Van Helsing Film Analysis Essay Example

and Princess Ann. Each of these individuals is represented by their respective portrait.

The three brides of Dracula can be seen as a surprising highlight of the film as they transform from beautiful women into hideous creatures. When one of the brides dies, the remaining two return to Dracula and mourn in sadness as he expresses his anger. The sound accompanying this scene is a loud echoing of cries that gradually turns into a more pleasurable sobbing. It is during this moment that we are introduced to Dracula, who is depicted lying in an icy coffin and dressed completely in black. This choice of imagery further establishes him as an emblem of evil, and the icy coffin serves as a symbol of his cold heart - which ironically, he claims not to possess.

The movie presents two important icons: Dracula, representing evil and darkness, and Van Helsing, symbolizing goodness and clarity. Dracula has the power to condemn the whole family to eternal damnation if Ann dies before him. Throughout the movie, these two characters collide and their conflict continues until they confront each other at the end.

The film possesses a discernible sharpness and well-crafted concepts. Similarly, 'Blood' exhibits an abundance and precision in its effects, symbolizing danger, death, and sorrow. While not all murders display sorrow, Ann Valerious stands out for her emotional attachment to her brother, who transforms into a werewolf. This connection denotes a bond between Anna and the werewolf that is not rooted in hatred but rather understanding. The werewolf is depicted as a victim, aligning with the original narratives that portray the wolf man as a defenseless individual seeking mere existence rather than

an inherently evil creature bent on destruction.

There are several components that connect all family relations. The necklace, insignior, and ring are all indexical since they represent a bond between the families.

The connection between the werewolf and the moon is demonstrated as indexical to the viewer, while being symbolic to the werewolf, as each time he sees it, he transforms into a werewolf. This transformation is portrayed multiple times throughout the film. Additionally, the Crucifixes and holy water serve as religious symbols of Christianity.

Vans first experience of Transylvania was through the clever use of angles and panning shots, a technical technique. Upon Van's arrival in the village, it becomes evident that the lighting has been deliberately altered to signify darkness and to establish the audience's awareness of being in Dracula's kingdom. The consistent dimness and lack of brightness throughout the film serve as a deliberate technical element in creating an atmospheric change.

In this movie, there is a lone hero named Van Helsing. Unlike most action movies, which feature multiple heroes fighting evil with a female partner, Van Helsing stands alone. This unique dynamic adds an extra element of excitement to the film. The bond between Van Helsing and Ann Valerious sets them apart from typical leading characters and brings a refreshing quality to the movie.

The precision of Dr. Hyde's eye movement is remarkable as he hangs from the ceiling and stares directly at Van Helsing's face. This shot is particularly well-executed.

The introductory shot of Count Dracula occurs when Dr. Frankenstein turns to face the window. Initially, there is a mid shot from the side (MD), which is then cut and edited to a close

shot from the front of Count Dracula (MS). Finally, the camera moves closer to provide a close-up shot (CU). All of these shots employ technical codes.

After attempting to escape, Dr. Frankenstein's laboratory is revealed from an overhead perspective, providing a glimpse of the setting. Simultaneously, as a thunderstorm ensues, two faces of Dracula are shown—one appearing inhuman (CU).

Like in classic films, the use of shadows is employed during Count Dracula's murder of Dr. Frankenstein, reminiscent of the scene in 'Horror of Dracula'.

Another visual effect is employed when Dracula rises from the fireplace and approaches the camera, transitioning from a medium shot (MS) to a close-up (CU). Despite his flesh being burnt, it magically restores itself to its original state within seconds. This captivating sight is both exhilarating and fascinating to observe, as it demonstrates the artistic prowess of the technical team.

The first shot in Van Helsing is an extreme close-up shot, specifically of his eyes. The rest of his face is concealed by a hat and a scarf.

Count Dracula's Bride's deaths are characterized by unique special effects. One dissolves, another burns, and the third explodes in a peculiar manner. This is identical to the bats, which also explode in the same fashion. All these deaths are reminiscent of Count Dracula's form and shape.

The transformation of Prince Velkan into a werewolf showcases an impressive use of special effects. Initially, his muscles visibly grow, leading to the tearing of his skin. This process appears incredibly agonizing, enhanced by the incorporation of sound effects that make us cringe in empathetic pain.

The final battle features extensive special effects and the incorporation of sound. Van Helsing transforms into

a werewolf, while the fallen angel becomes a mutant. Dracula is rendered powerless and takes the opportunity to suggest to Gabrielle that they could be comrades.

During the Elizabethan era, women were expected to adhere to societal expectations of obedience and subservience while conforming to a strict dress code symbolizing modesty and loyalty towards their husbands. However, Anna stood out from the rest as she possessed strength and a willingness to protect her family, becoming an inspiration for others due to her fortitude and bravery.

In the Transylvanian village, daily life was characterized by dull and faded attire that reflected the monotony and hardships endured by its residents. This mirrored the role assumed by women in Elizabethan times, primarily as homemakers responsible for caring for their husbands and children. Meanwhile, men faced struggles in their work lives which contributed to an overall melancholic and stagnant existence for everyone.

The masquerade ball scene features dancers in formal attire, with dark colors dominating the room. However, Anna Valerious stands out in a vibrant red dress, symbolizing her significance in the movie. All attendees are wearing masks, concealing their identities. Adding to the melancholic atmosphere, a woman sings an eerie opera during the event. The dress code serves as another technical code.

Throughout this movie, there are various forms of meanings. Each scene, incident, and character contains different symbolisms and thoughts. Although the plot is not strong, the special effects and fast pace of the film prevent much reflection on deeper meanings or plotlines. This is a disadvantage because the movie contains extensive thought and exploration of religious signs, bonds, and icons. The movie progresses smoothly from one event to another, continually

building toward a climax. The images in the movie are portrayed through signs, bonds, and icons, giving a clearer and more in-depth presentation.

Hugh Jackman stars as a monster hunter in this text, as he is tasked with stopping Count Dracula's nefarious plan in Transylvania. Dracula is utilizing Dr. Frankenstein's research and a werewolf for his evil intentions. Jackman's character receives assistance from a local vampire hunter, Anna Valerious, portrayed by Kate Beckinsale. Together, they track Dracula's search for Frankenstein's monster (played by Shuler Hensley). Notably, the monster possesses remarkable proficiency with electricity, and Dracula enlists its aid in creating a horde of baby vampires.

Despite the coach chase scene not being particularly exhilarating, it still managed to be thrilling and effectively maintained the overall momentum of the film. However, a drawback is that poorly developed plot points were introduced, particularly when they involved the underwritten character Velkan. The main problem with the movie lies in its excessive number of characters, leaving insufficient room for any of them to fully develop.

There is an alternate perspective on this movie that argues certain scenes may not be suitable for 12-year-old viewers because of their intricate themes. Youngsters in this age bracket might struggle to comprehend these scenes. Additionally, although the film highlights these significant aspects consistently, they might not have the intended effect on a younger audience. This raises the question of whether the intention was to create a relatable movie that can be likened to previous Dracula films.