Tradition In Film Essay Example
Tradition In Film Essay Example

Tradition In Film Essay Example

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  • Pages: 3 (693 words)
  • Published: September 9, 2017
  • Type: Essay
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Film holds considerable sway as a medium, serving as both a source of inspiration and reflection. Its capacity to incite discord or encourage accord is undeniable, as it can depict complex human sentiments and enhance our understanding of ourselves and others. Visually, films possess the capability to transport us to alternate realms that are simultaneously alluring and menacing, grotesque yet stunning.

The art of film has been a constant in human culture since the early 1900s. It is a universal language that enables us to distinguish between truth, falsehood, and everything in-between. From its beginning to the present day with internet videos, film has remained an integral part of our identity and popular culture. Although modern technology has advanced significantly, we still frequently use the fundamental storytelling techniques employed in even the earliest films.

The use of "parallel-action"

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shots, originally introduced by D. W. Griffith in the classic Birth of a Nation, has become widespread in numerous films. This method involves cutting between multiple actions happening simultaneously in different places. Over time, cinema has incorporated various types of shots including standard ones like "close-ups" and "pans", as well as distinctive styles such as the fast-paced first-person camera work seen in Sam Raimi's Evil Dead trilogy and Spiderman series. These filmmaking practices are an essential component of the medium.

My passion for filmmaking drives me to create unique works that combine innovative ideas with traditional methods. I strive to honor the creators who have inspired me while also appealing to a wide audience. The Coen brothers, Quentin Tarantino, Sam Raimi, and Tim Burton are particularly influential in shaping my artistic perspective because of their distinctive styles and use of

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black comedy.

Even though I aim to produce a film of the same caliber as O Brother Where Art Thou, Reservoir Dogs, Evil Dead II or Edward Scissorhands, I understand that this is an impossible objective. Instead, my strategy is to draw from the inspiration of my favorite filmmakers and establish a unique style that highlights my personal viewpoint. To accomplish this goal, I will integrate techniques and aesthetics from other directors who motivate me while also incorporating my own innovative concepts.

Alfred Hitchcock is the benchmark for creativity and self-improvement that all directors should aspire to. He continuously innovated by using various camera techniques and set designs in his films. An excellent example of this is Rear Window, which was filmed entirely on one enormous set representing apartment buildings. The remarkable aspect of this achievement was that the entire film was shot within a single apartment interior, with the storyline revolving around what the protagonist saw through his window in other apartments.

I aim to imitate the unique and audacious techniques utilized by Terry Gilliam and Spike Jonze. Their ability to challenge societal norms sets them apart from mainstream Hollywood, as evidenced by their innovative and imaginative style showcased in films like Brazil, The Fisher King, Being John Malkovich, and Where The Wild Things Are - often featuring madness prominently. It is this approach that I admire and aspire to incorporate into my own work. A prime example of their genius can be observed in Brazil; a movie chronicling an individual's quest for freedom from an oppressive regime while pursuing someone he had only encountered in his dreams.

The film showcases an unparalleled and exceptional level of

dedication by Gilliam in creating a unique alternate world. This exemplifies his resolute commitment to preserving his original vision, a key factor in my filmmaking standards. As a director, it is vital to establish an individual trademark and style while incorporating traditional cinematic techniques; this is often a challenge confronted by inexperienced filmmakers.

T.S. Eliot, in his essay Tradition and the Individual Talent, talks about how criticism is unavoidable but can be overcome by having confidence in oneself and a love for their craft. He acknowledges film as an art form that is heavily influenced by a multitude of sources like theatre, literature, artwork, history, photography, music, popular culture, current events and other films.

Excellent movies seamlessly integrate homage to prior works, in a manner that is imperceptible, although good films do acknowledge said tributes.

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