Connecting with others is a natural and frequent occurrence in our daily lives.
The author Isabel Huggan depicts the agony caused by societal and psychological restrictions that hinder our attempts to assimilate with the majority in Celia Behind Me. Through a poignant and straightforward first-person narrative, insightful characterization, situational ironies, and powerful imagery, Huggan establishes a pervasive sense of terror and misery. By utilizing a retrospective perspective, the author creates an unsettling tone from the outset. The protagonist Elizabeth, who is only nine-years-old, is unable to conceal her feelings effectively in spite of her youth and naivety.
Elizabeth's tone was bitter and full of wrath as she expressed her strong hatred for Celia on multiple occasions, stating that she had "dreadful and absolute passion" towards her. It is curious to note Elizabeth's behav
...ior towards the diabetic child and what actions or words from Celia caused her violent abhorrence. Despite her persistent hate towards Celia throughout the plot, it was eventually explained and made reasonable as Elizabeth feared that the group would not be scared...
Throughout the winter, I felt anxious and fearful that others would discover or intuit my real words and retaliate by pelting me with snowballs for their own amusement. This passage conveys both a cynical attitude and a persistent sense of discomfort that persists until the conclusion.
Elizabeth recalls her past with a sense of fear and horror, as every memory is tainted by the fear of not being accepted by the majority. This fear arises from the knowledge that without Celia, Elizabeth would be the one facing humiliation. It is this fear of humiliation that drives Elizabeth to victimize Celia.
In the story, usin
teasing as a means of integration is prevalent among the characters. Huggan portrays fear and mischief in almost every character. The parents of Elizabeth are well-characterized, showing the pressure of fitting in with the majority as a typical trait among the bourgeois.
Their actions were driven by a sense of obligation rather than genuine parenthood. Their motivation stemmed from a belief in doing what was morally upright:
"..."
The parents were embittered by their own shame, causing them to hit my buttocks with a vengeance, more for personal retribution than rehabilitation. I will forever feel humiliated on this street. The entire story depicts Elizabeth's parents as lacking empathy and compassion, only concerned with their public image and reputation.
Concealed beneath apparent simplicity lies a powerful anxiety and anguish of being ostracized, which is accentuated by the extensive and successful utilization of irony in the narrative. Despite their vigorous fight for acceptance within society, love and comprehension are scarce for the characters searching for a sense of belonging. One can envision a jovial and affectionate milieu when imagining a group of children walking home, but often neglects to see the grimmer side of things.
Despite the expectation of a happy ending for Celia and Elizabeth in the group, Huggan reveals a harsh reality. Instead of love, it is alienation that unites them. Huggan exposes the ugly and heartless side of their bond. "You just remember every word I said," she says, ignoring my previous words. "And if I witness another snowball being thrown at her, by you or anyone else, I'll come out there and spank you in front of everyone".
The most ironic figure in the story
is Elizabeth's mother, despite attempting to establish her righteous status in society by protecting Celia from being teased. In reality, she only cares about herself and uses verbal threats when speaking to Elizabeth. These threats are not effective as they offer no understanding and only serve to further fuel Elizabeth's confusion and resentment towards her mother. Towards the end of the story, there is a striking verbal irony when referring to the "heroic" people who took care of Celia. It is difficult to believe that these same people are the ones who pushed both Celia and Elizabeth away from social acceptance.
The story is a satire highlighting the great divide between love and reality, and the idea that one cannot evade societal limitations. Huggan employs vivid and menacing images to evoke an emotional response in readers. For instance, the "chocolate-tongued mob" bursts into wild laughter as they turn their backs on the narrator, who is left with bits of foil. This powerful image highlights how society often accepts people who victimize others.
Victimization brings about feelings of grievance, sorrow, horror, fear, distress, and harm. Isabelle Huggan effectively encourages us to examine the painful consequences of societal and psychological restrictions as we strive for acceptance and a sense of belonging. This is accomplished through a sensitive and straightforward first-person retrospective narrative, perceptive characterizations, extensive use of irony, and captivating imagery.
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