Cultural Relativism Essay Example

at various levels in both the fanatics of the overall dominant culture and the individuals who are trying to “absorb” into the culture.

At the point when World War I initially broke out in Europe, industrialized urban regions in the North confronted a lack of modern workers, as the war shut down the consistent tide of European movement to the United States, thus lessening the incoming usable labor force. And with war creation becoming more and more serious, enrollment specialists allured African-Americans to come north, to the disappointment of white Southerners. Black newspapers—especially the broadly perused Chicago Defender—distributed ads touting the open doors accessible in the urban areas of the North and West, alongside first-individual records of achievement. African-Americans began to flock to Chicago because they had heard references to greater opportunity for finding jobs there than in the south, and that they would not be persecuted as much based on their race as they were in the south. These factors, as well as the portrayed ideology that Chicago was the “land of hope” that allured many African-Americans to the Northern regions of the United States, are what ultimately led to the mass migration of African-Americans from the rural south to the urban north centers of the United States of America at the turn of 20th century.

Many factors played into each other that ultimately led to the Harlem Renaissance. One factor that prompted the Harlem Renaissance was the arrival of African-American veterans from France toward the finish of WWI. As a rule, the French treated African-Americans with more respect and regard than how Americans treated them. The introduction to these new social encounters in France drove

numerous returning African-Americans to be increasingly vocal and expressive against injustice when they showed up back home. Another condition was the relocation of African-Americans from the South toward the North during the 1920s. African Americans came to huge urban communities looking for work and preferable open doors over what the South advertised. African-Americans also began to build up a special reaction to white America, and began to find many creative outlets to express these emotions (thus inducing the Harlem Renaissance). Many went to writing, art, music, etc. Prominent examples of people driving the Harlem Renaissance are people such as Lois Mailou Jones, Augusta Savage, Chick Webb, and one of the most famous, Louis Armstrong. Louis was renowned for his jazz compositions and immense discography. It is people such as these that pushed forward the ideas and thoughts of the Harlem Renaissance, which became significant to the revival of Black Culture in the US as it rebirthed the black identity and portrayal of black life in art and culture.

Hip-Hop music, likewise alluded to as rap or rap music, is a genre of well known music which appeared in the United States during the mid-1970s, and turned into an enormous piece of current mainstream society during the 1980s. Brought to the limelight in the Bronx, through primarily African-African artists, it consists of two principal parts: rapping (a form of spoken word) and DJing. Hip-Hop is also a cultural movement. The music often contains lyrics which make it popular with the youth and African-Americans, primarily because of the choice of vocabulary and the issues it addresses, often relating to modern day problems and suffering which the listeners can

relate to. Hip-Hop has continued the tradition of Black social protest through the music. A good amount of hip-hop music speaks, and has always spoken, in depth about aspects of black urban poverty, particularly the grip that street culture has on many young people. Hip-hop gives a ground-level view of what it might mean to live under terrible conditions in communities that face intimidating circumstances. Some controversies surrounding Hip-Hop and Rap music are the negative portrayals of women, lyrics with questionable sexual and violent content, and strong critiques of law enforcement on songs of artists labeled as 'gangster rappers'. These ideas have drawn negative criticism from Black and White middle class folk alike over the years.