Apartment Design Plan Essay Example
Apartment Design Plan Essay Example

Apartment Design Plan Essay Example

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  • Pages: 6 (1464 words)
  • Published: August 13, 2018
  • Type: Paper
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Executive Summary

The attached studio images indicate that developing the studio is a challenging task that requires proper management and regulation of resources. The upcoming study offers an explanation for the origins of the Studio House, providing valid reasons for the chosen technology, materials, design, and cost. The study aims to analyze how the materials will be utilized to achieve the goals of spatial and sound regulation. The objectives include designing a cost-effective studio with a recording room, an overdue booth, a control room, a microphone vault, a machine room, and a store. The overdue booth will be strengthened with sound-regulating materials.

Design strategy

The design of the room ensures proper regulation and control of sound distribution. The studio is designed with appropriate absorption for practicality. This design includes simple porous absorbers such as decoration furniture, curtains,

...

and carpets (Acoustica, 2016). The architecture prioritized movement, lighting, and utility. The studio house has two floors. The ground floor includes a reception, lounge, manager office, and toilet. The upper floor consists of a recording room, overdue booth, control room, microphone vault, machine room, and store. All rooms are reinforced for stability of the facility.

The designer's focus was on the upper floor studio rooms, which would help regulate sound from outside noise. The thickness of the material would regulate the combination of wavelength and high frequencies (Jocaviacousticpanels.com, 2016). The booth and recording room both have different absorbers to regulate frequencies to different degrees. The rooms can be optimized for various types of music, including baroque music, orchestra, pop music, or speech. The surfaces of the rooms reflect sound, with the booth having a longer reverberation and materials that absorb sound

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The acoustical properties of the material are measured to achieve a reverberation close to zero.

In addition, the distribution of sound in the room is achieved through the concept of reverberation time used on the upper floor. This distribution is advantageous as it allows for simple measurements of reverberation time to determine usage conditions. The design of the room relies on sound distribution from speakers and the regulation of sound levels by reverberation materials. The function and position of the sound also influence the timing and frequency. Moreover, the insulation properties of the room ensure that sound is concentrated at low noise levels from neighboring rooms. This targeted approach to sound encourages a more uniform structure with minimal loss factors, while also concentrating sound in a specific area.

The calculation of axial, oblique, and tangential modes is used to determine the ideal dimensions for a room space. The tangential mode specifically considers model features, surfaces, and cross sections. The size of a home studio bathroom depends on factors such as sound quality, studio needs, and exercise requirements. The frequencies of the rooms are determined by the distribution of modal frequencies, which are correlated with the uniformity of the modes.

The live room is designed with a modal nature, meaning that it aims to achieve a reasonable analysis, complexity, and incredibility. The amplifier is positioned to face the probability and strongly drive the axial modes. The goal of this positioning is to reduce modal pressure at its peak while still allowing the natural frequencies of sound to be felt (Howard and Angus, 2009). In order for the microphone in the booth to be effective, its placement is critical.

It is positioned at a nodal point, which allows it to respond to the mode with minimal pressure variation. It effectively overpowers the anti-node and point of peak pressure. The relative quantities of direct and reverberant sound are arranged strategically in order to minimize or maximize the effect on certain room modes. Variable pattern microphones are utilized to produce different outcomes, such as figure-of-eight, hyper-cardioid, and cardioid patterns. The design also allows for more tangential modes by using surfaces that achieve this effect. Additionally, the amplifiers are angled vertically away from the room and designed to drive numerous and weaker oblique modes.

Studio architecture

A number of challenges and constraints arise when designing and constructing studio architecture. The design tends to favor smaller rectangular and square rooms, which can create acoustical issues and limit construction options. Having a high ceiling allows for more possibilities and improves sound recording and monitoring. In a home studio setting, it can be difficult to avoid perpendicular and parallel walls. One solution is to place the monitoring area in a corner, where there is less risk of standing waves and flutter echoes bouncing back and forth across the room (Acousticsciences.com, 2016).

However, the isolated partitions in the recording room should be fitted with appropriate noise-reducing materials such as fabric. Incorporating glass windows provides the dual benefit of ensuring effective energy utilization. The acoustic properties of the recorded and monitored room should be evaluated abstractly. Porous absorbers are a popular choice for acoustic treatment in this design. According to Davis and Patronis (2006), these absorbers are integrated within the surface treatment and room structure.

Since dry walls are used in this project, the brick

and cinderblock materials will be highly reflective on the surface.

From the design, it is evident that sound control is of utmost importance in both the booth and recording room. The equipment is strategically positioned within easy reach, ensuring accessibility. Additionally, the furniture in the Microphone vault, Machine room, control room, booth, and recording room is carefully placed to prevent any noise emission that could cause disturbance or damage.

Design budget

The estimated budget for creating the studio encompasses both the building construction and equipment development. Initially, the expenses for construction will be distinguished from the installation costs. The site expenses differ depending on the specific project requirements for site development. The project budget is accessible, which accounts for the varying construction costs of the house. Additional costs associated with construction encompass air conditioning equipment, lighting, and plumbing. The house expands to avoid discrepancies, allowing sufficient time for the project developer to review the plan.

The budget emphasizes the utilization of ordinary materials in innovative manners. For instance, plywood is employed for ceilings, bricks for walls, iron sheets for the roof, and tiles for the floor. Other items encompass ballast, metallic doors and windows, as well as panes. Moreover, there will be additional costs incurred due to electrical wiring, plumbing, gas installations, and internet connectivity. As a result of these budget projections, a fundamental aspect of home construction has been altered.

The budget

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Materials


Basic


Costs

Sand

300

Cement

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250

Bricks

400

Ceiling

350

Timber

450

Roofing

500


Fittings

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Plumbing

200

Electric cabling

300

Absorption

250

Paint

200


Furniture

Tables and Chairs

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400

Equipment

800

Internet

200


Labor

Labor

450


Total


5000

The budget provided above is concise and easily attainable. The table above contains estimated figures for the materials and other logistical aspects utilized. The primary components of the budget are the materials, followed by furniture and fittings. The suggested estimates are linked to the revenue and are part of the expenditure for construction materials. During the construction project, certain conditions necessitate changes to be made to the original contract. The costs directly associated with labor are determined by labor time sheets, which are managed by the contractor's site supervisors. These supervisors assign appropriate cost codes to activities performed by direct employees on an hourly or daily basis. Material costs are compiled from coded delivery dockets, which are also overseen by the site supervisors. Plant and equipment costs are calculated based on weekly and monthly invoices that have been registered.

Conclusion

The studio will be designed using fewer materials, but the design aims to make it easier to achieve the required objectives. The main objective is to properly manage sound, while also considering lighting, space, and recording objectives. Additionally, the booth and recording room should have a material that eliminates external noise. Therefore, material selection and budget development are critical stages in the development process.

References

Acoustica,. (2016). home. acoustica. Retrieved 7 November 2016, from http://www.acoustica.com.au/

Acoustic Sciences Corporation is a company that focuses on acoustic solutions. They offer various products and services to improve sound quality and manage noise levels. To learn more, please visit their website at www.acousticsciences.com.

The book Sound System Engineering, authored by Davis and Patronis (2006), centers on the subject of

sound system engineering. Currently in its third edition, this publication was released by Focal Press and is located in Oxford, UK.

The book "Acoustics and Psychoacoustics" by Howard, D.M. and Angus, J., published in 2009 by Focal Press in Oxford, UK, is now on its 4th revised edition.Jocaviacousticpanels.com (2016) is an online platform that offers a variety of products. These products can be accessed at http://www.jocaviacousticpanels.com/uk/products/index_uk.htm and are provided by Jocavi®.The purpose of the Primacoustic website is to provide information about their products. For more information, visit http://www.primacoustic.com/.

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