Othello Notes Essay Example

hands of Iago’s manipulation “That’s he that was Othello. ”, “perplexed in the extreme”  Emphasised through juxtaposing alliteration “Kill... kiss”  Speech falls into prose to represent lack of civility. Recurring bestial imagery “making the beast with two backs”, “an old black ram/Is tupping your white ewe” Dramatic irony emphasises the consequences of love and jealousy combined, “my noble Moor, made of no such baseness as jealous creatures are”

Contrasting perspectives on marriage between Emilia and Desdemona “there be women do abuse their husbands In such gross kind? ”  “Nobody- I myself. ” Jealousy Othello Identifies himself as “one not easily jealous”, Othello’s epileptic fits provide physical evidence of his mental anguish “farewell tranquil mind”.

He can no bear the thought of losing his cherished wife, and allows his mind to be infiltrated with thoughts of her supposed reprehensible behaviour. Becomes consumed by jealousy Leads to decent into primal savagery and lack of civility. The first instance that instils doubt in his mind is Brabantio's warning “She has deceived her father, and may thee" Iago Through his amoral characterisation, Shakespeare demonstrates the power the entanglement of love and jealousy hold over their victims.

Animosity towards Othello, appears to be the result of his suspicion that Othello “H’as done” his office, in coveting Emilia. His changing, unconvincing motives indicate that the true precursor for his actions is envy. Roderigo's Jealousy spawns from his obsession with Desdemona. Deeply jealous and spiteful of Othello for acquiring Desdemona's love. Because of this obsession he allows Iago to manipulate him, falling victim to Iago's plot as he allows his jealousy to pervert his notion of morality. This desperation eventually leads to his downfall as his

attempt to kill Cassio ends in the loss of his own life. Emphasized by Shakespeare’s use of prose “I’ll tear her to pieces! ” to represent Othello’s decent into primal savagery; juxtaposing the loving character previously established. * Dramatic irony “Of one not easily jealous” Metaphor, personification of emotion “O, beware, my lord, of jealousy! / It is the green-eyed monster, which doth mock/The meat it feeds on”  Truncated irrational sentences “Handkerchief-confessions-handkerchief! and fast paced rhythm increases sense of savagery * Foreshadowing what Othello is led to believe happens

Characterization allows Shakespeare to illuminate the unchanging intricacies of human nature- a timelessness allowing it to appeal to a contemporary audience As the play opens we are immediately introduced to Iago’s hostility towards Othello “I follow him to serve my turn upon him. Emphasized through monosyllabic words “I hate the Moor”,  Evident in the personification of the emotion as it being a “green-eyed monster” that is “begot upon itself”, needing no provocation.  "What a full fortune does the thick-lips owe

If he can carryt thus! "  “I will incontinently drown myself. – a weak-minded character to succinctly highlight the detrimental effects of jealousy entangled with lustlove

Power

Iago Most powerful character, achieved through his acute understanding of the human psyche and therefore his ability to manipulate the desires and fears of others  Begins to lose control as Emilia pieces together his villainy, revealing anger and compulsive violent behaviour. To a degree he regains his power by refusing to speak of his actions Othello. Noble, powerful, the respected general at the beginning “brave Othello”, loses power as he becomes ‘consumed’ by jealousy, it “doth mock the meat it feeds on” “So

will I turn her virtue into pitch,/ And out of her own goodness make the net that shall enmesh them all. ”  “Villainous whore!... filth, thou liest! ” – irony

“From this time forth I never will speak word. – ironic as he has done all his damage with words  Emphasised by his speech falling into prose in times of primal savagery “I’ll tear her to pieces”, “Farewell tranquil mind”- epileptic fits provide physical evidenced of mental anguish

Honesty

Iago  “As honest as I am”  The other characters are naive to his deceit  His blatant honesty with the audience contrasts the manipulation he provides to the other characters (although his first lie is not until he tells of Cassio speaking of D)Othello  Weak and naive, he believes Iago is honest yet not his beloved wife, Desdemona  Only pure character, innocent and divine completely honest until her dying breath when she denies Othello killed her- her first lie| * Humour, dramatic irony Repetition of “Honest Iago”.  “My life upon her faith! – Honest Iago”- syntax places honest at the end of the line, dramatic irony and foreshadowing Othello’s downfall  “I am not what I am”  “Were I the Moor, I wouldn’t be Iago. ”  Through Iago, Shakespeare highlights Othello’s moral weakness “The Moor is of a free and open nature/ That thinks men honest that but seem to be so”  “Nobody- I myself.

Good Vs Evil

Iago * Hates Othello, his reasons vary but it is mere hatred Iago is a Machiavellian manipulator, an enigmatic and malicious amoral character who is aware of his own villainy  He contrasts Cassio’s pure morality  His dexterity in understanding the human mind allows him to

manipulate the desires and fears of others;  Iago poisons the hearts and minds of those around him with his wordplay and manipulation. Othello & Desdemona  Contrast between Othello’s evil and Desdemona’s divinity after he murders her Emphasised through monosyllabic words “I hate the Moor. My cause is hearted; thine hath no less reason”  “I am not what I am. ” Truncated sentences raise mystery “I follow him to serve my turn upon him. Continual juxtaposition of Iago’s crude sexualisation of Des “she is/sport for love”, with Cassio’s kind devout opinion “She’s a most exquisite lady. ”  Characterisation through which Shakespeare illuminates the central concerns and the unchanging intricacies of human nature- a timelessness allowing it to appeal to a contemporary audience. “My medicine works”- irony, ‘medicine’ cures illness but Iago’s pestilence, his ‘poison’ has caused it (Othello’s fits)  This reflects his cunning plan revealed earlier in a soliloquy “I’ll pour pestilence into his ear”  Continual contrast “O, more the angel she, / And you the blacker devil! ” – syntax places angel at the end of the line to further highlight and emphasise  “O, she was heavenly true”- heaven and hell imagery