Comparison And Rodney Bennett’s Made For Tv 1981 Essay Example

kind, rather than as attractive as Hugh Grant in Lee's movie. While the Emma-Thompson movie captures the romantic essence of the novel, it is more rushed. Both adaptations lack two important elements: Margaret is excluded from the BBC series, and Willoughby's confession to Elinor is not included in the 1995 movie. Despite not knowing much about Margaret in the novel, her admiration for her sisters is an essential aspect of the story that should have been included despite her minor role.

In Emma Thompson's movie, Margaret plays a significant role in the drama by engaging in sword-fighting with Edward and observing others from her tree house. Meanwhile, Lee's adaptation omits Willoughby's admission to Elinor regarding his departure from Marianne and his true feelings toward the Dashwood family. Nevertheless, viewers catch a glimpse of Willoughby towards the conclusion of the movie.

On Marianne's wedding day, Willoughby is spotted atop a hill overlooking the town, riding on a horse with a sad demeanor. He remorsefully realizes that by marrying Miss Grey for wealth, he gave up his chance at love. Although viewers possess more knowledge about Willoughby than the Dashwood family does, the scene still encapsulates its essence. Additionally, the starting and concluding segments of every movie also differ from one another.

Both the BBC series and Lee's movie feature scenes related to Mr. Dashwood's death and John Dashwood's obligation to care for his step-sisters. In the BBC series, this is implied through a conversation between John Dashwood and Fanny, whereas Lee's movie explicitly shows John promising to look after the family upon Mr. Dashwood's death.

Both versions of the novel depict the theme of illness, but the scene in one

offers more dramatic emphasis on pain while the other has an abrupt ending. The British version's sudden conclusion echoes the novel's quick romantic changes resulting in surprising marriages, such as Lucy and Robert and Marianne and Colonel Brandon. Meanwhile, the American version exaggerates emotions and highlights several important themes, including marriage, money, and love. Ultimately, neither version is superior to the other.

The two adaptations of Sense and Sensibility present variations in the portrayal of Marianne and Colonel Brandon's marriage. While the BBC version allows for a more faithful representation of the text due to its extended length, the American film offers a modern and energetic interpretation of the novel. Ultimately, the conclusion of Brandon throwing money from the carriage provides a more satisfying ending than Bennett's version.