Biblical Christian Influence on American Films Essay Example

Version (King James Version) shaped the English language during its early development.

Since the invention of the printing press, the Bible has evolved beyond simply being a translation of an ancient Oriental text. It is now seen as more than just a foreign book; it is regarded as Western society's most accessible, familiar, and reliable source on intellectual, moral, and spiritual ideals. Its translations into English have had a significant influence on modern English and various writing styles. Furthermore, numerous artistic masterpieces such as Milton's Paradise Lost and Rubens' Christ On The Cross have been inspired by it.

However, different interpretations of the Bible have led to pain, suffering, and conflicts among individuals and societies including Hebrews, Muslims, and Christians alike. Countless deaths have resulted from wars and acts of violence committed in search for truth within its pages. Nevertheless, despite these controversies surrounding it, extensive study shows that the Bible remains at the foundation of Western moral concepts and cultures.The impact of different religious interpretations should not be underestimated in Western culture and society. Specifically, we will focus on how the Christian interpretation of the Bible has influenced American entertainment, particularly the film industry. It is fascinating to consider how one book can have such control and influence despite America's reputation for artistic and personal freedom. Filmmakers are not constrained when creating movies that cover various topics like violence, crime, pornography, politics, drugs, etc. However, there was a requirement for the film industry to follow a set of rules called the Production Code in response to concerns about moral abuses in Hollywood and its influence on society. Father Daniel Lord wrote this code to address these

concerns and protect against censorship. To further address these concerns and protect itself from censorship, the industry established the Hayes Commission which later became the Motion Picture Association. The original head of this association is still in charge today and is responsible for creating a voluntary code of ethics and rating films. In April 1934, The Catholic Church also established its own commission known as The Legion of Decency.The commission, consisting of bishops, determines the moral acceptability of films for Catholics and advises priests on guiding their parishioners based on these determinations. The Catholic Church employed various methods, including sermons, booklets, letters, and media releases to inform the public about movies that were considered acceptable or unacceptable. For over three decades, the Church held authority over Hollywood's content through its Legion of Decency and acted as a moral guardian for American viewers. Joseph I. Breen strictly enforced the Lord's code at the Production Code Administration because of his devout lay Catholicism, even disregarding protests from industry professionals. Working closely with the Legion of Decency, the Production Code Administration served as Hollywood's censorship board to prevent movies from addressing immoral or threatening social, political, and economic issues according to Catholic standards. The PCA was just one part of the process used by Hollywood films during the reign of the Legion; approved films underwent duplication and distribution in New York after undergoing this process. Prior to starting film production, each film underwent reviews conducted by the Catholic Legion of Decency. If a film was disapproved by the Legion, negotiations would take place with the responsible studio for its production. Objections from the Legion were communicated through letters

or telephone conversations.
Films were altered to meet Catholic preferences, or else they would face condemnation from the Legion. This condemnation had a major impact on Hollywood because it meant that Catholics, who were around twenty million in number, were technically forbidden from watching condemned films under threat of mortal sin. Any theater that showed a condemned film would be boycotted by Catholic organizations. To avoid income loss and challenges to the Legion's authority over censorship, producers chose to comply with pressure and remove offensive content from all versions of their films shown globally. As a result, the Legion's views on sex, politics, and morals reached an international audience. The relationship between Hollywood and the Legion involved a cultural battle between a religious organization claiming representation of American public morals and a movie industry that timidly fought for freedom of expression on screen. From the mid-1930s until 1953 when Otto Preminger released The Moon Is Blue, there were no significant challenges by Hollywood studios against priests' right to censor their films. Only a few independent producers refused to submit their films to Legion censors from 1953 until the current ratings system was established.The Catholic community and progressive reformers both believed in strict control over movie content to preserve positive values associated with Anglo-Saxon ideals. Daniel Lord's Catholic movie code, which combined elements of Catholic theology, conservative politics, and pop psychology, had a significant impact on Hollywood films for three decades. Lord and his colleagues shared a goal with Protestant film reformers in promoting a society where the church, government, and family were foundational. Adhering to this system was believed to lead to success and happiness. According

to this belief system, entertainment films should reinforce religious teachings that deviant behavior would result in losing love, home comforts, family intimacy, solace of religion,and protection of the law. These films aimed to serve as morality plays illustrating proper behavior for the general public in the twentieth century. Thus, the core principle of this code was that no film should lower viewers' moral standards by eliciting sympathy for criminals or immoral individuals.The importance of distinguishing between right and wrong and ensuring that films uphold societal values rather than challenging them was emphasized. It was essential to show respect for the sanctity of home, marriage, and basic law without mocking them. The courts were expected to exhibit fairness and justice, while the police should demonstrate honesty and efficiency, with the government prioritizing the protection of individuals. Corruption could be present in storylines but should be limited to specific characters rather than tainting entire systems. Lord's code acknowledged that not all crimes needed to be punished if they were morally condemned by the audience. The film "Going My Way" was disapproved because it portrayed priests negatively, according to the censor's perspective. Similarly, "Inherit the Wind" initially faced disapproval for criticizing Christianity and depicting ministers as villains (no pun intended). Norma shooting Gillis without facing consequences resulted in the rejection of "Sunset Boulevard." In 1968, a rating system replaced censorship, assigning movies a letter indicating their content without any alterations. There is speculation about what films may have been created without the influence of the Hays committee on movie production. Nowadays, Catholics are free to watch any movies they choose; however, many producers still consider the code as

a general guideline for moral aspects in movies.The Pontifical Council for Social Communication compiled a list of forty-five films from the United States, Europe, and Asia in 1995 to celebrate cinema's hundredth anniversary as part of the Vatican's contribution. These films were recognized for their artistic or religious merit. Among these works were popular titles like A Man for All Seasons, Ben Hur, Babettes Feast, It's a Wonderful Life, Au Revoir les Enfants, The Wizard of Oz, and Schindler's List that embodied Christian morality and values. They continue to serve as an important standard in judging films for audiences.

Even though the Catholic censorship system has been replaced by a rating system today, its influence can still be subtly felt in movies where characters who expose flaws within the Catholic Church or priests often redeem themselves and become good again after initial errors. However, only a small minority of portrayals within the larger Christian family accurately represent the diversity of Christians as a whole. Finding in-depth films on this subject matter remains challenging within film libraries.

Furthermore, Christian society has its own film companies, TV programs, and control over numerous radio and TV stations. The films produced by these entities aim to convert secular citizens and reinforce beliefs while also providing entertainment. Examples of their work include movies like Apocalypse, Revelation, and Left Behind which blend Christian doctrines with exciting secular plots.This discussion will focus on the impact of Christians on non-Christian-produced commercial films. Rather than describing specific scenes from these films, I will categorize them into three groups based on their style of expression. The first group examines how Christian narratives are utilized or adapted in

storytelling. The second group explores themes to understand how Christian ideas and values dominate American society through film. Lastly, the third group analyzes the connection between the structure of these films and the Bible.

Although commercial movies incorporate biblical stories into their narratives, they do not strictly adhere to the Scriptures like pure Christian films do. Instead, they adapt scenes or create plots that seamlessly fit into the storytelling. These movies openly and convincingly display Christian doctrines and teachings.

Some examples of commercially successful films within this genre include Ben-Hur (1959), Jesus, and The Ten Commandments – all chosen by AFI as part of their top 100 films celebrating the birth of cinema. Ben-Hur is particularly notable as it is based on a renowned novel and follows Judah Ben-Hur, a wealthy Jewish prince during Christ's time who is falsely accused of murdering a Roman governorDespite the governor surviving the incident involving falling tiles, Judah is still sentenced to serve as a galley slave. This accident did not cause permanent harm, yet it results in his imprisonment along with his mother and daughter by Masala, his childhood friend who is now a Roman. Motivated by revenge, Judah embarks on a quest for retribution while a young carpenter begins his ministry.

In the movie, Judah and Masala have a confrontation, but eventually, Judah realizes that love conquers hate and becomes a follower of Jesus. Although Jesus is not the central focus of the film, his actions such as delivering sermons, performing miracles, and addressing leprosy play key roles. The film concludes with scenes depicting the cure of lepers, revival of grasses, and restoration of water in dry rivers - symbolizing

new life and people forsaking hatred under their Messiah's guidance.

This biblical epic underscores peace, love, and salvation through Christ - fundamental beliefs for Christians found in the New Testament. It advocates for showing love towards one's neighbor rather than seeking revenge or holding grudges. This teaching emphasizes that love originates from God who sent his Son to atone for our sins out of His initial love for us. "Jesus" (1979) is considered one of the most faithful Bible adaptations ever made as its script solely derives from the book of Luke.The film commences with angels announcing to Mary the forthcoming birth of Jesus, visually portraying significant moments from his life and ministry, realistically depicting his crucifixion, and concluding with his ascension into the clouds. Since July 1, 1997, this movie has been translated into over 406 languages and is widely used as an evangelism tool worldwide. In contrast to the previous two films centered around Jesus Christ's story, "The Ten Commandments" (1956) presents Moses' entire life. It includes scenes such as his mother placing him in a basket on the river, his upbringing in Pharaoh's family, his early career in Egypt, his exile to Midian, his encounter with the Burning Bush, the plagues and parting of the Red Sea, and the giving of the Ten Commandments. Although some details not found in Scriptures are added and certain events are changed or combined together; these three Hollywood productions were influenced by the Legion of Decency. From a strict Christian standpoint; they may not be considered flawless due to instances of violence and revisions to biblical text; nevertheless they remain unparalleled interpretations of biblical stories ever witnessed

in Hollywood's film industry. In recent years there has been a scarcity of films like this until 1998 when DreamWorks SKG released The Prince of Egypt; a film that showcased brilliant animation while also depicting Moses' story.Despite some deviations from the book of Exodus, the film "The Prince of Egypt" remains true to its essence, values, and integrity. The protagonist, Moses, differs from his portrayal in the book as he does not reunite with his mother as an infant and speaks flawlessly without Aaron's assistance. Furthermore, Moses accidentally kills an Egyptian rather than intentionally murdering him, and Aaron initially opposes his decision to speak to Pharaoh.

However, despite these inconsistencies, the central theme of the movie is clear. According to Jeffrey Katzenberg from DreamWorks, "The Prince of Egypt" depicts a man who has a life-changing experience with God that alters his perspective and impacts the history of his people. The film impressively portrays scenes such as the burning bush and God's declaration of "I Am that I Am," along with vivid depictions of plagues on Egypt and the parting of the Red Sea. These visually striking scenes are accompanied by inspiring songs like "I Will Get There" and "If You Believe."

Although biblical stories may not be commonly portrayed in films nowadays, Christian ideas and values have deeply influenced American culture. Moral issues derived from the Holy Bible can be found directly or indirectly in almost every film. An example is seen in the recently released film "Pay It Forward," where filmmakers subtly incorporate these values into their work.The story centers around Trevor McKinney, an eleven-year-old seventh grader who is given a challenge by his Social Studies

teacher Eugene Simonet to change the world through an extra credit assignment. Trevor creates a plan to impact the lives of three individuals, who then must continue the cycle by impacting others. Instead of each person helping only one individual, it becomes each person helping three. Although Trevor's attempt is not completely successful, his efforts are not in vain. As more people learn about his idea, more individuals extend their help to others. Trevor makes a significant difference by assisting his mother in overcoming alcoholism and helping Eugene regain faith in love. After his actions are televised, he is confronted by two bullies tormenting another child but receives support from many mourners who gather after his death. This leads to the spread of the concept of "Pay It Forward" nationwide.
Despite not having a Christian background, the screenwriter portrays Trevor with qualities that closely align with those admired in Christianity. The movie highlights the golden rule - treating others as you would like to be treated - which encompasses both the Law and teachings of Prophets. The film emphasizes that loving your neighbor as yourself brings ultimate fulfillment according to this belief system.
Trevor faces various societal issues in Las Vegas including heroin addiction, alcohol abuse, strip bars, child abuse, and homelessness.

In the film industry, there are movies that provoke controversy among Christians by crafting their own narratives based on biblical stories. Two examples of such films are "Bless the Child" and "Warlock". These movies delve into uncovering hidden meanings and heavenly realities associated with the Apocalypse, going beyond what is visible.

One movie that stands out is "Seven" (1995), which takes a different approach by featuring a

serial killer who brutally murders seven people within one week. The killer draws inspiration from the seven deadly sins, assigning each victim to represent a specific sin like gluttony or greed. Through these killings, reminiscent of medieval sermons aimed at awakening a corrupt society, the murderer ultimately faces punishment in Hell corresponding to each sin.

To apprehend this ruthless murderer, a detective utilizes clues and references from the Bible. This film often offends Christians due to its reinterpretation of biblical teachings.

Similarly, another movie titled "Bless the Child" (2000) centers around a young girl symbolizing Christ's return. She possesses an extraordinary ability to resurrect the dead. Satan attempts to capture her in order to lead her away from her faith in God. Yet despite his efforts, she remains unwavering in her commitment.

In an attempt to test her faithfulness, Satan urges her to jump off a skyscraper using scripture as justification for his demands. However, she responds with Jesus' words refusing to put God to any unnecessary tests.

It is noteworthy that both Seven and Bless the Child explore themes connected to biblical accounts of apocalypse found in visions portraying cosmic catastrophes and social conflicts described in religious texts. These include events such as darkening suns and blood-red moons as well as instances involving deception and murder.Later on, Satan attempts to intimidate her by setting fire to a homeless man right before her eyes. However, she remains unshaken. Ultimately, Satan kills her. Nevertheless, this does not impede her mission of saving the world from his control. The film effectively combines elements of Jesus' story with this girl's narrative, showcasing the conflict between God and Satan while highlighting God's triumph

over evil.

Similarly, in Warlock: The Armageddon, Satan's son known as "the Warlock" is born without pregnancy. His purpose is to free his father from captivity and unleash Satan's wrath upon the world. In preparation for an upcoming war and impending Armageddon, Christian prophets train two young warriors who possess supernatural powers crucial for preventing global destruction. These prophets anticipate that defeating the Warlock will thwart his plans. As the prophesied eclipse approaches, the defeat of the Warlock takes place along with his return back into Hell.

These two individuals play significant roles in biblical revelation and are easily identifiable. However, other works like the Star Wars series, The Matrix (1998), Twelve Monkeys (1995), and Independence Day (1996) merge apocalyptic texts with science fiction elements. These films primarily focus on eschatological aspects but do not emphasize God's sovereignty; instead they portray humans as active participants who can change their future rather than merely observing divine events.The text discusses the presence of biblical themes in film titles and dialogues, including direct quotations from Scripture and depictions of biblical figures, images, or actions. It acknowledges the Bible as a foundational source of Western civilization with a significant impact on Western values. Films reflect society by combining various art forms influenced by the Bible and Christianity, showcasing symbols and values while also demonstrating how the Bible has shaped storytelling techniques, character development, understanding of experiences, envisioning the future, and self-identity among Westerners. The undeniable impact of the Bible on filmmakers can be observed in the United States, which serves as an ideal platform for studying this phenomenon due to its deep influence on history and values. European settlers who sought

a new promised land similar to God's covenant with the Israelites played a role in shaping American ideals such as equality and freedom that can be traced back to biblical principles. Although film was originally invented by French brothers, its true development occurred in America.Film has emerged as a key component of popular culture, serving as both a significant cultural force and an influential tool for education. The 1930s Depression era in American society was marked by economic hardships and declining moral standards. In order to address these challenges, religious groups implemented defensive strategies, such as the establishment of organizations like the Legion of Decency within the American film industry. This cultural watchdog recognized the immense power of popular culture in shaping societal values and aimed to safeguard against the promotion of non-Protestant ideals. By correcting and guiding the film industry, Christianity sought to fortify its position within American society. Recognizing this facet is crucial when considering Christianity's impact on shaping cultural norms.