Compare And Contrast Tony Kytes Essay Example
Compare And Contrast Tony Kytes Essay Example

Compare And Contrast Tony Kytes Essay Example

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  • Pages: 5 (1269 words)
  • Published: October 20, 2017
  • Type: Essay
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Thomas Hardy and DH Lawrence were both renowned writers of their time. Hardy was born in 1840 and passed away in 1928, while Lawrence was born in 1885 and died in 1930. "Tony Kytes the arch deceiver" was written by Hardy in 1894, and "Tickets Please" was written by Lawrence in 1922, creating a staggering 28-year gap between the two stories. This essay aims to explore the impact that the 28-year difference may have had on the events in both narratives.

"Tony Ktyes" and "Tickets Please" are set in contrasting environments with the former situated in the rural landscape and the latter taking place in an urban world. The opening lines of "Tony Ktyes" refers to a 'black industrial countryside'. The stories are set in geographically different regions; "Tony Kytes" is based in Wessex, southwest England and has hints of Dorset w

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hile "Tickets Please" is positioned in the Midlands within Nottinghamshire, which is also the birthplace of the author DH Lawrence. As anticipated, life in the city is more advanced and modernized than that of the countryside.

The setting of the two stories vary; "Tony Kytes" takes place in a more traditional and old-fashioned countryside, while DH Lawrence's story has a different narration style, as it is more descriptive and written from an omniscient point of view. Compared to DH Lawrence's work, "Tony Kytes" contains more dialogue than description and begins with an anecdote, while the rest of the story is told in Cornish dialect.

Some descriptions in Cornish can be found in the works, "Tony Kytes" and "Tickets Please". Almost the entirety of "Tony Kytes" is written in Dorset dialect, with phrases such as "o't

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for "of it", "ee" instead of "you", and "tis" to mean "it is". This usage of dialect makes it evident throughout the text. However, only the dialogue in "Tickets Please" is in dialect.

Although the dialect spoken in the text is Nottinghamshire accent, the narrator himself does not speak in dialect. Instead, it is narrated in Queen's English, otherwise known as Received Pronunciation. The text provides examples of Nottinghamshire dialect, such as "ay" for "yes" and "tha" for "you."

This excerpt describes an event in the story "Tony Kytes." Tony, who is engaged to Milly Richards, encounters Unity Sallet on a hill after returning from the market on a Saturday. Milly is described as a "sweet, tender looking thing"."

Unity requested a ride home in Tony's wagon. Tony consented, but Milly joined them. Tony instructed Unity to conceal herself beneath the tarpaulin until Milly had left. Milly boarded the wagon, and Tony spotted Hannah Jolliver gazing out from her aunt's house window in the distance.

Tony urges Milly to conceal herself among the sacks while Hannah requests transportation home. Tony speaks softly due to Milly and Unity sharing the same wagon, but Hannah hears a noise. Tony identifies it as a squeaky axle, but another sound follows. Hannah asserts that there is indeed something present.

While Tony spotted his father in the field and requested Hannah to remain at the wagon, his father urged him to wed Milly since he was devoted to her. As Tony made his way towards his father, the horses began to move at a rapid pace and Hannah found it tough to grip the reins, leading to all occupants being taken away

in the wagon. The horses' speed was such that the wagon was on the cusp of tipping over. Fortunately, Milly managed to spot Unity inside in time.

Milly and Unity were riding in the same wagon when they received a surprising revelation. Milly shared that Tony had no intention of marrying either her or Unity, but rather Hannah. Suddenly, the wagon tipped over and all three girls fell to the floor. Thankfully, Tony was relieved to find that nobody was hurt.

Tony proposes to Hannah but she rejects him due to her father's presence. Unity also rejects Tony because of his past deceit. This leaves only Milly and Tony as potential partners.

Milly agrees to marry Tony because of her desperation during wartime, when many men are away at war. The remaining girls at home wear unsightly blue uniforms with short skirts and old, shapeless caps. One night, an inspector named John Thomas visits the girls from the train depot, and Annie stands out from the rest of them.

Although Annie was distant from John Thomas, she had a son and decided to dress fancy to go to the fairground. At the fair, John Thomas saw her and invited her to ride some attractions, which he paid for. Despite her initial reluctance, Annie couldn't refuse his offer, and as they enjoyed the rides together, they became closer and closer.

Annie and John exited together, leaving Annie's son behind. Annie desired a man who exhibited more interest in her, but John became distant when she showed interest in him. The situation caused Annie to weep with both sadness and anger. During her encounter with Nora Purdy, Annie found her to

be even more vengeful than herself.

During their conversation, the topic of who John was leaving with was discussed. Subsequently, John proceeded to enter the waiting room designated for girls, where they encircled him and instructed him to face the wall. The girls requested that John identify which among them had touched his back, however upon turning around, Annie gave him a 'box'.

The girls kicked and punched John while repeatedly asking him, 'who are you going to take out tonight?' Afterwards, John slowly stood in front of the locked door the girls used to prevent his escape. Annie possessed the key but instead passed it on to Nora Purdy to unlock the door. As John Thomas left, the girls looked stunned and tidied themselves up. The two stories differing due to the occurrence of events over a 28 year span.

Throughout the period, the First World War had a profound effect on individuals' lives, including women who lacked independence. When their fathers passed away, leaving them without support, they were forced to look for husbands. This is exemplified by Milly's decision to marry Tony in "Tony Kytes". However, a sense of independence is demonstrated at the end of "Tickets Please", where the girls take pleasure in rejecting a man despite their initial shock. Before the war, marriage was not necessarily based on love as women did not have much say in choosing their partners.

During the war, women outnumbered men which increased their independence. Tony's depiction of women in the text is negative as he suggests they are not selective when it comes to choosing a partner. Additionally, the portrayal of Milly as delicate and referred to

as a "thing" reinforces societal beliefs that women are inferior to men. Despite being deceived by Tony, all the women fall for his lies even if it means degrading themselves, like lying under a tarpaulin.

Without hesitation, Tony's followers unquestioningly comply with his requests due to their susceptibility to flattery. Tony impresses each of them individually, making them eager to marry him. Meanwhile, Tony's father favors Milly for her modesty, evident in her lack of self-promotion when requesting to ride in the wagon.

According to the text, modesty is deemed significant in women. Despite being deceived by Tony, both Hannah and Unity refuse to marry him, as they possess excessive pride. In contrast, Milly accepts Tony's proposal because she trusts his claim that he was insincere in his interactions with the other girls. Milly's intense love for Tony causes her to overlook the reality, which implies that she might lack intelligence.

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