The Changing Face of James Bond Essay Example
The Changing Face of James Bond Essay Example

The Changing Face of James Bond Essay Example

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  • Pages: 13 (3541 words)
  • Published: December 17, 2017
  • Type: Film Analysis
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Although James Bond, renowned for his "License to Kill," first appeared in Ian Fleming's novel "Casino Royale," it was not until Terence Young directed the 1962 film "Dr. No" that actor Sean Connery brought the character to life on screen. The movie captivated audiences around the globe and showcased the charm and skill of the beloved detective hero.

The famous character of James Bond, with his captivating mix of mystery, cunning, luck and inclusion of the iconic "Bond girls," is estimated to be recognized by more than 50% of the global population.

James Bond has been captivating audiences for over thirty years, undergoing a significant transformation in his personality. However, he still possesses identifiable qualities such as humor, charm, flirtatious tendencies towards women, and professional demeanour when investigating. Over time, Bond's language style shifted from the cultured and professiona

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l demeanor of an impeccable British gentleman to a more laid-back and sarcastic approach. Despite these changes, he remains vigilant and successful in his missions. Sean Connery's outstanding performance in "Live and Let Die" directed by Guy Hamilton in 1973 was followed by Roger Moore taking over the role with even greater poise.

Despite its longevity of thirty additional years captivating viewers, Martin Campbell's "Goldeneye" in 1995 featured Pierce Brosnan as James Bond and yielded tremendous success. As the James Bond franchise advanced, camera techniques evolved considerably, with earlier films relying on simplistic and repeated camera angles instructed by directors to capture medium ranges. "Dr."

Although the film "No" is mostly shot in medium range at eye level and lacks variation in angle and highly developed movements such as zooming and tilting, more advanced and modern camera techniques are used i

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the opening scenes at the casino where Bond's face is shown in close-ups. The delay in time before introducing the super agent builds a sense of excitement in the audience who would be keen to see him, and the camera focuses closely on Bond's eyes then tilts downwards to cover the whole of his face, providing the audience with their first impression of this ambitious character when he delivers his iconic line, "My name is Bond, James Bond". The film's dramatic plot satisfies the 60s audience, but it lacks complex camerawork such as variation in angles, camera viewpoint, and other advanced effects like slow motion and dissolving.

The pace of the film's story line is unhurried due to the inclusion of numerous sequence shots. As viewers' expectations had increased since the Bond series, "Live and Let Die" utilized more intricate camerawork, demonstrating significant progress in cinematography since the 1960s. With access to advanced technology, filmmakers employed sophisticated and refined techniques to appeal to the 1970s audience, who were being introduced to Roger Moore as the new Bond.

Although "Dr. No" and other Bond films of the 60s rarely used modern camera techniques such as crane shots, long shots, zooming, and panning, this film utilizes them to capture close-ups and make the audience focus on specific characters. For example, during a conversation between James Bond and "M", the camera zooms in on the person speaking to capture their upper half in subjective viewpoint. In contrast, "Dr. No" shows both characters in a two shot within the same frame, making it difficult for the audience to concentrate on individual characters and understand what they are conveying.

In the

Island of San Monique in the Caribbean, the opening scenes of "Live and Let Die" show one of the correspondents being kidnapped by tribesmen. The use of a crane shot at a long range followed by contracting to a medium range shot captures the emotions of people who are dancing as if celebrating for a festival. As the correspondent is about to be bitten by a snake, the camera zooms on his close-up, creating tension in the audience's mind who would constantly be guessing his fate. From the very first scene, panning is apparent in the film as the camera follows the tense looking ambassadors listening to a speech to give a general view of the political atmosphere in the room. The use of special effects in the opening credits also demonstrates advanced technology which would have been appreciated by the audience. A woman dancing inside a flame is shown to hint at the violent and destructive theme of "Live and Let Die", creating a feeling that Bond would soon be involved in severely dealing with villainous characters to save the world symbolised by the women.

Undoubtedly, the advanced movement featured in "Goldeneye" surpasses that of other Bond movies from the 60s and 70s. This is due to its use of fast camera speeds which create surreal effects of dreamlike destruction, demolition and fantasy. To appeal to contemporary audiences in the 90s, a variety of camera techniques were employed including extreme close-ups, aerial crane shots from afar, tracking shots, fast panning shots and medium range shots taken at various angles. These serve as an excellent exhibition for significant technological advancements in this field. The film can

be likened to Dr.

The purpose of delaying Bond's introduction in this film is to create tension among the audience, which is achieved through various camera techniques. In the opening scene, medium and long range aerial shots capture Bond's breathtaking jump off a dam. Later, extreme close-ups and medium shots are used to highlight his bravery as he tries to save an aircraft from crashing into cliffs. When Bond moves a trolley full of gas tanks to avoid Russian bullets, the scene is panned at a high angle in medium range, allowing the audience to see his ambitious and cautious approach. The thrilling car race between Xenia Onatopp and Bond is shot from different camera angles and ranges to entertain the audience.

The use of advanced filming techniques, including tracking, close-ups of Bond's animated face, and panning at numerous angles, creates an even more dangerous and electrifying race scene than reality. Crane shots and cutaways capture the movement of both cars as they approach a group of cyclists, adding to the audience's tension and thrill as they witness three human lives risked. The audience wonders how the charming hero will entertain them without harming the Bond women or cyclists. Similarly, "Live and Let Die" and "Dr." showcase top-quality camera features not seen in previous Bond films during their opening credits.

Despite using only basic techniques, the film "No" utilized special effects and developed camerawork to create an attractive and colorful introduction that engaged the audience. In contrast, the introduction of Goldeneye employed a computerized background to showcase women who were busy with destructive weapons while surrounded by phallic symbols. This presentation is suggestive of Bond's flirtatious and masculine

attitude toward women.

Despite the Bond franchise having spanned over thirty years, the use of diegetic and non-diegetic sounds in the three films being discussed has remained relatively consistent. It is surprising given that the music people listen to has undergone significant change during this time. In "Goldeneye", the non-diegetic sounds have a modern tone and a faster tempo compared to "Live and Let Die" and "Dr. No". The production utilizes a variety of musical instruments and digital technology to create specific effects. Meanwhile, in "Dr. No", the primary function of sounds is to build tension or convey emotional aspects of a scene.

The classic introduction of James Bond is a prime example of the effective use of non-diegetic sounds in film. By incorporating ambient sounds alongside Bond's famous line, "My name is Bond, James Bond," tension is effectively created. Even in "Dr. No," where non-diegetic sounds are scarce, they are appropriately employed in the opening credits. Reggae style music is used to denote the Jamaican setting and the Afro-Caribbean background of the three shadowy blind men, who are later revealed to be negative characters. This is emphasized by ambient sounds that create an ominous atmosphere that heightens tension and curiosity among viewers. In contrast, "Live and Let Die" employs more developed and attractive non-diegetic sound techniques.

The film's opening credits feature pleasant music and lyrics that enhance the movie's theme of destruction and foreshadow its political plot. Compared to "Dr. No," this film uses more non-diegetic sounds, especially during the national conference scene. Additionally, James Bond's face is introduced while he is in bed with Italian agent Miss Caruso, and romantic music is used during

love scenes like when "M" leaves Bond's apartment and he unzips her from the closet to convey sexual attraction.

When San Monique was shown in the film, a jungle-style Jamaican music was played to align with the festive atmosphere on the screen. In "Goldeneye," the sound effects and camerawork are more advanced compared to "Dr. No" and "Live and Let Die." This shows how modern technology has influenced filmmakers to use computer-generated sounds for realistic effects. The thrilling car race between Xenia Onatopp and Bond uses fast-paced music to match the cat and mouse chase, adding excitement for the audience. Slow-paced music plays when Bond meets 006, but it intensifies when Russian officials become aware of their presence, adding tension to the scene.

During the opening scene of "Goldeneye," Bond and 006 Alec Treveleyan engage in a gun battle with Russian officials. The sounds of the gunfire and mechanical beeps are amplified to heighten the impact of the action. The ambient sounds of working objects, such as the groaning motorbike, blend seamlessly with the tense soundtrack. This is especially noticeable in the car chase, where fast-paced music mixes with the roar of the speeding vehicle. The modern score is digitally composed using layered instrumentation, a departure from previous Bond films.

Although the word "No" sounds pleasing, it cannot compete with the intricate arrangement of music found in "Goldeneye". The Bond film franchise has adapted its language style to cater to contemporary viewers. In "Dr. No", all white characters, including protagonist James Bond, speak formally and professionally without any slang. This emphasizes Bond's sophistication, politeness and cultured manner of speaking which creates a dignified image of British

society worldwide. We observe this in the movie's initial scene where Bond is interrupted by his superior, known as "M", while playing cards with Sylvia Trench at a casino.

In the film, Bond doesn't immediately leave the game after apologizing and asking for forgiveness, stating it's important. This creates interest in the viewer to see how he handles his enemies during his mission. Throughout the movie, Bond speaks formally to others, using phrases like "Sir", "Thank you", and addressing his superior as "M" in a serious and respectful manner. This formality and polite language remain consistent with the typical English accent spoken by the actors. Even with casual slang and shortcuts becoming more prevalent in future Bond films in the 70s and 80s, the 1973 release Live and Let Die remains true to this professional register.

On the other hand, the way he communicates with other characters has become more casual and informal. When his Italian agent, whom he had just slept with, rings the doorbell in the opening scene, he quips, "You're not married by any chance. Are you?" This highlights the sarcasm present in the 1970s version of James Bond.

Goldeneye portrays a marked shift in social climate during the 1990s through its use of even more informal language. This is reflected in the film's characters, who adopt a light-hearted, relaxed and sardonic tone that resonates with the audience of the time. In keeping with the trend of using casual and slang expressions, Bond himself becomes notably more sarcastic and ironic, as evidenced in his first line: "Beg your pardon. Forgot to knock."

The film depicts the protagonist adopting a more informal and carefree persona, as shown

when he knocks out a Russian official in the bathroom. This casual attitude is also reflected in his humorous comments during tense scenes, such as asking for a drink and complaining about a draft when the enemy enters the room.

The article discusses how James Bond's character has evolved over the years, with the latest film "Goldeneye" showcasing his quick wit and cautious approach to missions. Despite being portrayed as a womanizer with a flirtatious demeanor, Bond remains the usual world-savior. The film also features an exciting car chase where Bond becomes more reckless while competing with Xenia Onatopp, ignoring Miss Moneypenny's concerns about driving too fast. Overall, James Bond's captivating persona manages to entertain and relax audiences while convincing them of his exceptional capabilities.

Unlike his predecessor in "Dr No", the Bond character of the 90s can be seen donning fashionable attire such as leather jackets and dark pants rather than formal aristocratic suits. His disposition showcases two positive attributes - composure and an alluring sense of coolness - which are visible from the beginning of the movie, as he confronts approaching enemies during the Russian building alarm and the shooting of 006 by the Russian Head Official with deft resourcefulness. Even while escaping from the Russians, with the aircraft on the verge of crashing, he remains undeterred, determinedly attempting to save his life. He is unwavering in his adherence to moral and ethical values, demonstrated when he chooses to prioritize colleague Alec Treveleyan's safety over following General Ouromauv's orders to proceed with the mission after being instructed to "Throw your (his) weapons and move towards me (Ouromauv) slowly".

Contrary to popular belief, in "Dr. No", James

Bond was depicted as a serious and competent detective, rather than a humorous one. He maintained his typical English accent and appeared quite fashionable with his suit, tie, top hat, and groomed hair. Despite his formal demeanor, his playful and whimsical side emerged in the film, especially when he delivered sarcastic responses like "I would."

Miss Moneypenny asks why he doesn't take her to dinner like he takes other women, but he replies that it would be illegal use of government property, making his character somewhat defiant and adding to the film's humor.

We witness how insolence and insubordination manifest when Bond chooses to use his preferred gun instead of the Wolfram P2K assigned for his missions. The film "Live and Let Die" portrays a Bond who is more humorous and charming, as evidenced by his playful remark to "M" when caught in bed with Italian agent Miss Carusa. The opening credits reveal a new, rationalized Bond played by Roger Moore, who is depicted without a hat. During a conversation with "M", Miss Carusa hides in a cupboard, but Bond calms her and uses his "magnetism" watch to unzip her dress, teasingly exclaiming "Sheer magnetism, darling." This Bond also displays a laid-back approach to his work.

The film's opening scene illustrates Bond's nonchalant attitude towards authority and tradition, as it is his boss "M" who travels to Bond's house to brief him on his new mission, in contrast to Sean Connery's Bond who visited "M's" office in "Dr No". Bond's insolence is further highlighted by his focus on making coffee for "M" instead of paying attention to the mission briefing. Additionally, a pattern of sexism is evident

in each of the three Bond films, with women being portrayed as delicate objects and often mistreated or harassed by masculine villains in the 1960s-era films.

The male dominance in "Dr. No" is evident in the main characters, including "M" and his staff, while women are portrayed as weak and stereotypical. In the opening scene, Strangways' secretary is killed by three black villains, perpetuating negative views of women. James Bond's behavior towards numerous women in the film reinforces harmful stereotypes of women being exploited and mistreated as sex objects, rather than respected members of society. However, the introduction of Sylvia Trench, an elegant and independent woman who competes with Bond at a casino card game, indicates a shift towards feminism during the 1960s. Her bright red clothing suggests her high social status and wealthy background.

The 1960s women's movement resulted in women gaining freedom from exploitation, garnering more respect from men. However, the movie "Live and Let Die" showcases a trend of sexism and objectification that persists despite progress. The opening credits feature scantily clad women of different races dancing erotically, portraying them as vulnerable objects open to harassment and objectification by men even in the '70s. Furthermore, the initial scene shows James Bond in bed with an Italian agent named Miss Carusa who begs him for one more sexual encounter. This reinforces the notion that women were merely present for male pleasure as evidenced by their susceptibility to James Bond's charm and virility.

The portrayal of women in seventies' British culture suggests their inferior status, despite prosperous and literate women, like Miss Moneypenny and the Italian agent, being attracted to Bond. This male-dominated society is

exemplified by Money Penny, a female staff member of "M," arranging Bond's travel to New York. In "Goldeneye," while women are still depicted as inferior to men, it is not to the same extent as in "Dr. No" or "Live and Let Die." This is evident early on in the film with the introduction of Xenia Onatopp, a wealthy woman who races Bond in flashy clothes and a sports car.

The audience can presume that society has embraced feminism as demonstrated by Onatopp's ability to compete with the male hero in a race. During the race, Xenia attempts to surpass Bond, indicating that in present times, women possess talents and abilities similar to challenged men and maybe even surpass them. The audience later discovers Onatopp is the main negative female character, which confirms that women have become more independent than they were two decades ago. "Goldeneye" depicts women in stereotypical male jobs, with Judi Dench playing the new female "M" in the 130-minute film. The movie also showcases women doing actions usually associated with men such as hammering down statues and working with dangerous tools like guns, shown in the opening credits.

Despite the incident in the car race where female driver Xenia Onatopp tries to avoid a collision but ends up losing control, it still highlights male superiority. Additionally, all three films have portrayed non-English criminals extensively. In "Dr. No", Jamaican and Afro-Caribbean characters played the role of villains, giving the impression of white resentment towards black people in other communities.

The exploitation of British public's resentment towards people of color was prevalent in the 1960s films, like the opening scene of "Live and

Let Die" where black characters are portrayed negatively by fooling the audience as "three blind men". The trend of racism continues as a black man cunningly replies "Yours" to a British agent's question about a funeral before stabbing him. The kidnapping and virtual murder of agent Bains by black tribesmen in a jungle emphasizes the racial divide between Caribbean people and the British. The film "Goldeneye" also highlights racial conflict through foreign villains, this time Russian, whose plan involves switching off London's electricity with their super space weapon, Goldeneye.

The casting of Russian villains in recent James Bond films instead of black individuals from African or Caribbean backgrounds suggests that British society has become more inclusive and less racist. This shift in perception may be attributed to the significant migration of people from Asia and the Caribbean to European countries during the 1970s and 1980s. The evolution of the franchise can mainly be attributed to advancements in technology, enabling filmmakers to create increasingly shocking scenes that cater to audience expectations. Compared to present-day standards, "Dr. No" featured simplistic camera angles and stunts with primitive sound effects.

Although they may not have been the most impressive to modern audiences, the gadgets and intellect of super agent Bond were sufficient to satisfy viewers in the 1960s. As demand for Bond films grew in the 1970s, filmmakers sought to avoid reusing features from previous movies such as "Dr. No." "Live and Let Die" impressed audiences with its advanced sound tracks, camera angles, and a more sarcastic Bond who still managed to successfully accomplish his missions. Bond's female counterparts also became more independent and bold, initially competing with him but ultimately

being won over by his witty and comical womanizing ways.

The latest James Bond film, "Goldeneye," showcases his exceptional talent in accomplishing missions while also displaying his playful and charming nature with women. This movie boasts a sophisticated plot and powerful characters that set it apart from previous installments. With the implementation of multiple camera angles, advanced lighting techniques, and high-quality sound, its superiority is further amplified. Additionally, new gadgets akin to superheroes and incredible stunts both shock and entertain modern audiences. Overall, the James Bond franchise has adapted to changing social climates in the latter half of the 20th century to continue captivating their target audience at that time.

Regardless of age, James Bond movies have attracted diverse global audiences throughout the years. "Dr. No" utilized reggae-style undertones and black-skinned villains to appeal to viewers in the 1960s, while "Goldeneye" targeted the sophisticated, politically-minded, and tech-savvy audience of the 1990s. Even though Ian Fleming's original serious depiction transformed into a charming and reckless one, Bond continues to be one of literature and film's most beloved fictional characters.

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