Difference between Realism, Naturalism and Expressionism Essay Example

movie, as Linklater appears on the Camera and has probably the longest talk of all, waking life becomes all more revelatory and clear.

Naturalism

Within waking life, the animation is widely applied to capture moments of the so-called reality and our consequent relationship, as an audience, with this effort. Indulging in a ‘holy moment’ with electricity, thunderbolts and clouds surrounding the discussion on the screen, one can easily get a hint through the window of what animation uniquely allows for, in communicating experiences, ideas, and understanding. While live-action filmmaking mostly must show a specific character with a specific look, in a certain environment, animation suggests, visually, a realm of absolute possibility ("Dream Is Destiny: Waking Life"). Moreover, animation retains the exactness of a feeling as well as its representation, an imaginative aspect that we only associate or get to experience through literature.

Additionally, the animation in waking life, without necessarily having to maintain continuity of line or character, ricochets the dialogical contemplation of dreams, identity, consciousness and reality. The visuals of the film greatly contribute thematically, suggesting that we are all, possibly, characters in a larger story, in a greater dream, incessantly becoming and unbecoming. Notably, there were particularly sections where one could almost see the film stock beneath the images; they appeared photographic in a way. However, there were other scenes where a character started with the photographic image, but then end up distorting the forms, and sometimes manipulates the shapes. That is much more in the spirit of animation took it beyond the idea of just rotoscoping.

In short, waking life is readily made for a generation bewildered by new technology, thinking new methods will give answers

to old questions. It links to the way some Indie filmmakers such as Darren Aronofsky stumble upon "innovation" they think cobbling and oblong wheel are similar to reinventing a wheel. Linklater and Sabiston's tracing brings out this question: how do we interpret films? And changing low-tech drama into animation rather than exhibiting video footage was much more than expedient (Perlmutter, Ruth, 125-134). It gives artistic solutions to the indie fashion for shaky cameras and swish pans. The impression brought out through rendering of a cyclone or waters are delightful, yet waking life gives that feeling of neither a movie nor video. Its hybrid gives satisfaction to a generation raised on Saturday morning cartoons. However, those who are naïve might feel their intellectual lives reified, cashed by the brightness of the colors and fluid substitution of free-floating fantasy for dull realism.

Expressionism

In the expressionistic scene of the film 'cognizant existence,' nothing is static, the pictures give off an impression of being continually undulating in a way that gives additional intending to the possibility of liveliness by demonstrating how the universe and all matters are in interminable flux. Contingent upon the picture, what shows up on the screen changes in appearance from the offensive boards of an activity toon to astonishing van Gogh-like canvas.

Amidst this whole wild occasion, a unidentified hero played by Wiley Wiggins encounters a speculative character emergency. He awakens in a fantasy in which he rises, rides the expressway in a watercraft and has other impossible to miss enterprises ("With Waking Life, Richard Linklater's at long last Made a Visually Interesting Movie | Manhattan, New York, NY | News"). In the same way as other

different characters in Mr.Linklaters 1991 film,"Slacker," Wr.Wiggins laid-back character has that look and state of mind of a perpetual undergrad conceding any duties while meandering through life accumulating data without applying it towards accomplishing any objective.

The energized climate made in the whole film seems to convey us significantly encourage outside the domain of authenticity. Notwithstanding, that appearance is beguiling. In the event that the characteristics of the characters are toon like, the computerized activity foolishly heightens their existence by making them all the more outwardly differing from each other, and their comments accept cartoon like-inflatable noteworthiness that makes their words show up once lighter and more refined. Indeed, this film abandons one awestruck at the insane coverlet of human experience; everything feels like a healthy realistic cut of Americas dream life as it seems to be.

Conclusion

In conclusion, in fact, it follows the dreams of a man who is trying to discover and distinguish the total difference between waking life and the dream world. This is depicted in the manner in which he tries to find a way to wake up and bumps into many people while on his way; some of which end up giving him one sentence asides on life while others were delving deeply into existential life mysteries and questions. Eventually, we take up the roles of the main actor. It ends up becoming our dream and our questions being asked and answered. Can we take control of our dreams? What are they telling ourselves and where we originated and our destination? Nevertheless, the movie does not answer all these questions for us. Instead, it leaves us inspired to ask ourselves the questions

and provide the solutions ourselves.

Works cited

• "Dream Is Destiny: Waking Life." Animation World Network.
• "Movie Review - - FILM FESTIVAL REVIEWS; Surreal Adventures Somewhere Near The Land Of Nod - Nytimes.Com". Nytimes.com.
• "With Waking Life, Richard Linklater's Finally Made A Visually Interesting Movie | Manhattan, New York, NY | News." Nypress.com.
• Perlmutter, Ruth. "Memories, Dreams, screens." Quarterly Review of Film and Video 22.2 (2005): 125-134.