Emma and Clueless Essay Example
Emma and Clueless Essay Example

Emma and Clueless Essay Example

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  • Pages: 4 (832 words)
  • Published: June 11, 2017
  • Type: Essay
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Jane Austen's novel Emma portrays the values of social hierarchy, romantic relationships, and aesthetics within the early nineteenth-century society of England.

Amy Heckerling's teen-pic Clueless adapts and explores dominant attitudes, specifically the value of wealth and status, to fit the high-school culture of the late 20th-century. By transforming Austen's novel Emma into a film and using different cinematic techniques, Heckerling keeps interest in the underlying values while appealing to modern audiences. In both Emma and Clueless, wealth and status determine social class, with the main income traditionally derived from landed property rather than trade.

According to the quote "He must know that the Woodhouses had been settled for several generations t Hartfield and that the Eltons were nobody", it is evident that the dismissive and condescending tone emphasizes the significance of maintaining a long-standing presence in a specific area. This

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demonstrates the importance of social status acquired through generational connections. The concept of wealth is further underscored in the phrase "handsome, clever, and rich", which accumulates desirable qualities to highlight its value. In the movie Clueless, however, Heckerling successfully adapts this value to contemporary society in order to sustain audience interest. In this adaptation, money becomes a means to attaining power and status regardless of its source. The film's opening scene replaces third-person narration and formal dialogue with a montage accompanied by upbeat music, introducing the characters and setting the tone. Through vibrant colors and fast-paced camera movements depicting Cher's shopping activities and her popularity, the scene establishes her wealth and status. Furthermore, Cher's costumes engage the audience as she conforms to society's expectations of wealth and beauty. Lastly, Cher's luxurious house and possession of a maid furthe

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emphasize the connection between money, power, and social standing, reinforcing the desirability of wealth.

The use of film techniques and the adaptation of wealth and status value engage the modern audience. The interest in social class value is kept by emphasizing its role in romantic relationships. In "Emma" by Jane Austen, the contemporary perspectives on marriage value and the influence of social class on spouses are portrayed. This is evident in the scene where Emma rejects Mr Elton's marriage proposal. The dismissive tone of Mr Elton's statement that "everyone has their levels" communicates the belief that marriage was connected to social class.

Mr. Elton's exaggerated feelings for her, as seen in the line "Everything I have said or done," are contrasted with her lack of emotions, shown by her disgusted tone in the line "No. sir. It confesses no such thing." This contrast highlights that love can only be felt equally when two people are of the same social class. This theme is also evident in Heckerlling's relationships, best exemplified in the scene where Cher rejects Elton's attempt at seduction.

The statement "Do you even know who my father is?" that Elton asks is used to emphasize his disbelief that Cher would expect him to date Tat. This particular scene is changed in order to appeal to modern viewers by showing that Cher is not concerned about social class in relation to romance, unlike Elton who is very conscious of it. This is demonstrated when Cher refers to Elton as a "snob and a half," using informal language and insulting him. This is further emphasized by a close-up shot that highlights the emotional connection Cher has

with her words. This appeals to the modern audience's expectation that love, rather than social class, should determine romantic connections. The incorporation of aesthetics from Emma also appeals to contemporary society since beauty was highly valued and played a crucial role in forming connections during the early 19th century.

The opening introduces Emma as being "handsome, clever, and rich", highlighting the significance placed on her appearance. Emma initially judges Harriet based on her beauty, which happens to align with Emma's personal taste. However, Emma decides to continue their acquaintance and help Harriet improve herself due to Harriet's "look of great sweetness" and her manners. The word "improve" holds positive connotations, highlighting the importance of beauty in forming new relationships and increasing social status. Even in the late 20th century, beauty continues to play a major role, as judgments are still based on appearances. Heckerling explores the value of aesthetics by transforming Harriet into Tai, keeping the interest in beauty alive.

When Tai is first introduced, the shot of her costume is compared to that of the other girls, giving the impression that she is not socially acceptable. Right away, one girl remarks, "she could be a farmer in those clothes". This dismissive and condescending comment emphasizes society's emphasis on beauty and how people judge others based on looks. The word "farmer" implies a lower social status for Tai. Because Tai appears naive and unaware, Cher decides to "adopt her" and bring her into their popular group of friends.

The role of aesthetics in forming relationships is significant, as it sustains interest.

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