Salvador Dali, a highly eccentric and obsessive artist, drew inspiration from a variety of peculiar sources. In his earlier years, he honed his technique at the Madrid academy, drawing influence from the 17th century Dutch still-life masters and the 19th century French and Spanish genre painters. While there, he dabbled in Cubism (despite potentially not fully grasping its principles) and also experimented with Dada, which had a lasting impact on his art.
During their time at the Madrid academy, Dali and Luis Bunuel crossed paths, with Dali even creating a portrait of Luis in a traditional grey-toned style. Though Dali was still searching for his artistic identity at the time, Luis' passion for surrealism piqued Dali's interest in the movement.
After a certain time, Dali's art was impacted by both Pablo Picasso and Joan Miro's abstract art. During this phase, he created
...many pieces that were heavily influenced by these two artists while also developing his unique style. Moreover, Dali possessed a keen fascination for the works of Giorgio Di Chirico and Carlo Carra, whose pieces mainly centered on the strength of symbols rooted in dream imagery according to Freudian psychology.
Dali was influenced by Freud's theories and incorporated them into his art. Freud believed that sexuality begins at a young age and develops as we form attachments to others. This sexual representation appealed to Dali, who officially joined the surrealist movement in Paris in 1929.
In the Montparnasse quarter of Paris, he joined the surrealist group after shifting his artistic focus to incorporate everyday objects in peculiar arrangements. In 1929, he was introduced to his muse and future wife, Gala, who greatly impacted his work. However, Dali's fascination
with Hitler caused tension with the Surrealists.
Salvador Dali was expelled from a mainly Marxist group due to political differences, with accusations of being a Fascist. His interest in natural science and mathematics was evident in his artworks, such as paintings featuring rhinoceros horns symbolizing divine geometry through a logarithmic spiral. He was also intrigued by the hypercube, a 4-dimensional cube, and DNA. Dali's creative works spanned various mediums, including theatre, fashion, photography, and filmmaking and were influenced by diverse sources.
One of his most renowned works, ‘The Persistence of Memory,’ was created in 1931. This painting presents a landscape with a dreamlike quality, featuring pocket watches slowly melting on rocks and a tree branch. Surrealism is recognizable in this artwork due to its dreamlike quality. Additionally, the technique of reversing the softness and hardness of objects is also evident, demonstrated by the melting clocks.
Displayed in the painting is the landscape of Dali's hometown in Catalonia along with Dali's self-portrait featured in the center as a peculiar creature. Dali's usage of extensive symbolism is evident throughout his art, and this painting is no exception. The melting watches serve to demonstrate time's insignificance, while also potentially conveying Einstein's theory that time is relative and malleable. The ants present in the painting are a recurrent motif in Dali's work that signify decay.
Featuring a long depth of field, the painting presents highly detailed elements in its foreground, which is shaded and rendered in cool colors. Meanwhile, the background is lighter and warmer, resulting in a realistic portrayal of an imaginary scene through the skillful play of colors and light. Despite its horizontal and vertical asymmetry, the painting achieves a
sense of balance through its deft use of color contrast.
Utilizing a harmonious repetition technique, the clocks in the artwork were painted similarly to each other. The surreal world of dreams inspired 'Sleep', which was created in 1937. The piece portrays a large head without a body set against a bare landscape and deep blue sky. The eyes of the head are closed, indicating sleep, and the head is supported by crutches. The neck of the head gradually narrows and hangs over one of the crutches.
On the left, a dog can be seen with its head resting on a crutch, which is a recurring theme in Dali’s art. The crutch is symbolic of reality and acts as a grounding force, providing both spiritual and physical support for life’s challenges. The sleeping head of the dog is highlighted through its magnified size and light yellow hues, which stand out against the blue sky. Additionally, the use of multiple crutches creates a sense of rhythm that adds structure to the facial features.
By employing perspective, a sense of depth is established in the painting. The head takes center stage, while the castle appears distant to the right and the dog is positioned to the left, resulting in a 3D effect that highlights the central figure. The artist utilizes scale and a distorted head size to draw focus toward it. Dating back to 1954, 'The Crucifixion' is an example of what the painter describes as "Metaphysical, transcendent cubism".
Incorporating his fascination with mathematics and his return to Catholicism, Dali's painting shows Christ suspended on an eight-sided dodecahedron. This is an octahedral hypercube or a fourth-dimensional cube which creates a cross. Gala,
Dali's wife, is portrayed in the bottom left of the painting observing the crucified Jesus while the cross is symbolic of a possible reflection from another four-dimensional world.
According to Dali, the worlds of faith and science can coexist. Salvador Dali, accessed on April 28, 2008 at ;http://en.wikipedia.org/wiki/Salvador_Dal%C3%AD;, was a firm believer in this combination. More information on Salvador Dali can be found at ;http://www.;, accessed on April 28, 2008.
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