Schindler’s List Narrative Essay Example

illustrate when characters were in a pleasant mood.

Towards the beginning, Schindler is in the club and trying to please people. He has no worries about the war or what is going to happen. The carefree people represent this. The characters in these scenes were mainly Germans because they knew nothing bad was going to happen to them. They all carried a cheerful attitude while being naive.Many objects or actions can be used as symbolism.

There are many points in the movie where the viewers can become closer to the Jews. When Oskar is watching the Jews leave the "ghetto", he watches a little girl in a red coat. This symbolizes how the audience can understand one persons feeling. This provides the audience a chance to feel the pain of the little girl also.

Towards the start of the movie, there are two candles lit that burn out. These are symbols of the hopes and dreams of the Jewish people. They all want to be successful in life and have families. By the Germans taking them away, this devastates their aspirations and annihilates their lives. Various material objects show how Oskar uses material possessions throughout the movie to get what he wants. In the club, he wants attention from powerful people.

He then holds up money to buy everyone drinks. He uses the money to obtain popularity so he can later on use the people. Also alcohol symbolizes Oskar trying to get what he wants. He offers Stern drinks when he meets him. This is during a meeting that Oskar wants to pursue Stern to facilitate Oskar with his knowledge. Also the drinks represent the

relationship between Stern and Oskar.

Every time Oskar offers a drink to Stern, Stern thinks more about it even though it is against his morals. This shows they are becoming closer friends than a business relation.The lighting effects furthermore influence the mood and foreshadowing for Schindler's List. Shadows on the characters appearance allots the audience a proposal of what sort of person the character matures to be. The meeting between Oskar Schindler and Istak Stern bestows an exceptionally apparent view of their character. Schindler had a dark shadow over his face and only had light on his eyes.

Oskar has repugnant motives and is trying to play them out on Stern. This shows he sees something he wants and that is Istak Stern's working abilities. Stern is lit up and he is a noble character within the movie. Next, Amon Goeth proceeds down to the wine cellar with the Jewish servant. The light from outside is directed towards the servant because she has no malevolence intentions. While Amon is only pleased by pain on squalid people, he has the majority of a morose shadow on his body.

Facial lighting is additionally used to communicate feelings. Near the end, Oskar apprehends he could have resuscitated additional Jewish citizens. He has developed from a rancor person to a fulfilled human, but his face is only half way lit because he feels he has not entirely consummated his mission. Also in the club with all the Germans, Schindler's eyes are covered by shadows. This proves he cannot see the whole truth and realize there is a war going on around him because his eyes are shielded.

Objects are lit

up to be evidence for the significance of them. Schindler's swastika is revealed in the light while he is introduced. This illustrates how it is dominance to him because it is irrefutable that the Germans were powerful in this time era. Each swastika exposed symbolizes power. In addition, money is a dominant object.

The dollar bills are shown intensely while Schindler is retaining them. He makes use of the money for power intentions and to get what he has aspiration for. The illumination is fascinated to material belongings with the intention of bringing supremacy.Steven Spielberg, the director, used many aspects of symbolism, like music, symbols, and lighting, to make Schindler's List in-depth. The audience then could see foreshadowing and have a closer look at the true story about Schindler.

Each and every one of these dynamics allocates the story and character to cultivate the plot.