Their Eyes were Watching God by Hurston Essay Example
Their Eyes were Watching God by Hurston Essay Example

Their Eyes were Watching God by Hurston Essay Example

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  • Pages: 4 (1045 words)
  • Published: November 29, 2021
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Janie Crawford, who is the main character in a novel titled Their Eyes Were Watching God by Hurston, is the granddaughter of a woman who is a slave, Nanny, who was sexually assaulted by her proprietor, and the little girl of a woman who was assaulted by her teacher. It is the legacy of this racial and sexual viciousness that Janie attempts to find an expressly satisfying life. The novel starts with Janie coming back to Eatonville after the passing of her third spouse, Tea Cake Woods. Janie sits with her old companion, Pheoby, to recount to her story, and the main part of the novel, in spite of the fact that described in the third-person voice, is the story that Janie narrates (James and Deborah 229).

Her story starts when Janie's grandma, Nanny, notices her being kissed in a romantic m

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anner. Noting that Janie, at sixteen years old, is virtually a young woman and that Nanny herself won't be near to deal with her any longer, Nanny rapidly organizes Janie's marriage with a neighborhood rancher so Janie can be secured. Nanny asserts, "Yeah, Janie, youse got yo’ womanhood on yuh. So Ah mout ez well tell yuh whut Ah been savin’ up for uh spell. Ah wants to see you married right away." Janie, nevertheless, finds no satisfaction in being Mrs. Logan Killicks so when Joe Starks drops by, Janie joyfully keeps running off and weds him (James and Deborah 229). This becomes apparent when Janie oppose her grandmother’s plans by saying, “Me, married? Naw, Nanny, no ma’am! Whut Ah know ‘bout uh husband?"

Joe becomes aware of a black town being framed, Eatonville, to whic

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he needs to move. From the initial day, he is there; Joe begins planning the town in his own standards, opening a post office and a store, ultimately ending up as the first mayor of the town. As the richest person in the town, similarly, he constructs a grand home. Janie's place in everyone of this, it turns out, is to rule over the town next to him however without talking, and to work in the store while he captivates friends out on the yard. Starks is an intentionally conflicting character. On one hand, the audience can appreciate him for his hierarchical capacity.

Then again, he arranges Eatonville into a model of the white towns in which he has lived, apart from himself at the head of it. Janie loses all sense of direction in the mix. Joe consigns Janie to the part of a voiceless worker and intentionally keeps her separated from a huge part of the town mostly out of desire, halfway out of hatred for the townspeople. Joe: "Ah told you in de very first beginnin’ dat Ah aimed tuh be uh big voice. You oughta be glad, ‘cause dat makes uh big woman outa you." It is clear that by making Janie voiceless, Joe is making her powerless (James and Deborah 229).

From Janie's point of view, her marriage to Starks turns into a twenty-year-long battle to attest herself. She ultimately does, before the entire store, while, protecting herself against abuse about her looks, she hits him with a remark about how old he looks. Taking this injury to his pride as a mortal blow, Joe moves out of their room and rests

ground floor where dies due kidney failure. The account of Janie's third marriage, to Tea Cake Woods, takes up a large portion of the second half of the novel, and it includes numerous intriguing and ponders inversions from the main half. While Janie entered her marriage to Joe as the more youthful and poorer of the two, she is around twelve years more seasoned than Tea Cake and impressively wealthier. However, they begin to look all starry eyed at, get hitched, and move south with the goal that Tea Cake can take every necessary step he likes most, betting and harvesting crops (James and Deborah 229).

The account of Janie's marriage to Tea Cake has brought great to a large number of critics. After the long procedure by which Janie, in the end, could battle out of one abusive marriage, she barely appears to notice that she has fallen into a marriage with another man who also dominates in the same way as Joe Starks. Tea Cake is depicted as more truly aware and adoring of Janie than Joe ever was, and a few scenes amongst Janie and Tea Cake have an apparent sexual charge. However he, as well, starts to get vicious with Janie when he feels envious. Accordingly, the hurricane from which Janie and Tea Cake escape nearly turn into a declaration of Janie's intuitive fury. Unquestionably the frenzied puppy that chomps Tea Cake amid this hurricane and which a few days after the fact causes the rabid Tea Cake sound like a resurrection of Joe Starks is by all accounts a purposeful plot device to compel Janie to settle on an agonizing choice

to live: She ought to shoot Tea Cake to keep him from killing her (James and Deborah 229).

At the point when Janie returns home to Eatonville, she is returning in disappointment; the main expressly compensating love she has found was one that was excessively unpredictable, making it impossible to hold. She feels fulfilled toward the end that she discovered such a relationship at any rate quickly, in any case, the numerous female critics have called attention to, and Janie’s story serves as a superior representation of the relationship for a commonly deferential relationship than it does as a case of such a relationship (James and Deborah 229).

The line for the title occurs amid hurricane. At this moment in the novel, we are acquainted with the significant clash of Man versus Nature. This contention demonstrates at the end of the day that man can't win. In this contention Tea, Cake tries to outmaneuver, beat and outsmart nature, yet at last Nature wins by demonstrating its lethality. "Aw, twudn’t nothin’ much, doctah. It wuz all healed over in two three days," Tea Cake said impatiently. "Dat been over uh month ago, nohow. Dis is somethin’ new, doctah. Ah figgers de water is yet bad." Tea Cake haughtily rejects

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