A Thematic Analysis of Desire in Tennessee Williams A Streetcar Named Desire Essay Example
Desire, on any level, is always equated with passion and wanting. It is often mistaken to be synonymous to need, which, as a concept, pales in comparison and only suggests a void existing on a single level. The facets of desire are multi-dimensional; they are almost never objective or rational, but always emotional. Tennessee Williams, of the reputation as one of the greatest American playwrights, knows what desire means, and how it can be demonstrated in an organized, artistic execution.
While a student from 1931 to 1933 at the University of Missouri, Williams chanced upon a staging of a Henrik Ibsen play entitled Ghosts. This opportunity sealed Williams’ desire—he knew exactly what he wanted to do, and that was to write and produce plays. But fate, at the time, was not on his side, a
...s his father insisted on his working for a shoe company instead. Eventually, Williams gave in to his desire and ended up staging his first production in 1940. More critically-acclaimed projects came after that, all of them now considered classics, until 1947 when Williams wrote and staged A Streetcar Named Desire.
Apart from the film version starring famous actors like Marlon Brando and Vivien Leigh, the play received a Pulitzer Prize for Williams and cemented his name in literary and theater history (Novel Guide). A Streetcar Named Desire centers on the character of Blanche DuBois, a woman whose devastation over the suicide of her apparently homosexual husband has driven her to seek peace and reassurance from other men. She leaves her home and goes off to visit her sister Stella, a trip that entailed taking a streetcar
called Desire, as well as a transfer to another named Cemeteries.
These names sound ominous and symbolic, for they echo much of the underlying themes of the story. Stella Kowalski is a woman forever stuck in a rut; as a girl, she often had to play second fiddle to the more glamorous and dramatic Blanche, and now, has to make do with the life afforded her by the man she married. The man, Stanley Kowalski, seems uneducated and crude, yet it is this brash attitude that has an effect on his sister-in-law. One of Stanley’s best friends, Mitch, shows interest in Blanche only until he discovers her promiscuous past.
Desire, from the points of view of these characters, can take on different meanings, in their specific ways. But, as always, the bigger picture shows how similar they all are with each other. Desire coming from loneliness. Blanche appears to have the most motivation for loneliness, considering her unfortunate experiences. This creates her desire for attention, for affection, and love. However, this desire also makes her sink more and more into desperation. On the other hand, Mitch’s has turned his loneliness into a kind of desire of positive potential.
The gravity of caring for his ailing mother was replaced by hope, upon meeting Blanche and entertaining thoughts of having a future with her. Desire coming from illusion and false hopes. Once more, Blanche embodies this particular desire, as proven by her almost-imaginary hold on life. She is described as a woman of elegant demeanor and appearance, yet all of it seems fake and inappropriate. She desires to look at life on her own
terms; which is why she has to create false truths just to escape its harsh realities. Desire to escape death.
From the reason for Blanche’s trip to the name of the train, death figures prominently in the story, juxtaposed against desire. In one scene, Blanche even states that death is the opposite of desire—a clear reference to everything she had to go through. Her journey is also a hunt for the answer to her desires, lest she also consumed by death—like everything else she had (Novel Guide). Desire for sex and physical pleasure. Outspoken and macho Stanley is the literal representation of this desire, as he is shown being victimized Blanche’s complex objectives.
It is his heritage and masculinity that she desires, yet abhors at the same time (Bak, 2004). It is clear how desire played both negative and positive roles in the story, particularly on the character of Blanche DuBois. Many opposites elements are introduced, most of them affecting how desire is felt. From the death of Blanche’s homosexual husband, to the overt masculinity of Stanley; Blanche’s sudden penchant for sordid affairs, to her pearls-and-suits ensembles; and Blanche’s once-comfortable yet problematic family life, to the difficult yet satisfying partnership enjoyed by Stanley and Stella (Cummings Study Guides).
Definitely, the characters subsumed by desire always had a choice—to act for or against it. In Blanche’s case, she indulged in each one, still perhaps an effect of her husband’s uncovered sexuality and death. Desire, whether defined as positive or negative, is what gives us the drive, determination and passion to pursue what we have chosen. It answers and fills something in us, the
way it did Blanche, Stanley, Stella and Mitch. It is what keeps us going beyond the rules, that makes us read between the lines. Desire gives life color. For life, like cinema, can still be seen in black and white.
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