Lone Ranger and Tonto Fistfight in Heaven Essay Example
Lone Ranger and Tonto Fistfight in Heaven Essay Example

Lone Ranger and Tonto Fistfight in Heaven Essay Example

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Both Victor and Thomas play different roles in each of the various short stories in the novel, which are all grounded in the theme of blurring the line between reality and imagination. The book explores the experiences of individuals living a Native American lifestyle in Spokane. Throughout the stories, there is a recurring theme that revolves around questioning what is real and what is imagined. Some of Victor's actions can be puzzling as they are hard to interpret, leading him to question whether his vivid imaginings are true or false. This theme of merging reality and fantasy is prevalent throughout all the short stories, showcasing the complex actions and positions taken by both Victor and Thomas. In "Every little Hurricane," one of the stories, we see depictions of Victor's childhood experiences at a party with his parents when he was nine years old. It also includes a

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flashback to when Victor was five years old and couldn't receive any Christmas gifts due to his parents' financial difficulties. This story heavily relies on imagination, including flashbacks as part of its narrative structure. The imaginative elements seem so realistic that these flashbacks feel like actual events from Victor's past. In another story called "A drug called Tradition," a character named Thomas-Builds-The-Fire organizes the second-largest party in reservation history.Victor and Thomas, Junior visit Benjamin Lake where they consume drugs, leading to visions of them obtaining Indian adult names by stealing horses. These past events become vivid in the present, emphasizing Victor's belief that the past follows closely behind while the future walks ahead. The story depicts Victor's hallucinations, which become incredibly real after taking drugs and experiencing these

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visions. Reality intertwines with Victor's nostalgic thoughts triggered by drug influence because there was a time when the past held truth and tangible experiences. In "My Father Always Said He Was the Only Indian Who Saw Jimi Hendrix Play 'The Star Spangled Banner' at Woodstock," Victor reminisces about his father returning home late and drunk, a routine involving watching Jimi Hendrix perform and boasting as the first Native American witness. These memories prompt Victor to remember how he used to join his father's intoxicated rituals as a young boy, playing the song on their stereo before falling asleep near his father's feet. A quote from the novel adds to this exploration: "She realized that all those sexual stereotypes about Indians were both true and false, but then she also realized that there were no sexual stereotypes about Indians" (239).The character in the quote realizes that her beliefs were based on imagination. Victor also acknowledges that his memories are shaped by imagination. He reflects on his father's experiences to analyze their positive and negative moments. In the story "Sometimes it feels like our tribe is dying a piece of bread at a time," a character expresses the feeling of their tribe's gradual decline. This quote vividly illustrates their perception of the tribe's decline. In "Crazy Horse Dream," Victor narrates an incident at Powwow where he encounters a woman, comparing her to his drawing of a crazy horse. Through this comparison, he symbolizes how modern Indian men strive for perfection like crazy horses. The story portrays how this woman tries to manipulate him into compromising his dignity, reflecting Victor's imaginative perception of Indian men as resembling crazy

horses. Victor imagines people in situations they are not actually in or capable of being in, making imagination central to the story with brief moments of clarity during flashbacks and comparisons (Alexie 56-72)."The Only Traffic Signal on the Reservation Don't Flash Red Anymore" portrays Victor, the main character, as having a sober mind devoid of imaginative thoughts. The presence of reformed alcoholics in the story supports the notion that alcohol disrupts brain function and fosters a world of imagination. On the front porch, Victor engages in a conversation with his friend Adrian about basketball and a rising star in their reservation. Although an Indian girl is discussed towards the end, it can be argued that the story's theme is firmly rooted in reality rather than imagination. The novel also includes quotes that ignite creativity, including one stating that "There are some things Indians would've never invented if given the chance" (207). Furthermore, two short stories titled "Amusements" and "This Is What It Means to Say Phoenix, Arizona" amalgamate elements of both imagination and reality. In "Amusements," it becomes challenging to distinguish between what is imagined or real due to the character's actions; for instance, they glance at a mirror instead of fleeing from a security guard. Conversely, in "This Is What It Means to Say Phoenix, Arizona," Victor burns his father's photos while receiving money for a trip from his friend Thomas. As they embark on their journey and recover those very same photographs, they engage in introspection about Victor's father leading to mutual understanding.Victor later presents Thomas with his father's ashes as a keepsake, illustrating that these memories are part of the imaginative realm

while reality takes precedence in the narrative. Likewise, in the short story "All I Wanted to Do Was Dance," Victor reminisces about his episodes of drunkenness and their detrimental effects on his life and relationships. This act of reflection involves envisioning something that no longer exists in the present moment. Both narratives center around Victor and his interactions with others under different circumstances. The relationship between reality and imagination is one of coexistence and mutual influence, as all imaginations in this book derive from reality, whether it be past, present, or future-oriented. Imaginings within this context encompass flashbacks, recollections, and desires. The sole distinction between reality and imaginings lies in the uncertainty surrounding future-based fantasies. The book delves into Victor's existence as a Native American residing in Spokane, India; thus shedding light on his experiences and encounters with individuals within the Spokane community. In this particular setting, both Victor and other Native Americans can be identified as Indian-Americans.

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