In the novel, “If He Hollers, Let Him Go…”, the author introduces us to Bob Jones, a black man in America in the 1940s. We learn in the first few chapters that Bob dreams of a place where he can live free, where he is treated as a man and judged based on his actions rather than on the color of his skin. Unfortunately, Bob lives in place where he is called “Nigger! ” and judged before people have a chance to get to know him. In his dreams, Bob dreams of owning a dog, a small black wire-terrier, but in his dream no one likes the dog because of its color.
Bob also dreams that the means the polive use to identify an accussed killer is by making all the black men who wo
...rk in the location run up three flights of stairs, to prove that they are not crippled. The description of the killer was that he was crippled. Even in his dream he laughs aloud at the idea that it is the physical impairment of the accused that is the only identifying factor, that otherwise the white police officers see all black men as looking the same.
The reality of racism in America in the 1940s is that Bob had a lot to fear based on his color alone. Though the lynchings and other killings of black men were not as prevalent after World War II as they had been at the end of the 19th century, Bob Jones’ fear was real. When I first talked to people about taking this class, a friend’s mother told me o
visiting Alabama in the 1950s when she was young. As a child, she did not understand why blacks were excepted to step off the sidewalk and into the street when a white person was on the sidewalk.
Bob Jones did not understand either, but he knew that the reality for him was that he could be killed, legally or illegally at any moment because of his color. Bob Jones knew that he could be charged with the crime of being black in the wrong neighborhood. Though Hollywood has since gone on to make movies joking about this “crime”, the reality is that racial profiling is still alive and well in America in 2008. For proof, one need only look at the random selection of people who are stopped in any major city or in the suburbs or at airport checkpoints.
Somehow, after the terrorist attacks of September 11, 2001, it became okay for people to discriminate against people so long as their skin was brown and not black. Sadly though, Bob Jones who dreams about being free of the curse of racism, practices it himself, talking with his friend about “a cracker chick” (p. 102). With the language among the men as they work in the rail yard, the author attempts to show that word “Nigger” when used among blacks to describe themselves can be a term of endearment and that racism is just as prevalent among blacks.
What it demonstrates though is that black society had tried to take back the word that others used to inflict pain. Years later, in writing “The Vagina Monologues”, Eve Ensler would do likewise with
the word “cunt”, saying that women should take back the word and defuse it to erase the hatred that comes with the use of the word as defamation. In “If He Hollers Let Him Go”, the author was demonstrating the same attitude toward the word “Nigger”. If the black community could take back the word and redefine it themselves, they could take away the pain.
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