Film Appreciation Test Questions – Flashcards

question
Realism
answer
physical reality is the source of all raw materials of film, minimum of distortion, documentary style, open form
question
formalism
answer
high degree of manipulation, a stylization of reality, emphasize techniques and expressiveness, closed form. Real Deff: A style of filmmaking in which asethetic forms take precedence over the subject matter as content Time and space as oridnarily percieved are often distorted. Emphasis on essential, symbolic characteristics of objects and people.
question
shots
answer
the amount of subject matter that's included within the frame of the screen
question
medium shot
answer
contains a figure from the knees or waist up
question
close-up
answer
concentrates on a relatively small object
question
long shot
answer
distance between the audience and the theatre
question
extreme long shot
answer
establishing shot, tells you what world you're in
question
extreme close-up
answer
show only a person's eyes or mouth
question
deep focus shot
answer
long shot consisting of a number of focal distances photographed in depth
question
angle
answer
determined by where the camera is placed, not the subject photographed
question
bird's-eye view
answer
photographing a scene from directly overhead
question
high angle
answer
placed on a crane, not so extreme, not so disorientating
question
low angle
answer
increase height, opposite of high angle, useful for suggesting vertically. heighten the importance of a subject
question
oblique angle
answer
lateral tilt of the camera. suggest tension, transition, and impending movements. ex. drunk
question
cinematographer
answer
the artist and technician responsible for the film's lighting and photography, an expert with lights, lenses, cameras, film stocks, and photographic processes who designs and tests different effects until they match the director's intentions for the film, then oversees the actual shooting
question
cool colors
answer
(blue, green, violet) suggest tranquility, aloofness, and serenity. tendancy to recede an image
question
warm colors
answer
(red, yellow, orange) suggest aggressiveness, violence, and stimulation
question
film noir
answer
a style or genre of cinematographic film marked by a mood of pessimism, fatalism, and menace. low-key and high contrast lighting
question
dominants
answer
The area of the film image that compels the viewer's most immediate attention, usually because of a prominent visual constrast
question
storyboarding
answer
A pre visualization technique in which shots are sketched in advance and in sequence, allowing the filmmakers to outline the mis en scene and construct the editing community before production begins
question
Mise en scene
answer
"Placing on stage," the arrangement of all the visual elements of a theatrical production within a given playing area.
question
frame
answer
The dividing line between the edges of the screen image and the enclosing darkness of the theater.
question
aspect ratio
answer
frame's horizontal and vertical dimensions
question
standard aspect ratio
answer
(television) 1:33:1
question
widescreen aspect ratio
answer
1:85:1
question
Center Frame
answer
where the dominant visual effects are placed in the frame
question
Top of Frame
answer
suggests ideas dealing with power, authority, and aspiration
question
Left and Right Edges of Frame
answer
suggests insignificance
question
Darkness in frame
answer
suggests the unknown, the unseen, and the fearful
question
subsidiary contrasts
answer
A subordinate element of the film image, complementing or contrasting with the dominant contrast. In other words, what you see after the dominant
question
Intrinsic interest
answer
the audience, through the context of a story, knows that an object is more important dramatically than it appears visually.
question
Territorial Space
answer
the way we respond to objects and people within a given area is a constant source of information in life as well as in movies.
question
full-front territorial space
answer
most intamate
question
quarter-turn
answer
provides high degree of intimacy but with less emotional involvement
question
profile
answer
unaware of being observed, lost in his or her own thoughts
question
three-quarter turn
answer
useful for conveying a character's unfriendly or anti-social feelings
question
back to camera
answer
character's alienation from the world, sense of concealment, mystery
question
loosely framed shots
answer
sense of freedom
question
proxemic patterns
answer
The spatial relationships among characters within the mise en scene, and the apparent distance of the camera from the subject photographed
question
intimate distances
answer
physical involvement, of love, comfort and tenderness between individuals
question
personal distance
answer
perserve the privacy between individuals
question
social distance
answer
usually reserved impersonal buisness and casual social gatherings
question
public distance
answer
formal and rather detatched
question
Open Forms
answer
use primarily by realistic filmmakers, these techniques are likely to be unobtrusive, with an emphasis on informal compositions and apparently haphazard designs. the frame is exploited to suggest a temporary masking, a window the arbitrarily cuts off part of the action
question
closed forms
answer
A visual style that inclines toward self-conscious designs and carefully harmonized compositions. The frame is exploited to suggest a self-sufficient universe that encloses all the necessary visual information, usually in an aesthetically appealing manner
question
anticipatory setups
answer
implies fatality or determinism
question
characteristics of mise en scene
answer
dominant, lighting key, shot and camera proxemics, angle, color values, lens/filter/stock, subsidiary contrasts, density, composition, form, framing, depth, character placement, and staging positions
question
iconography
answer
the use of well-known cultural symbol or complex of symbols in an artistic representation. in movies, it can involve a star's persona, the preestablishment conventions of a genre (like the shootout in the western), the use of archetypal characters and situations, and such stylistic features as lighting, settings, costuming, props, and so on
question
take
answer
A variation of a specific shot. The final shot is often selected from a number of possible takes
question
cutting to continuity
answer
Classic// A type of editing in which the shots are arranged to preserve the fluidity of an action without showing all of it. An unobtrusive condensation of a continuous action.
question
establishing shot
answer
usually an extreme long shot or long shot offered at the beginning of a scene, providing the viewer with the context of the subsequent closer shots
question
classical cutting
answer
A style of editing in which a sequence of shots is determined by a scene's dramatic and emotional emphasis rather than by physical action alone.
question
thematic montage
answer
A type of editing in which separate shots are linked together not by their literal continuity in reality but by symbolic association. ex)Law and order shows
question
motifs
answer
Any unobtrusive technique, object, or thematic idea that systematically repeated throughout the film
question
sound montage
answer
the dialogue of one character overlaps with that of another
question
diegetic
answer
sounds the characters can hear
question
nondiegetic
answer
sounds they can't hear
question
cinema verite (direct cinema)
answer
A method of documentary filming using aletory methods that don't interfere with the way events takes place in reality. such movies are made with a minnimum of equipment
question
subtext
answer
implicit meanings behind the language of a film or play script
question
monologue
answer
associated with documentaries, in which off screen narrators provides the audience with factual information. gives movies a sense of off-screen narration of a sense of objectivity and often an air of predestination
question
voice-over
answer
A non-synchronized spoken commentary in a movie, often used to convey a character's thoughts or memories
question
dialogue
answer
script of a film
question
Mimesis
answer
showing
question
diegesis
answer
telling
question
narrator
answer
in the first-person novel is the main character of a movie
question
plot
answer
"The design and intention of narrative, what shapes a story and gives it a certain direction or intention of meaning
question
"open city" (1945)
answer
began the italian neorealism movement
question
Reviewers
answer
are generally journalists who describe the contents and general tone of a movie, with only incidental emphasis on aesthetic evaluation
question
Critics
answer
are also journalists for the most part, but their emphasis is more on evaluation than on mere content description
question
Theorists
answer
are usually professional academics, often the authors of books on how movies can be studied on a more philosophical level
question
critics focus on three areas
answer
The work of art, the artist, and the audience
question
Italian Neo-Realism
answer
emphasis on value of ordinary people, compassionate point of view, emphasis on emotion; documentary visual style
question
Auteur Theory
answer
stresses the importance of the director as the "author" of the film; emphasizes the director as the principle creator of a film stamping his or her own personal style.
question
Andre Bazin and Francois Truffaut
answer
the first two who recognized the Auteur Theory.
question
Director as an Autheur
answer
technical competence, A distinguishable "personality", interior meaning- an autheurs work will reflect personal psychological, social, or other thematic elements that are part of the director's personal belief system or obssessions.
question
electicism
answer
belief that no single film theory can be applied to all films, analyze films to most appropriate contexts, combine multiple theories when reviewing a film.
question
Structuralism
answer
the study of how various codes function within a single structure
question
Semiology
answer
systematic classification of types of codes used in cinema and how it "signifies"
question
Ideaology
answer
a body of ideas reflecting the social needs and aspirations of an individual, group, class, or culture; can refer to a given set of values implicit in any human enterprise
question
"Triumph of the Will" (1935)
answer
a marvel of artistic photopgraphy and meticulous editing, Fascist in ideaology
question
The Left-Center-Right Model
answer
Left us more communist, center is centrist, and right is more fascist
question
Neutral- Ideaology
answer
escapist films, light entertainment; they inhabit a vague but benevolent setting, favor story, and place emphasis on action, pleasure, and entertainment values for their own sake. Issues of right and wrong are treated superficially, with little or no analysis
question
Implicit-Ideaology
answer
protagonist and antagonist represent conflicting value systems, which are implied but never overtly stated or dwelled on; while there is a slant, manipulation is not obvious. This category includes the majority of fiction films.
question
Explicit- Ideaology
answer
aim to teach or persuade as much as to entertain; these may be overtly patriotic or political or may have a sociological emphasis. Typically, an admirable character will articulate the important values.
question
Spike Lee
answer
He is prolific in multiple film genres, outspoken, and arguably one of the most talented directors working today
question
feminisim
answer
Objects to the portrayal of women as sex objects
question
Tone
answer
Filmmaker's attitude toward the dramatic material, Atmosphere created through cinematic techniques, Activing styles and style in general, Genre, Narration, and music
question
Actor Classifications
answer
Extras, NonProfessional performers, Trained professionals or charactor actors, Personality Stars
question
Extras
answer
provides a sense of crowd, functions as "landscape of set"
question
Nonprofessional Performers
answer
Amateur players chosen not necessarily because of their acting ability, but because of their authentic apearence, documentary and independent films
question
Trained professionals or Character Actors
answer
Screen and Stage performers capable of playing a wide variety of roles; Sean Penn, Johnny Depp, and Meryl Streep
question
Personality Stars
answer
valued for their box office draw, charisma and personality type; defined and recognizable persona
question
Stage Actors
answer
project their voices to be heard in the back row, while conveying chracterization through body language
question
Movie Actors
answer
less restricted by vocal requirements, have the opportunuity for retakes of action
question
Film Openness
answer
Nicole Kidman, Marilyn Monroe, and Audrey Hepburn possessed; reveals not only an outer beauty but an inner quality the camera and audiences cannot resist
question
1930s-1940s
answer
The "Golden Age" of the Star System and the Majors (MGM, Warner Brothers, Paramount, Twentieth Century Fox, RKO)
question
Clark Gable
answer
1930 top leading man of the decade
question
The Method
answer
focuses on an interior style of acting; Live the part, use of emotional recall, Emphasis on subconsious - the psychology of the character, Never take the script at face value- think subtext, Research background, Emphasis on accurate recreation of externals
question
Realist: The French New Wave
answer
1960s brought realist thought to the technique of acting; Godard and Truffaut, new wave directors
question
Screenwriter
answer
sells the rights to his or her work, it can be used as is or changed at will
question
Ernest Lehman's screenplay of Hitcock's North by Northwest
answer
provides the director clearly defined actions, the raw materials for the shots
question
figurative comparisons
answer
Motifs, Symbol, Metaphor, Allegory, Allusions, Homage
question
Point of View Types
answer
The first person (onscreen or offscreen characters), the omniscient (withhold information to build audience suspence), the third person, the objective
question
The Truman Show
answer
Jim Carrey
question
Sunset Blvd
answer
William Holden, Gloria Swanson, Erich von Stroheim
question
The Matrix
answer
Keanu Reeves, Laurence Fishburne, Carrie-Anne
question
Casablanca
answer
Humphrey Bogart, Ingrid Bergman
question
Cat on a hot tin Roof
answer
Elizabeth Taylor, Paul Newman
question
Bringing home baby
answer
Katharine Hepburn, Cary Grant
question
Dead Again
answer
Kenneth Branagh, Emma Thompson
question
The Terminator
answer
Arnold Schwarzenegger, Linda Hamilton, Michael Biehn
question
Oz
answer
James Franco, Michelle Williams, Rachel Weisz
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question
Realism
answer
physical reality is the source of all raw materials of film, minimum of distortion, documentary style, open form
question
formalism
answer
high degree of manipulation, a stylization of reality, emphasize techniques and expressiveness, closed form. Real Deff: A style of filmmaking in which asethetic forms take precedence over the subject matter as content Time and space as oridnarily percieved are often distorted. Emphasis on essential, symbolic characteristics of objects and people.
question
shots
answer
the amount of subject matter that's included within the frame of the screen
question
medium shot
answer
contains a figure from the knees or waist up
question
close-up
answer
concentrates on a relatively small object
question
long shot
answer
distance between the audience and the theatre
question
extreme long shot
answer
establishing shot, tells you what world you're in
question
extreme close-up
answer
show only a person's eyes or mouth
question
deep focus shot
answer
long shot consisting of a number of focal distances photographed in depth
question
angle
answer
determined by where the camera is placed, not the subject photographed
question
bird's-eye view
answer
photographing a scene from directly overhead
question
high angle
answer
placed on a crane, not so extreme, not so disorientating
question
low angle
answer
increase height, opposite of high angle, useful for suggesting vertically. heighten the importance of a subject
question
oblique angle
answer
lateral tilt of the camera. suggest tension, transition, and impending movements. ex. drunk
question
cinematographer
answer
the artist and technician responsible for the film's lighting and photography, an expert with lights, lenses, cameras, film stocks, and photographic processes who designs and tests different effects until they match the director's intentions for the film, then oversees the actual shooting
question
cool colors
answer
(blue, green, violet) suggest tranquility, aloofness, and serenity. tendancy to recede an image
question
warm colors
answer
(red, yellow, orange) suggest aggressiveness, violence, and stimulation
question
film noir
answer
a style or genre of cinematographic film marked by a mood of pessimism, fatalism, and menace. low-key and high contrast lighting
question
dominants
answer
The area of the film image that compels the viewer's most immediate attention, usually because of a prominent visual constrast
question
storyboarding
answer
A pre visualization technique in which shots are sketched in advance and in sequence, allowing the filmmakers to outline the mis en scene and construct the editing community before production begins
question
Mise en scene
answer
"Placing on stage," the arrangement of all the visual elements of a theatrical production within a given playing area.
question
frame
answer
The dividing line between the edges of the screen image and the enclosing darkness of the theater.
question
aspect ratio
answer
frame's horizontal and vertical dimensions
question
standard aspect ratio
answer
(television) 1:33:1
question
widescreen aspect ratio
answer
1:85:1
question
Center Frame
answer
where the dominant visual effects are placed in the frame
question
Top of Frame
answer
suggests ideas dealing with power, authority, and aspiration
question
Left and Right Edges of Frame
answer
suggests insignificance
question
Darkness in frame
answer
suggests the unknown, the unseen, and the fearful
question
subsidiary contrasts
answer
A subordinate element of the film image, complementing or contrasting with the dominant contrast. In other words, what you see after the dominant
question
Intrinsic interest
answer
the audience, through the context of a story, knows that an object is more important dramatically than it appears visually.
question
Territorial Space
answer
the way we respond to objects and people within a given area is a constant source of information in life as well as in movies.
question
full-front territorial space
answer
most intamate
question
quarter-turn
answer
provides high degree of intimacy but with less emotional involvement
question
profile
answer
unaware of being observed, lost in his or her own thoughts
question
three-quarter turn
answer
useful for conveying a character's unfriendly or anti-social feelings
question
back to camera
answer
character's alienation from the world, sense of concealment, mystery
question
loosely framed shots
answer
sense of freedom
question
proxemic patterns
answer
The spatial relationships among characters within the mise en scene, and the apparent distance of the camera from the subject photographed
question
intimate distances
answer
physical involvement, of love, comfort and tenderness between individuals
question
personal distance
answer
perserve the privacy between individuals
question
social distance
answer
usually reserved impersonal buisness and casual social gatherings
question
public distance
answer
formal and rather detatched
question
Open Forms
answer
use primarily by realistic filmmakers, these techniques are likely to be unobtrusive, with an emphasis on informal compositions and apparently haphazard designs. the frame is exploited to suggest a temporary masking, a window the arbitrarily cuts off part of the action
question
closed forms
answer
A visual style that inclines toward self-conscious designs and carefully harmonized compositions. The frame is exploited to suggest a self-sufficient universe that encloses all the necessary visual information, usually in an aesthetically appealing manner
question
anticipatory setups
answer
implies fatality or determinism
question
characteristics of mise en scene
answer
dominant, lighting key, shot and camera proxemics, angle, color values, lens/filter/stock, subsidiary contrasts, density, composition, form, framing, depth, character placement, and staging positions
question
iconography
answer
the use of well-known cultural symbol or complex of symbols in an artistic representation. in movies, it can involve a star's persona, the preestablishment conventions of a genre (like the shootout in the western), the use of archetypal characters and situations, and such stylistic features as lighting, settings, costuming, props, and so on
question
take
answer
A variation of a specific shot. The final shot is often selected from a number of possible takes
question
cutting to continuity
answer
Classic// A type of editing in which the shots are arranged to preserve the fluidity of an action without showing all of it. An unobtrusive condensation of a continuous action.
question
establishing shot
answer
usually an extreme long shot or long shot offered at the beginning of a scene, providing the viewer with the context of the subsequent closer shots
question
classical cutting
answer
A style of editing in which a sequence of shots is determined by a scene's dramatic and emotional emphasis rather than by physical action alone.
question
thematic montage
answer
A type of editing in which separate shots are linked together not by their literal continuity in reality but by symbolic association. ex)Law and order shows
question
motifs
answer
Any unobtrusive technique, object, or thematic idea that systematically repeated throughout the film
question
sound montage
answer
the dialogue of one character overlaps with that of another
question
diegetic
answer
sounds the characters can hear
question
nondiegetic
answer
sounds they can't hear
question
cinema verite (direct cinema)
answer
A method of documentary filming using aletory methods that don't interfere with the way events takes place in reality. such movies are made with a minnimum of equipment
question
subtext
answer
implicit meanings behind the language of a film or play script
question
monologue
answer
associated with documentaries, in which off screen narrators provides the audience with factual information. gives movies a sense of off-screen narration of a sense of objectivity and often an air of predestination
question
voice-over
answer
A non-synchronized spoken commentary in a movie, often used to convey a character's thoughts or memories
question
dialogue
answer
script of a film
question
Mimesis
answer
showing
question
diegesis
answer
telling
question
narrator
answer
in the first-person novel is the main character of a movie
question
plot
answer
"The design and intention of narrative, what shapes a story and gives it a certain direction or intention of meaning
question
"open city" (1945)
answer
began the italian neorealism movement
question
Reviewers
answer
are generally journalists who describe the contents and general tone of a movie, with only incidental emphasis on aesthetic evaluation
question
Critics
answer
are also journalists for the most part, but their emphasis is more on evaluation than on mere content description
question
Theorists
answer
are usually professional academics, often the authors of books on how movies can be studied on a more philosophical level
question
critics focus on three areas
answer
The work of art, the artist, and the audience
question
Italian Neo-Realism
answer
emphasis on value of ordinary people, compassionate point of view, emphasis on emotion; documentary visual style
question
Auteur Theory
answer
stresses the importance of the director as the "author" of the film; emphasizes the director as the principle creator of a film stamping his or her own personal style.
question
Andre Bazin and Francois Truffaut
answer
the first two who recognized the Auteur Theory.
question
Director as an Autheur
answer
technical competence, A distinguishable "personality", interior meaning- an autheurs work will reflect personal psychological, social, or other thematic elements that are part of the director's personal belief system or obssessions.
question
electicism
answer
belief that no single film theory can be applied to all films, analyze films to most appropriate contexts, combine multiple theories when reviewing a film.
question
Structuralism
answer
the study of how various codes function within a single structure
question
Semiology
answer
systematic classification of types of codes used in cinema and how it "signifies"
question
Ideaology
answer
a body of ideas reflecting the social needs and aspirations of an individual, group, class, or culture; can refer to a given set of values implicit in any human enterprise
question
"Triumph of the Will" (1935)
answer
a marvel of artistic photopgraphy and meticulous editing, Fascist in ideaology
question
The Left-Center-Right Model
answer
Left us more communist, center is centrist, and right is more fascist
question
Neutral- Ideaology
answer
escapist films, light entertainment; they inhabit a vague but benevolent setting, favor story, and place emphasis on action, pleasure, and entertainment values for their own sake. Issues of right and wrong are treated superficially, with little or no analysis
question
Implicit-Ideaology
answer
protagonist and antagonist represent conflicting value systems, which are implied but never overtly stated or dwelled on; while there is a slant, manipulation is not obvious. This category includes the majority of fiction films.
question
Explicit- Ideaology
answer
aim to teach or persuade as much as to entertain; these may be overtly patriotic or political or may have a sociological emphasis. Typically, an admirable character will articulate the important values.
question
Spike Lee
answer
He is prolific in multiple film genres, outspoken, and arguably one of the most talented directors working today
question
feminisim
answer
Objects to the portrayal of women as sex objects
question
Tone
answer
Filmmaker's attitude toward the dramatic material, Atmosphere created through cinematic techniques, Activing styles and style in general, Genre, Narration, and music
question
Actor Classifications
answer
Extras, NonProfessional performers, Trained professionals or charactor actors, Personality Stars
question
Extras
answer
provides a sense of crowd, functions as "landscape of set"
question
Nonprofessional Performers
answer
Amateur players chosen not necessarily because of their acting ability, but because of their authentic apearence, documentary and independent films
question
Trained professionals or Character Actors
answer
Screen and Stage performers capable of playing a wide variety of roles; Sean Penn, Johnny Depp, and Meryl Streep
question
Personality Stars
answer
valued for their box office draw, charisma and personality type; defined and recognizable persona
question
Stage Actors
answer
project their voices to be heard in the back row, while conveying chracterization through body language
question
Movie Actors
answer
less restricted by vocal requirements, have the opportunuity for retakes of action
question
Film Openness
answer
Nicole Kidman, Marilyn Monroe, and Audrey Hepburn possessed; reveals not only an outer beauty but an inner quality the camera and audiences cannot resist
question
1930s-1940s
answer
The "Golden Age" of the Star System and the Majors (MGM, Warner Brothers, Paramount, Twentieth Century Fox, RKO)
question
Clark Gable
answer
1930 top leading man of the decade
question
The Method
answer
focuses on an interior style of acting; Live the part, use of emotional recall, Emphasis on subconsious - the psychology of the character, Never take the script at face value- think subtext, Research background, Emphasis on accurate recreation of externals
question
Realist: The French New Wave
answer
1960s brought realist thought to the technique of acting; Godard and Truffaut, new wave directors
question
Screenwriter
answer
sells the rights to his or her work, it can be used as is or changed at will
question
Ernest Lehman's screenplay of Hitcock's North by Northwest
answer
provides the director clearly defined actions, the raw materials for the shots
question
figurative comparisons
answer
Motifs, Symbol, Metaphor, Allegory, Allusions, Homage
question
Point of View Types
answer
The first person (onscreen or offscreen characters), the omniscient (withhold information to build audience suspence), the third person, the objective
question
The Truman Show
answer
Jim Carrey
question
Sunset Blvd
answer
William Holden, Gloria Swanson, Erich von Stroheim
question
The Matrix
answer
Keanu Reeves, Laurence Fishburne, Carrie-Anne
question
Casablanca
answer
Humphrey Bogart, Ingrid Bergman
question
Cat on a hot tin Roof
answer
Elizabeth Taylor, Paul Newman
question
Bringing home baby
answer
Katharine Hepburn, Cary Grant
question
Dead Again
answer
Kenneth Branagh, Emma Thompson
question
The Terminator
answer
Arnold Schwarzenegger, Linda Hamilton, Michael Biehn
question
Oz
answer
James Franco, Michelle Williams, Rachel Weisz
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