An Explication of Edwin Arlington Robinson’s, “Richard Cory” Essay Example
An Explication of Edwin Arlington Robinson’s, “Richard Cory” Essay Example

An Explication of Edwin Arlington Robinson’s, “Richard Cory” Essay Example

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In the poem “Richard Cory”, Edwin Arlington Robinson depicts a “grass is greener” presumption with a twist. The speaker in this poem, representing the working class, tells about a gentleman by the name of Richard Cory; a man everyone admired. This poem is an ironic illustration of how the “glitter[y]” (l. 8) illusion that wealth and stature projects in ones appearance does not always mean the individual has internal happiness.

In the first stanza, Robinson methodically distinguishes the differences between Richard Cory and the working class.First, in lines 1 and 2, a general social distinction is made. “Whenever Richard Cory went downtown, / We people on the pavement looked at him;” (l. 1-2) The first line implies that Richard Cory does not live downtown, which in and of itself appears to hold little importance. However, the sec

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ond line is the first real indication that Cory holds, in the minds of others, a higher status, which is demonstrated when the speaker, or townsmen, represent themselves as “…people on the pavement…” (l.

2). The “people” are the townsmen and “pavement” is literally something walked on.This choice of words gives the reader insight into the social differences between the two from the perspective of the townsmen. In lines 3 and 4, Robinson exemplifies Cory’s appearance and gives an idea of royalty, further setting him apart from the common man.

“He was a gentleman from sole to crown, / Clean favored, and imperially slim” (l. 3). The context of “crown” in line 3 refers to the top of his head, but Robinson chooses his words to give Richard Cory an aristocratic quality, further demonstrated by his choice of “imperially

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slim” as a description.By the end of the first stanza, it is clear that Richard Cory is recognized by the working class as someone residing in a higher social class. In the first 2 lines of the second stanza, Robinson eradicates any misconception that Richard Cory may be arrogant. The lines, “And he was always quietly arrayed, / And he was always human when he talked” (l.

5-6) authenticate his modesty. The literary sense of the word “array” refers to impressive clothes. The idea that Cory “... was always quietly arrayed” shows that he dressed nicely but was not gaudy.

In fact, as depicted in line 6, Richard Cory possessed a “human” attribute which was apparently not thought to be possessed by people of his stature. These very people that noticed his personable nature had “flutter[ing] pulses when he said, / ‘Good-morning’” (l. 7-8). This comes across as a feeling of discomfort, as if they felt undeserving of his presence.

The last line in the second stanza says that “…he glittered when he walked”, (l. 8) which further supports his overall happy-go-lucky demeanor. In fact, Richard went out of his way to befriend people.At this point in the poem, Richard Cory has been put on a pedestal by the common man, but now we can see that he is, in fact, an upstanding individual.

In the third stanza, Robinson goes a step further by showing that Richard Cory had more than personality; he was well “…richer than a king“(l. 9) and “admirably schooled in every grace” (l. 10), implying that he was well-educated. “In fine [short], we thought that he was everything / To make us

wish that we were in his place” (l. 11-12).

This is saying that Richard Cory embodied everything that the townsmen could ever want, embracing the grass is greener ideology.Richard Cory certainly appears to have everything. The first line of the forth stanza: “so on [they] worked, and waited for the light” (l. 13), solidifies their supposed idea that, as common folk, they could never reach the level of happiness that Mr. Cory has, so they go back to the monotony of their days.

“Wait[ing] for the light” (l. 13) implying, metaphorically, that they are living in the dark [ignorance] with the idea that that money and education are the backbone to happiness. The next line: “And went without the meat, and cursed the bread;” (l. 4) shows that they are without the “meat” of happiness, thus discontent with what they have [bread].

This sets us up for the paradoxical conclusion to the poem: “And Richard Cory, one calm summer night; / Went home and pit a bullet through his head” (l. 15-16). Robinson composed “Richard Corey” in four stanzas; each with alternating rhyme scheme (abab cdcd efef ghgh), assembled using the most common meter in poetry, iambic pentameter. Of these stanzas, it is only the last line, when he ends his life, that it becomes clear that Richard Cory was not happy.

This intentional structure coincides with majority of real life struggles, where even the people closest to the one who commits suicide do not know the extent of their unhappiness until the act has been carried out. The obvious overtone of “Richard Cory” is that perception is not necessarily reality. The townsmen that watched him

everyday perceived him to be happy, but the reality was that he was so miserable that he committed suicide. Robinson portrayed Richard Cory as having everything. The fact that Robinson failed to make mention of a meaningful relationship in the poem, may be a eflection of the deficiency of it in Richard Cory’s life. The true irony in this poem is that the one thing that Richard Cory lacked in his life, friendship, was the one thing the townsmen could have provided.

Had they not hesitated to nourish his friendship, Richard Cory may have had a reason to live. Work Cited Rich, Adrienne. “Richard Cory” Literature And The Writing Process. Ed.

Elizabeth McMahan, Susan X. Day, and Robert Funk. 7th ed. Upper Saddle River: Pearson Prentice Hall, 2005. 564.

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