Which of the following statements describes the relationship of [William Blake and Thomas Gray] to [William Wordsworth and Samuel Taylor Coleridge]?

c. The first pair were Enlightenment authors with romantic characteristsics. The second pair were the first to identify themselves as romantics. More test answers on https://studyhippo.com/introduction-to-romanticism-mastery-quiz/

The literary period which began with the publication of Lyrical Ballads, a collection of poems by William Wordsworth and Samuel Taylor Coleridge, and ended in 1832 with the death of Walter Scott

the Romantic Age More test answers on https://studyhippo.com/british-literature-the-romantic-age/

The collection of poems by William Wordsworth and Samuel Taylor Coleridge that began with Romantic Age

Lyrical Ballads More test answers on https://studyhippo.com/british-literature-the-romantic-age/

Match the figures of speech used in Samuel Taylor Coleridge’s poems to the lines that contain them.

Alliteration – “A damsel with a dulcimer” Personification – “The Sun came up upon the left, Out of the sea came he!” Repetition – “Below the kirk, below the hill,” Simile – “The Wedding-Guest stood still, And listens like a three years’ child:” Antithesis – “a sunny pleasure dome with caves of ice.” More test answers on https://studyhippo.com/introduction-to-romanticism-mastery-quiz/

Samuel Taylor Coleridge: from Biographia Literaria: Chapters 14 and 17

Ostensibly a literary biography, Biographia Literaria: Or, Biograhical Sketches of My Literary Life and Opinions, is also one of the greatest works of literary criticism. Coleridge begins by discussing his secondary education, particularly in classical poetry, under James Bowyer at Christ’s Hospital Grammar School. From there, he launches a discussion of Wordsworth’s poetry, to which he later returns. Coleridge takes Wordsworth at face value and applies to Wordsworth’s poetry what Wordsworth in his 1800 preface to the Lyrical Ballads claimed to do. Coleridge shows that Wordsworth’s protestations that his craft was the common language of common people was not strictly true, and that his poetry is nonetheless artifice, consciously crafted and not the unreflective, thoughtless speech he said it represented. Still, Coleridge argues that Wordsworth is the finest contemporary poet and an example of poetic genius. He also gives his version of the origin of the Lyrical Ballads of 1798, saying that Wordsworth was to write of natural scenes made extraordinary by his craft, while Coleridge was to write of the supernatural rendered credible by his art. This interpretation is somewhat at odds with Wordsworth’s emphasis in his preface on the volume’s intended singular purpose. Coleridge also proffers his definition of imagination. He distinguishes the “primary,” which he describes as the divine ability to create, the source of all animate power. The “secondary” imagination is the human ability to create through the inventive perception and recollection of images. Last is the “fancy,” which is simply the ability to remember. Coleridge, in addition, discourses at length on philosophy. Beginning with Thomas De Quincey, who was himself later similarly charged, critics have noted, censured, or excused the extensive portions of the Biographia Literaria that correspond to translations of the German philosopher Friedrich Wilhelm Joseph von Schelling. Commentator Thomas McFarland has pointed out that Schelling did not consider his work to have been plagiarized and that in large measure what Coleridge was doing was registering a congruence of his thinking with that of Schelling, before both diverged in opposite directions. Moreover, McFarland notes that Coleridge fully intended to return to the manuscript later to insert his own words for the words of the German, which were at the moment merely holding a place in the text, as it were, for Coleridge’s words. Alas, Coleridge never returned, never substituted, and never completed the work. Thus, it might be described most accurately as an “anatomy,” as critic Northrop Frye defines it, a congeries of digressions, meditations, and reflections, the unity of which may be unclear but the sum of which clearly exceeds its parts. More test answers on https://studyhippo.com/romantic-period-36652/

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What is Samuel Taylor Coleridge?

Samuel Taylor Coleridge was an English poet and literary critic in the late eighteenth and early nineteenth centuries. Born on October 21st, 1772 in Ottery St Mary, Devon, Coleridge was a major figure of Romanticism and one of the leading figures of what is known as the Lake Poets. He is best known for his works such as The Rime of the Ancient Mariner and Kubla Khan, both considered to be some of the greatest poems ever written in English literature.Coleridge’s writing explored a variety of topics ranging from philosophy to religion to nature. His philosophical thought was heavily influenced by Immanuel Kant’s philosophy and he believed that each individual should have an active role in shaping their own life. He also wrote extensively about nature, which he viewed as a source of spiritual healing for humanity. In terms of religion, Coleridge embraced what is now referred to as Christian Pantheism – a belief that God exists within all things, including nature itself. This belief can be seen in many of his works such as Frost at Midnight where he writes about how being surrounded by nature brings him closer to God.Coleridge had a profound influence on other writers such as William Wordsworth, who admired his work deeply. His work has also been praised by scholars throughout history for its depth and complexity. Samuel Taylor Coleridge remains one of the most influential poets in English literature and his legacy continues to live on today.