and gender roles in "The Life and Crimes of Harry Lavender". Similarly, Martin Luther King's speech "I Have a Dream" addresses significant issues like racism and informs Americans that African-Americans will no longer tolerate prejudice, using his distinctive voice.
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