The play "Rappel Uncut" incorporated comical elements and performance techniques to suit its audience as it introduced a major dramatic question. The story centered around Rappel, who was believed to have been kidnapped by an evil witch and imprisoned in an inaccessible location. A prince embarked on a quest to rescue her and marry her, resulting in a happily ever after ending. One crucial scene showed Rappel's parents agreeing to give their daughter to the witch under false pretenses of a better life. Unfortunately, Rappel ended up confined in a tower where she could only communicate with the witch through singing.
In this play, I had the role of Rappel's mother. To portray this character effectively, I practiced developing a woman's voice until I achieved it during rehearsals. My high raspy voice added humor and amusement
...to my character in an enjoyable way.
Learning my lines for the mother's role was relatively easy due to my improved memory skills from my previous involvement in the play "The Small Poppies." Thus, memorizing my lines for "Rappel Uncut" was quick. Additionally, as an actor, I had other responsibilities such as being aware of stage space, understanding blocking positions, and becoming comfortable using props.
Playing the role of a woman in the play allowed me to develop specific traits unique to my character, such as learning how to walk, talk, and use my body in a way that enhanced my portrayal. Collaborating with my classmates, who were also my friends, made it easier to organize our work and resulted in an outstanding performance. Reading the script helped me discover aspects about my character that required exaggerating physical attribute
and developing a screechy voice to effectively convey anger. Throughout rehearsals, I continued learning more about my character and made adjustments for a better performance. The first performance was nerve-wracking since I was uncertain of the audience's response to both my character and the play as a whole. However, by the second performance, I felt more at ease and had a better understanding of engaging the audience and delivering lines effectively. One memorable scene showcasing my character's behavior is when I loudly confront my husband for not bringing me chicken innards; this effectively portrays an angry pregnant woman desperate for radishes. During technical week rehearsals, I faced challenges like developing my voice for the character and improving diction clarity so that the audience could hear my lines clearly.To address this, I implemented vocal warm-ups, including the "twang" technique. Incorporating these exercises resolved the scene where I strained my voice, resulting in a significant improvement in pronunciation during the actual production. For future performances, one consideration would be to speak lines at a slower pace and develop better voice technique to avoid strain. In the scene expressing intense anger towards my husband (Damn), performing at a slower tempo with stronger diction could have been effective. The drama class performed for different age groups, ranging from years 5-8. Personally, I found the first performance superior as it was more suitable for younger students. The second play entertained year g's and 1 g's but not to the same extent as younger students did. Some lines were cheesy and caused laughter among younger students but were not as funny for older ones. Prior to the performance, we engaged in
warm-up activities such as moving around and shouting lines which greatly helped me prepare for both shows. The audience particularly enjoyed the scene where I died from choking on a chicken wing due to exaggerated death performance followed by being dragged off stage afterwards.
In addition to enjoying myself while performing in the play, I gained valuable knowledge and skills. This encompassed understanding how to build a character and collaborate with fellow actors. Collaborating entailed actively listening to their ideas, welcoming constructive feedback for enhancing my character portrayal, and effectively utilizing props on stage. Throughout the duration of the drama term, I also acquired extensive insights about my character's traits, such as mastering a woman's voice and behaving accordingly. Ultimately, being part of the play was immensely pleasurable and provided me with another enriching experience.
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