Albert Einstein once declared that Mozart was not of this world when it came to art and music. Mozart's unparalleled abilities allowed him to effortlessly learn a piano piece within 30 minutes at the age of four, compose a symphony at five, and finish his first complete opera by the age of 12.
The question of whether Mozart's abilities were due to genius or hard work is explored in Peter Shaffer's play, Amadeus. In one scene, Antonio Salieri realizes Mozart's true genius when he sees his original music scores without any mistakes. Salieri remarks that although these were Mozart's first drafts, they looked like final copies and had no corrections.
The significance of this scene in the play is that it reveals Salieri's negative, jealous, and malevolent emotions, as he comes to the realization of Mozart's musical genius.
...In Milos Forman's film, Salieri describes Mozart's compositions at the very beginning of the movie. He states, "The beginning is simple, almost comic, just a pulse, bassoons, basset horns, like a rusty squeeze box and suddenly, high above it, an oboe." Salieri seems to know Mozart's music better than anyone else. After his failed suicide attempt, Salieri watches as his own music fades into oblivion while Mozart's grows more popular. Salieri's jealousy intensifies as he decides to make a final attempt at being remembered in the public eye. As we all know, Salieri cleverly takes advantage of Mozart's fondness for drink, his financial struggles, and his obsession with pleasing his deceased father. He tricks Mozart into working himself to death.
The reason for the rivalry between Mozart and Salieri is widely known in history. Although they
coexisted in Vienna, Salieri held several influential positions such as court composer, director of Italian opera, and court conductor. Salieri did not need to eliminate Mozart to maintain his authority in the industry as his status provided him with sufficient power.
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