Dialectical Journals Essay Example

to depart? The motive of Claudius restraining Hamlet from departing is to sustain the illusion of having his "son" with him as a pillar of support for him and his kingdom. This act also brings joy to Gertrude. Furthermore, they aim to dissuade Hamlet from lamenting his own demise and rather inspire him to celebrate his existence. What leads Hamlet towards the notion of ending his life? Hamlet holds the belief that by terminating his life, he could find solace in a place devoid of any pain or suffering. His longing is to reunite with his father, who remains the only individual he pledges loyalty towards. Why does the Queen opt for remarriage without extending her period of mourning?

Why does Hamlet easily trust these men? If I were an actor, I would primarily emphasize sorrow. Hamlet is depressed. He is still grieving over his father's death, which occurred two months ago. This demonstrates a perpetual sadness that remains within him, an unending pain. To depict this on stage, I would need to express a body language that reflects immense sorrow. Simultaneously, he is also deeply frustrated with his mother. He disagrees with her actions immediately following his father's passing.

Hamlet finds the proximity of the wedding to the funeral deeply upsetting. He believes that the marriage is incestuous and repulsive, which adds a tinge of depression, anger, and resentment to his delivery. To enhance my portrayal of Hamlet in this scene, I can tap into a personal experience of a devastating death that shook me to the core, much like the impact of Hamlet's father's death on him. I would channel the intense sorrow I felt

for my grandmother into this performance. Additionally, I would also draw upon a profound, long-standing anger that I have harbored towards someone. Combining these elements will result in a powerful and emotionally-charged soliloquy delivered by Hamlet.

I.iii. Ophelia and Polonius n, e, in. These vows are merely snares for foolish birds. I am aware that when a man is filled with passion, he will say anything. However, when the heart is filled with passion, it emits more radiance than warmth, and the flame will extinguish even before he finishes his pledges. Do not confuse that with genuine love. Henceforth, minimize your interactions with him and converse with him less.

Ophelia, bear in mind that Hamlet's youth gives him more liberties than you have. Be wary of his declarations of love; they are as insincere as the ostentatious pimps who use their attire to exploit women into demeaning actions. Put simply, don't squander your energy on Hamlet. Heed my counsel. Let's move forth now. If you scrutinize this scenario through a feminist lens, it might incense you.

In this era, women were viewed as insignificant. Polonius suggests that Hamlet's affection for Ophelia is only skin deep, motivated by his wish to take advantage of her physically. To Hamlet, she serves merely as a tool for his gratification. Regrettably, Ophelia submits to her father's ideologies without resistance due to the patriarchal authority fathers possess over their daughters who are obliged to follow their directives or bear the repercussions.

i. There are two potential approaches I could take if I were to enact this scenario. The first one involves projecting it as demonstrated in the film, where Ophelia is profoundly upset, yet

ultimately yields to her father's authority because he occupies a position she feels powerless against. Despite her initial resistance and tears, she would inevitably fail to change his mind. Regardless of her affection for Hamlet, parental obedience is non-negotiable for her. To bring this interpretation to life, my focus would be on channeling my inner child - the part that struggles and weeps but eventually adheres to parents' directives.

Another method entails becoming a robust child who feigns heeding given advice, but eventually decides not to adhere to it. I find motivation in instances when I assure my mother that I will avoid specific individuals, yet invariably fail to accomplish this task. Regardless of others' perspectives, I depend on my own beliefs for life's navigation. ii. Hamlet's Soliloquy emphasizes Hamlet's profound resentment towards his mother and uncle due primarily to his mother's marriage with his uncle - an action perceived as incestuous.

Understandably, he is profoundly disturbed and finds the situation highly unsettling. His mother married his uncle just two months after his father's funeral, despite pledging eternal love to her late husband. These circumstances not only deepen Hamlet's grief over losing his father but also compound the pain of his mother's betrayal. The aftermath of these events leaves him so shattered that he even contemplates ending his own life. He feels uncertain about how to approach this predicament and in light of these events, questions their underlying motives. In this part of the tale, he wonders whether suicide might be a sin forbidden by God.

"He is discussing the laws imposed by God that he feels obligated to follow, to the point where he contemplates suicide due

to his intense unhappiness. Additionally, he expresses his feelings of exhaustion, despair, and the meaninglessness of life by crying out to God. He is unable to cope with the predetermined path laid out by God. Hamlet rejects this path and is extremely distraught at his mother's choices and the trajectory of his own life. He pleads with God, asking if he must endure the burden of remembering what has been ordained for him. In this soliloquy, he expresses his deep dissatisfaction with religion and his existence. Oh, how I wish that this stained and corrupt flesh would dissolve and vanish."

If only God hadn't forbidden suicide. Oh God, this life seems so pointless! It's all become monotonous and empty, much like a garden infested with weeds. I can hardly believe that it has come to this. Barely two months have passed since his death. He was an exceptional king, akin to the sun god being compared to a goat-like satyr, demonstrating such affection for my mother that he would protect her face from the wind. Why do I have to remember? She acted as if his existence had been erased.

In the wake of my father's demise, my mother swiftly moved forward. The shoes she donned for his funeral were barely worn in. I'm left with the impression that she grieved less than any creature would for its own kind. Presently, she's wedded to my uncle, my father's sibling, who is as much a paternal figure to me as I am akin to Hercules. Merely a month has passed since my father breathed his last and she has hastily tied the knot again. It feels unjust and

I fear it harbors no positive outcome.

This is utterly heartbreaking. Claudius' soliloquy in Hamlet Act 1, Scene 2 reveals his immoral actions. Why would you marry your brother's wife? Are you joking? This is utterly disgusting. Didn't you realize that this kind of relationship is considered incestuous, even in your society? Are you mentally disturbed to think that it was acceptable to marry her, especially so soon after her husband's death? Are you so obsessed with obtaining the kingdom that the only way you saw fit was to marry your own sister-in-law, and you did it. Disgusting.

Your actions are shockingly appalling. Denying your own nephew's right to the throne is an exceptionally cruel deed, even by your standards. Furthermore, it's horrific how you can disrespect your brother so blatantly. She was his spouse, his beloved, and yet you wedded her merely a month after his demise. I am utterly repulsed by your behavior. This will undoubtedly accelerate his inevitable ruin. Now he is wedded to his sister-in-law, which will logically incense Hamlet about this situation.

This will result in him investigating your rushed marriage. If he invests in it, he will uncover that you killed your own brother to become king. Were you so innocent to believe that no one would notice the connection between the death and the marriage? How could you think it would all disappear? You may have hidden your actions, but nothing ever truly disappears. By marrying your sister-in-law, you committed a terrible act. You would have succeeded if you hadn't married Gertrude. This will lead to Hamlet's anger and your inevitable demise. While the memory of my dear brother Hamlet's death

is still fresh in my mind and in the hearts of our kingdom, we should all mourn.

Despite the circumstances, life goes on. It is crucial to mourn his loss while also acknowledging the current situation. Therefore, I have wed my previous sister-in-law, now queen, in a blend of joy and sorrow. By marrying Gertrude, I am heeding the wise counsel you all offered me for which I am thankful. Let's cut to the chase now. You are all well informed about our predicament. Young Fortinbras either undervalues my authority or assumes that due to king's death anarchy reigns in this nation and daydreams of ambushing me off-guard. His demands have greatly increased after his father's departure and our land's forfeiture. Cornelius and Voltemand, I entrust you with resolving this issue with Norway. Now let’s address Laertes.

In this scene, I.v., the ghost scene, Hamlet encounters the ghost for the first time. It is the epitome of a ghost story as Hamlet is beckoned by the ghost to accompany him. Hamlet is the only one able to communicate with the ghost, who appeared from the beginning. The presence of a ghost further contributes to the eerie atmosphere of this scene.

When the ghost appears in the novel, there is a haunting sense that is typical of ghost stories. Additionally, the ghost serves to amplify the revengeful narrative in the story. Hamlet already harbors suspicions towards the King due to his hasty remarriage to Hamlet's mother. The ghost thus magnifies Hamlet's existing sentiments. Furthermore, the appearance of the ghost encompasses two central themes - a story of vengeance and a tale of the supernatural. Notably, the ghost's remark, "Ay

that incestuous, that adulteress beast," is particularly striking as it refers to a woman whom he claimed to have loved - the queen.

The man is using offensive language to criticize her choice of marrying his brother. It is considered incestuous because she married her deceased husband's sibling. The term "adulteress" doesn't seem fitting in this situation. Although she is now single, back in that time people married with the expectation of a lifelong commitment. Therefore, in that context, calling her an adulteress could be seen as valid. It is surprising that the man who loves her is expressing such shocking behavior.

"Thus was I, sleeping by a brother's hand." This is when the ghost informs Hamlet about his own demise, emphasizing how he was killed by his own brother. The ghost reveals that his death was a carefully planned murder, executed by his brother who desired his wife and property. This revelation intensifies Hamlet's desire for revenge and triggers his determination to take matters into his own hands by personally avenging his father's murder. "Against thy mother aught. Leave her to heaven."

..."This shocked me the most. After the first quote written above I would expect him to be furious with her. She married his brother and forgot all about him. He called her incestuous and adulterous, now he wants her unharmed in all this matter? He is upset with her, yet his love is conquering all. He doesn't want her to get hurt because, in the end, it isn't her fault. But he wants to leave her to her own guilt for the matter.

In this segment, Hamlet experiences a profound and intricate connection with his deceased

father. His primary motivation is the pursuit of retribution for his father's demise in order to honor him. In particular, Hamlet targets revenge on the wrong committed by his uncle towards his father. His uncle holds guilt for committing fratricide, and Hamlet is resolute in seeking retaliation against him. Despite uncertainty over whether the ghost he meets might be impersonating his father, Hamlet still resolves to murder out of loyalty towards this figure. Regardless of the possible deception, he takes the message as if it was directly communicated from his father.

The passion is so profound that he's ready to gamble for the sake of avenging his father's demise. II. i-ii. In general, m, c, am. I will chiefly focus on Hamlet's resolution to stage a play illustrating the poisoning murder. This selection is crucial as he plans to trick the king and reveal his guiltiness, which ultimately results in the king's assassination.

Upon uncovering the authenticity of the ghost's claims and validating that the king was indeed his murderer, Hamlet will be engulfed in fury. Yet, this enlightenment might bring about serious repercussions for Hamlet too. Should King Claudius sense any conspiracy from Hamlet towards him with homicidal intentions, he might order a prompt execution of Hamlet without second thoughts. Such an eventuality would lead to a tragic end. What do you foresee from this play? Personally speaking, I predict it will unveil Claudius's culpability. If he successfully brushes it off, then perhaps the apparition is misled. Nonetheless, if his response matches my prediction, it will corroborate his guilt and allow me to take necessary action accordingly. It is vital for me to witness his

wrongdoing first-hand. However, I am convinced that such a scheme could eventually backfire.

What would be the outcome if Claudius uncovers the motive behind your act? Despite your animosity towards him, he bears the crown of a King. Therefore, he wields the authority to command your execution. Have you genuinely lost your sanity? Even though you impersonate a lunatic, is it an accurate reflection of your psychological condition? This choice is fraught with danger. The ghost has confirmed Claudius's guilt, but what if it isn't who you perceive it to be? If this scheme does not go exactly as planned, it could spell disaster for you. Stay vigilant and guard yourself. This part of the novel highlights a play within its storyline, discussing how they accentuate the monologue.

The passage discusses the impact of plays and actors on people's happiness. Although the characters in the scene attempt to uplift Hamlet through a play, he is not in need of cheer. In reality, they are trying to uncover the source of his distress. Hamlet uses the play as a pretext, but they genuinely discuss the themes of plays and monologues. Hamlet feels jealous of actors' capacity to portray emotions. II.ii. Hamlet's Soliloquy d, g, hd.

Line 577: "on what a rogue and peasant slave am I!" This holds significance as Hamlet engages in self-evaluation, yet considers himself unworthy. While he will later explain his reasoning, for now, he introspects.
Line 586: "What's Hecuba to him or he to Hecuba, that he should weep for her." This showcases why Hamlet views himself as common and foolish. How can he shed tears for a character he has no connection with, while he

cannot grieve for the man he truly loves? The artificial emotions actors display exceed his own, and this troubles him.
Line 634: "wherein ill catch the conscience of the king." Hamlet attempts to deceive Claudius into revealing his own guilt. Noteworthy for its cunning and cleverness.

The pay will appeal to his conscience, drawing out his guilt and advancing the plot. The relationship between Hamlet and his father is highlighted in this soliloquy. Hamlet criticizes himself for lacking the same level of emotion as an actor who has no personal connection to a character. Despite loving his father and formulating a revenge plot, he refers to himself as an absent-minded dreamer without purpose. He experiences grief and sorrow over his father's death but struggles to comprehend his own emotional incompetence.

The monologue contributes to the narrative of retaliation. The main character is strategizing to trap the king at a point of vulnerability, with the intent to confirm his involvement in the previous king's murder. Once he can establish this guilt, he will be able to carry out his mission of avenging his father by eliminating the current king. This significant juncture provides him with an opportunity to substantiate something momentous and affirm allegations made by the apparition. It's fundamental for advancing his scheme of revenge. The two most pivotal phrases from Act II are: "Oh what a rogue and peasant slave am I!" (577) and "Wherein I'll catch the conscience of the king." These lines were chosen due to their heightened emotional content and elucidatory nature.

In the 20th century version of this line, the first line would be "oh what a horrible and common person am I". He

displays intense emotions. This is the initial moment where his emotions surge. Prior to this, he feigns sadness and insanity, but they are mostly an act and not as strong as these current emotions. He is simply sullen because of his father's death. In this particular instance, he experiences a burst of emotions that are appropriate for the situation. However, simultaneously, he feels a surge of emotions for not feeling any emotions regarding his father's death. This is ironic. Nevertheless, it is in this moment that he reveals his genuine anger.

The importance of the second quotation cannot be overstated, as it sets the stage for future events in the play until its conclusion. This line conveys the character's profound wish for retribution following his father's demise, which drives him to seek out the king. Absent this phrase, we would lose sight of just how impactful his rage is and fail to grasp the full extent of his emotional involvement in seeking vengeance. Moreover, this statement discloses his strategy to entice the king and probe his moral sense.

He is already convinced it is true and ready to strike. These are important because they show the stages of his thoughts and the net events to come.III. ii. H, l, gi. In this scene Hamlet shares his revenge plan with Horatio. He asks Horatio to observe the king during the play and if he notices anything suspicious when the death scene occurs. If the king reacts, it confirms that the ghost was telling the truth and Claudius is guilty of killing the king.

This is a test to ensure that he is not foolishly pursuing a revenge plot that

will ultimately fail due to its immorality. He relies on Horatio to assist him on this mission. The entire revenge plan revolves around Hamlet's fury and animosity towards the king. Ever since the marriage, Hamlet has harbored resentment towards Claudius, and his anger only intensifies after encountering the ghost. This anger stems from one of the seven deadly sins, wrath. Hamlet's actions are driven by wrath, and when he instructs Horatio to keep an eye on the king, it is not an act of love but rather fueled by his rage towards the king.

In this scene, the trust and reliance between Horatio and Hamlet can be observed. Hamlet places great trust in Horatio, to the point that he is risking both their lives by sharing his plan with him. While Horatio has the option to betray Hamlet and inform the king, he remains a loyal friend who would never turn against Hamlet, unlike Rosencrantz and Guildenstern. Hamlet's love for Horatio goes beyond mere affection and is rooted in trust, as he sees him more as a brother. This passage serves as a testament to their relationship.

III. i. Ophelia c,d,ic. Hamlet, are you trying to protect or hurt Ophelia? You speak in a way that can be interpreted in two different ways. From my perspective, you are protecting her from yourself. You are impulsive and currently slightly insane. I know you love her; you cannot have lost interest because nothing has come between you and your feelings for her.

Your yelling at her, if you still care for her, isn't motivated by hate or any negative emotions. Hamlet, it seems like you're striving to protect her from

potential danger. You understand that your life is on a downward trajectory and death may be imminent. I hope this is the genuine motive behind your harsh words towards her because otherwise, she might come to resent you. The remark "Get thee to a nunnery" carries weight as it signifies your effort to shield her from harm. She harbors deep affection for you and would go out of her way for your sake; it's crucial that you discourage such actions.

The speaker counsels her to retreat to a convent, not due to any perceived impurity, but for her own safety. His intention is to shield her from the peril he foresees in his own future. When he declares "I loved you not," it's an attempt at safeguarding her. He considers it preferable to inflict heartache on her now than have her grieve his demise or bear witness to the ruin he anticipates becoming. Fully aware of the grimness that awaits him, he doesn't wish for her endure such hardship. The pain she experiences now would be easier compared to losing him later on. "Oh, what a noble mind is here destroyed."

"This passage holds great importance as it reveals Ophelia's genuine love for Hamlet despite her concerns about his changed behavior. Despite understanding his underlying message, she chooses not to pursue him, which doesn't mean she isn't concerned for him. The passage can be interpreted in two ways, presenting multiple meanings. The first interpretation suggests that Hamlet is genuinely insane and angry with Ophelia."

He is displaying his insanity and revealing his genuine self to Ophelia. His remarks are designed to hurt her, due to him viewing her

as insignificant and tainted. To get into this character, I would have to draw from similar past experiences. However, if I were in Ophelia's shoes, I would use my own emotions to try and comprehend how he must have felt when he referred me as worthless. On the other hand, one could interpret this text as Hamlet's effort to shield her. Conscious of his madness and the perilous journey he's embarked on that may eventually lead to his downfall, Hamlet uses these insulting terms as a way of letting her reflect on their impossible future together and persuades her to keep distance.

Although I have not personally experienced the emotions portrayed in this role, I would refer to movies I have watched that depict similar emotions. The way these emotions are conveyed would be entirely different, as one is intended to cause harm while the other is meant to provide salvation. In III.iii., Claudius' soliloquy expresses the foulness of his crime, which is comparable to the mark Cain received for murdering his brother.

Despite my strong yearning to pray, my overpowering sense of guilt leaves me paralyzed. I question if the blood on my hands from a life taken can be purified in the sight of the divine. Is this not exactly what God's mercy is designed for? Prayer serves a dual function: it deters future wrongdoings and offers us redemption for our transgressions. Hence, I shall pray. My sin has already been carried out. However, what is the right way to pray? Can I simply utter, "Oh Lord, pardon me for taking my brother's life"? Regrettably, I can't because apart from this heinous act, I have

also wedded the queen and claimed his assets. Can one seek forgiveness while still enjoying benefits obtained through their misdeeds? In this flawed world, those who transgress often enjoy profits and bend rules in their favor. Yet in heaven's court every deed is judged precisely and we are bound to face our offences inevitably.

What actions can I take? What options remain? Perhaps offering repentance could be beneficial, although it may not provide any assistance. I find myself in a terrible predicament, with a heart as dark as death and a soul entangled in sin. I implore the angels for help, urging them to exert themselves and soften my stubborn knees and steel-like heart so that I may pray. With hope, everything may ultimately resolve itself positively.

(No fear Shakespeare assisted).f. This passage exclusively focuses on religion and heaven. Claudius, who has committed a crime and is therefore unable to go to heaven, experiences guilt over his murder and attempts to repent for his sins but is unsuccessful. His heart is described as black. The king calls upon angels for assistance in his repentance, yet he ultimately fails to repent. Due to Claudius' lack of genuine remorse for killing his brother, God cannot forgive this murder.

From it, he secured influence and a spouse. His heart is as dark as mortality itself. C. Frankly, your attempt at repentance following your recent actions seems insincere. Divine mercy is unlikely for a murderer. You committed an egregious sin in his sight and will forever be branded as a sinner in God's perception. If guilt was not your desired outcome, why then did you take his life? The acquisition of territory

and sovereignty does not justify the calculated assassination of one's sibling followed by seeking absolution for such act. Your plea for forgiveness appears futile because you are unworthy of it.

Angels do not intervene to aid sinners, only the righteous. III. iii. (The entire scene where he shouts at his mother) n, a, gn. Take a look at this picture here, and that one over there, depicting two brothers. Observe the kindness and refinement of this particular brother, with his curly hair and a forehead resembling that of a Greek deity. He exudes immense strength.

Your current husband pales in comparison to your previous one, who had a perfect and fit body. He possessed a combination of good qualities and appeared to have divine approval. In contrast, your present husband is like an infected ear of corn spreading its disease to the neighboring healthy one. Are you not able to see? How could you leave your previous husband for someone as low as him? How could you make such a move at your age when romantic passions have dwindled? There must be some thought process in your mind that allows you to function normally. What devil prevented you from seeing the truth? Your eyes lack feeling, your feeling lacks sight, your ears lack hands or eyes, and even with a defective sense, you should have had better judgment.

And why aren't you blushing? Acting on impulse is no longer considered shameful, and it has become the new trend. So why shouldn't we all engage in it?
In this particular scene, Hamlet is shouting at his Mother, finally expressing his true emotions. He mainly focuses on her

immediate engagement in another relationship right after his father's funeral. As a result, he accidentally kills Polonius, who was trying to protect the Queen from physical harm caused by Hamlet. Essentially, Hamlet disowns her as a mother. He compels her to introspect and discover her true self and what she has truly become.

In this scene, Hamlet expresses his disapproval and anger towards his mother. Ever since she married his uncle, their relationship has been strained. Hamlet's hatred intensifies in this particular moment when he reluctantly acknowledges his mother, saying "though I wish it weren't true-my mother." He despises how she has dishonored his father and questions the love she claimed to have for old Hamlet. This encounter prompts her to reconsider her identity. Their relationship has become unstable and almost non-existent ever since the marriage.

III. iii. "Now Might I Do It Pat" n, f, mn. I have the opportunity to do it immediately. He is currently praying. However, if I kill him now, he will ascend to heaven. Thus, my revenge will be incomplete. I must carefully consider this situation.

My father's murderer was this man, and as his sole heir, I found it difficult to bestow upon him an eternal peace. It would be akin to rewarding him. He took my father's life when he was blissfully enjoying his sinful existence without any guilt. Only the divine entity is aware of the depth of his sins. In my opinion, Claudius doesn't deserve such leniency. Therefore, would it genuinely count as vengeance if I end Claudius while he seeks forgiveness for killing my father? No, I shall bide my time until a more suitable moment arises.

When he succumbs to drunken stupor or immerses in carnal pleasures or utters curses during gambling or commits some other sin - that will be the perfect timing for me to sentence him to perdition instead of paradise. My mother looks forward to this with great zeal.

The king is attempting to alleviate the guilt he feels for killing my father, but all he is doing is prolonging his life. Hamlet refuses to kill Claudius because he is praying to God. If he dies in his current state, he will certainly go to heaven instead of hell. However, if Hamlet kills him while he is engaged in some terrible act, then Claudius will go to hell, which is precisely what Hamlet desires. The revenge will only be satisfying if God cannot save Claudius from hell. Additionally, Hamlet discusses how God is the ultimate judge, but Claudius decided to be Hamlets and killed him before he had a chance to repent for his sins. God is God.

Had Hamlet shown a bit more patience, waiting for just an additional five minutes, he could have discerned that Claudius was not truly remorseful for his wrongdoings. This knowledge would have provided Hamlet with the chance to eliminate Claudius without fearing of sending him to heaven. Alas, due to his premature departure, Hamlet did not kill Claudius and has thus signed his own death warrant. Should he have carried out the act against Claudius, the success rate of his scheme would likely have been greater. His dread about potentially granting Claudius heavenly salvation has ironically paved the way for his own demise. Act IV scene iv: "How all occasions do inform

against me" n,h,mn - it's as if every circumstance I find myself in throws light on my blunders and impels me towards hastening my quest for vengeance.

A human being is reduced to mere beastly existence if all they do is eat and sleep. We were not created by God to be idle. Whether it's thoughtless behavior resembling animals, or the hesitancy that arises from excessive contemplation, I am uncertain. Why have I not taken my revenge yet? I possess the motivation, determination, capability, and potential. It is abundantly clear that I must carry out this act. Consider this large army, led by a prince who willingly risks his own life without cause. To be created does not imply fighting for a noble purpose.

It signifies engaging in a battle for one's reputation. Therefore, what does that leave me with, as I possess the drive bestowed upon me by my father, mother, and uncle? Meanwhile, I observe twenty