Theatre Exam 2 – Flashcards

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group dynamics
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the functioning of humans when they come together into groups
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paper the house
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to give away a lot of free tickets to the families and friends of cast members to make it appear as thought the performance is well attended
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willing suspension of disbelief
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we admit that what is happening is not real and so we don't need to rush up and save the actor who is being attacked or call the police to stop the actor playing the criminal
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aesthetic distance
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the ability's to remove themselves from a work of art just far enough so that they can contemplate it, or even judge it
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presentational theatre
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makes no attempt to offer a realistic illusion onstage, and the actors openly acknowledge the audience and sometimes even invite members to participate
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representational theatre
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actors never acknowledge the audience and go about their business as if there were no audience present
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realism
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a style of theatre that attempts to portray life as accurately as possible
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fourth wall
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an imaginary wall between the actors and audience
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etiquette
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includes the conventions of behavior prescribed for a particular occasion
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Audience Etiquette
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1)turn off phones and beepers 2)don't text or tweet during the play 3)do not talk 4)try not to cough 5)don't be late 6)don't eat 7)be courteous 8)go light on perfume and cologne 9)don't leave until intermission or the end 10)no photos or recording devices allowed
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"Will Call"
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window for picking up tickets that have already been paid for
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curtain
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start of the show
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preview performances
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tickets half price; offer another way to save money--performances open to the public before the play officially opens and are common in the professional theatre but rare in college, community, and amateur theatre
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director's note/playwright's note
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explains what he or she intended to accomplish with the play
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souvenir programs
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programs that have more pictures and information about the cast and production
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talk-back
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post-performance discussion where you get a chance to meet, and perhaps ask questions of, the director, actors, and sometimes the playwright
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reviews
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also known as notices--evaluations of a production, often published in newspapers or magazines
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dramatic criticism
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aka literary criticism--offers the reader a discriminating, often scholarly interpretation and analysis of a play, and artist's body of work, or a period of theatre history
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plot
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unified arrangement of the incidents in which characters, meaning, language, and visual elements come together to comment on a single subject
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character
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the personalities of the story
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thought
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what the play means, the ideas it's trying to communicate, and its themes and message
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diction
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"modes of utterance"--dialogue used to create the thought, character, and plot--playwright's mode of expression
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spectacle
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the performance's set, costumes, and effects--the sensory aspects of the production
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censorship
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altering, restricting, or suppressing of information, images, or words circulated within a society--can take the form of banning or altering books, periodicals, films, television and radio programs, and any other expression of thought that someone finds objectionable or offensive
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Licensing Act
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1737; passed in England; law placed the censoring of plays under the authority of the Lord Chamberlain, one of the officials of the royal court
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bowdlerize
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to remove any possibly vulgar, obscene, or otherwise objectionable material before publication
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ensemble
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dozens of artists and technicians, including playwrights, actors, directors, and designers, as well as painters, carpenters, drapers, stagehands, and electricians, who join together to make it appear as if a performance were the product of a single creative mind
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repertory
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a group of plays performed by a theatre company during the course of a season
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ghost light
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the stage is lit with a single bare lightbulb mounted on a portable pole
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costume shop
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rows of sewing machines, fabric-cutting tables, fitting rooms, and laundry facilities
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literary manager
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liaison between playwrights, agents, and the theatre--reads and evaluates new scripts for the next season
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producer/producing director
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someone who financially backs the theatre or orchestrates funding through grant money and ticket sales
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artistic director
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person who is in charge of the overall creative vision or goal of the ensemble--chooses which plays to produce, who directs them, and who designs them--in charge of an entire season of plays
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stage manager
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runs the show during the performance, helps the director throughout rehearsals, and doing other tasks
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flat
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standard scenery unit made of wooden frames covered with canvas, muslin, or thin plywood
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technical director
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supervises the construction crews
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prompt book
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book in which every aspect of the production is recorded
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rehearsal report
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stage manager stays after to write this up, reports lets the entire ensemble know how rehearsal went and informs designers about an concerns or ideas that came up
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assistant stage manager
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conducts the technical rehearsals, authorizes understudies, calls for brush-ups, and gives friendly reminders to everyone
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performance report
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gives notes to actors and crew about any problems that occurred and what needs to be fixed by the next performance
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draper
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persons job to study the costume designer's drawings and renderings and then find a way to cut fabric into patterns that realize the design
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stitchers
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people who sew the fabric patterns together creating the full costumes
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rehearsal costumes
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costumes that are temporarily used during rehearsal so that the actors get a feel for the actual costumes long before they are ready
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prop master
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people who work on props for the next production
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prop
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is theatre lingo for "properties" and includes hand props or any objects actors handle while on stage (pens, fans, cigars, etc)
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rehearsal props
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props to be used during rehearsals to represent the real property that the actors will not be able to use until the last week of rehearsals
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musical director
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supervises all aspects of a musical and conducts the orchestra during performances
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choreographer
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creates new dance numbers and is teaching the steps to the dancers
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movement coach
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shows the actors how people moved drink the Restoration--a time when graceful mannerisms were the norm
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fight director
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forced to hold his rehearsal in a hallway--experts at staging safe, realistic, make-bleieve fights
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vocal coach
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helps the actors with speech clarity, volume, and preservation of their voices for the long run of a show
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sound designer
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works with various effects recordings as she synthesizes the sounds, so that everything from the pre-show music to the sound of a doorbell is exactly right
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set designer
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CAD program to design a set for a production what will not be needed for several months
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dramaturg
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literary advisor and expert in theatre history who helps the director understand specifics about a plays performance history, the historical period in which the play is set, as well as the play's style and verse...or....they serve as a literary manager, whereas in others they assist the play's development by setting yup workshop productions and stages reading to help the play find its final form
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production meeting
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meeting where all aspects of the production are discussed and evaluated
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mission statement
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declares in a clear and conches terms the theatre's purpose and keep objectives
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publicity department
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works on promoting the next play
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concept meeting
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artistic gathering held long before the play is cast or the sets and costumes designed---people brainstorm, research, and experiment with different ideas
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stage door
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door located behind the theatre, the actors arrive for the evening performance here, has a little lobby where there is a notice board
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call
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time actors arrive at the theatre
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curtain
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time play starts
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prop table
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table where each prop is laid out clearly and labeled
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sound board operator
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person who runs various sound cues and making sure all the speakers, mixer, amplifier, backstage monitor, and intercom are working
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house
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place where the audience sits
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prop check
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ensures all props are where they need to be
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house manager
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person in charge of all the ushers; his job to deal with seating issues, help audience find their seats, and the play begins on time
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greenroom
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place where actors wait before their entrances
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running crew
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anyone helping out backstage
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stagehands
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people who shift scenery and generally set up the play for the next scene
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dressers
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help actors make quick costume changes
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riggers
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aka flymen, mount and operate all curtains, sets, and anything else that must move via the fly system about the stage
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legs
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curtains that are used on the sides
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teasers
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curtains that frame the top of the stage
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scrims
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open-mesh gauze curtains used to make the stage appear opaque
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cyclorama
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large, stretched, curtain suspended from a U-shaped rod; makes a background that curves around the back of the stage to suggest unlimited space
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wright
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derives from the Middle Ages--"one who builds"---base word for playwright
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closed-shop union
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aka a union shop---a union to which all employees must belong and which the employer formally recognizes as their sole collective bargaining agent--employees can call a strike if their demands go unmet
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Writers Guild of America (WGA)
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closed-shop union for television and screenwriters--these people are allowed to form a union because they sell their copyright, giving up control over their piece of work
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open-shop union
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membership is optional; because playwrights retain the copyright of their piece of work, they are not considered writers for hire, rather management, which means they aren't allowed to form a closed-shop union
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Dramatists Guild of America (DGA)
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playwrights' union---can champion for the rights of the playwrights, but can do little to demand higher pay
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subsidiary rights
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the playwright must pay the theatre a percentage (usually 10%) of any royalties that the play earns for the next ten years--playwrights must give up their royalties then
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dialogue
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the spoken text of the play, the words the characters say
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parentheticals
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short descriptions such as (lovingly), (angry), or (terrified)---these words describe to actors how to express their lines
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stage directions
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notes that indicate the physical movement of the characters
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theme
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playwrights often search for meaning int he world and attempt to understand human nature by making a statement about life, a central idea, or a moral
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actions
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the characters' deeds, their responses to circumstances, which in turn affect the course of the story--what the actors DO with what happens
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Three elements of conflict
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Desire, Obstacle, Reason why compromise is not an option
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subtext
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the hidden meaning behind the words, the real reason a character chooses to speak--what the character consciously or subconsciously means
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Art of Language
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Subtext, Listening, Imagery, Rhythm, Tempo, Sound
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imagery
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using poetic language to allow the audience to see what the theatre can't afford to provide
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plot-structure
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the playwright's selection of events to create a logical sequence and as a result to distill meaning from the chaos of life
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genre
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category of artistic work that has particular form, style, or subject matter
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formula plot
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a plot that follows a blueprint--
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exposition
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aka back story--lets the audience in on what happened to the characters before the play began and what happens between the scenes and offstage
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protagonist
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the central character who pushes forward the action of the play--audience must identify, care for, an root for them
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antagonist
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"opposer of action" the adversary who stands in the way of the protagonist's goals
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event
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unusual incident, a special occasion, or a crisis in the character's lives--draws the audience into the play
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disturbance
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inciting incident that upsets the balance and gets the action rolling by creating an opportunity for conflict between protagonists and antagonists
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major dramatic question (MDQ)
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disturbance and point of attack cause this--the hook that keeps people in the theatre for two hours because they want to know the answers
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rising action
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each conflict, crisis, and complication is more dramatic and more serious than the ones before--middle of the play follows the path of most resistance
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conflict
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the struggle between opposing forces in the play
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crises
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events that make it necessary for the characters to take action
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complications
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roadblocks that stand in the way of success
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dark moment
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when the protagonist fails for internal or external reasons, the quest collapses, the goal seems unattainable
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enlightenment
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occurs when the protagonist come to understand who to defeat the antagonist
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climax
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the point of the greatest dramatic tension in the play; the moment when the antagonist is defeated
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denouncement
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the final outcome of the play, a short final scene that allows the audience to appreciate that the protagonist, because of the preceding events, has learned some great or humble lessons
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