Personal Exploration of Knowledge Essay Sample
Personal Exploration of Knowledge Essay Sample

Personal Exploration of Knowledge Essay Sample

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  • Pages: 7 (1667 words)
  • Published: August 29, 2018
  • Type: Essay
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The importance of knowledge management is exemplified by the experience of being invited to a concert. Whether it's planning a night out in Washington DC or any other aspect of life, utilizing both explicit and tacit knowledge can enhance the overall experience. This article delves into how these types of knowledge can be applied to create an enjoyable evening at a concert.

Attending a concert not only allows for socialization but also stimulates cognitive growth through the exploration of various learning methods. With numerous sources of stimulation available, concerts offer an exceptional opportunity to gain knowledge about performing arts and enjoy the educational process.

To begin the process of self-discovery, an academic definition of "personal" will be presented. According to Neidhardt (2002), this concept revolves around commitment, which involves engaging the mind with external demands in a conscientious manner.

Commitment

...

is when a person expresses their belief and feels confident in fulfilling the responsibilities of their surroundings. It involves something external rather than internal, making it an objective concept.

Neidhardt (2002, p.1) has a strong interest in jazz and invites others to join him at the Smithsonian Jazz Cafe.

Experiencing exhilaration, I embark on a personal cognitive exploration journey. Despite initially hesitating due to academic pressure, I accepted Henry's invitation to attend the Smithsonian Jazz concert.

After much thought, I agreed that the brain requires extracurricular activities. I had reservations before accepting the invitation and followed an empirical thought process. As an African native, I was not familiar with Jazz music, making attendance challenging. According to Moser and Vander Nat's (2003) definition, empirical philosophy relies on sensory experience for justification.

As I am not well-versed in Jazz music,

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decided to take a cultural excursion with my friend Henry, who is a Black American and a lover of wind music. He recommended visiting the Smithsonian Jazz Cafe, as it features exceptional artists.

As a novice in wind music, accepting the invitation brought me joy and a chance to socialize. According to Becerra-Fernandez et al. (2004), socializing allows for the discovery of unspoken knowledge through shared activities between teachers and students, or among colleagues at academic conferences (p. 250). In this situation, Henry is the expert in wind music, while I am the student.

After reading Henry's explanation of wind music and phase presence, I was compelled to become more involved. Becerra-Fernandez et al (2004) stressed the importance of obtaining information about wind, as it is a subset of data that must possess context, relevance, and purpose.

During the 1980s, I had the privilege of attending public presentations by Toure Kunda of Mali in West Africa. As a frequent concertgoer, I was able to compare and contrast his music with that of Henry's wind music. When the idea of wind music was presented at a concert at the Smithsonian Jazz Cafe, it rekindled the creative spirit in me. Although I initially hesitated to attend, my experiences with Toure Kunda inspired me to give it a chance.

According to LeGrand (2006), cognition can be categorized into two types: explicit and tacit. Explicit cognition is the type that is communicated through information, scientific formulas, numbers, and specifications using words.

Despite similarities, the manual recommends using silent cognition to gain insight through penetrations.

I had a strong feeling that accepting the invitation to the Smithsonian Jazz Cafe would lead to an enjoyable experience.

My intuition and hunches guided me, and I looked forward to the upcoming music extravaganza. Reflecting on Toure’ Kounda's previous performance and the anticipation of a fun night, I read up on learning and knowledge acquisition, following the constructs proposed by Becca-Fernandez et al. in their unbiased theories of cognition.

It is possible that any of the following theories - empiricist philosophy, pragmatism, or incredulity - may be legitimate. Initially, I want to compare Toure’ Kounda with the artists performing at the Smithsonian Jazz Cafe’. While I subscribe to priori knowledge, I often find myself verifying or demonstrating it through empirical forms. I regularly listen to Toure’ Kunda’s Jazz music, particularly, their track, “Cry of the Poor”.

"Fire in Soweto" and "Free Africa" were the preconceived impressions I had while critically considering the artists at the Smithsonian Jazz Cafe. The fact that Toure Kounda lacks the latest CD, unlike modern artists at the venue, was a cause for concern. I wondered how an artist from the 80s, who is no longer alive, could be compared to contemporary ones.

In Hemming's (2000) perspective, the act of being critical involves more than just a habit, skill, or mastery of logical reasoning. Rather, it is a character trait that manifests in the willingness to question things. (p. )

In reference to the Smithsonian Jazz Cafe, I challenged the performers to showcase music similar to Toure Kounda's style that I am familiar with. As a result, I purchased Milton Teage's album "Never Say No", featuring one of the performers at the cafe, for personal comparison. Attending the concert with Henry allowed us to share cultural knowledge in an international atmosphere, as highlighted by

Nonaka and Nishigushi.

The sharing of "Social Knowledge" within organizations involves the exchange of individual experiences related to organizational events. This process of societal cognition enables organizational members to collaborate on established practices, such as proficient project management techniques (p. 33). Drawing on our shared experience at the concert, we gained a deeper comprehension of the regulations necessary to enjoy ourselves.

During the wind performance on June 12th, Henry acted as a teacher and I as a pupil. As we made our way to the Smithsonian Gallery with balcony seats that cost $50.00, I couldn't help but think, "I hope this concert meets my expectations." Meanwhile, tickets for Toure Kunda’s performance only cost $1.

Milton Teage, a creative person at the Smithsonian Jazz Cafe, struck a chord when performing in West Africa with 50 people in attendance. The set was accompanied by flashing lights and strong tenor vocals, which were met with enthusiastic hand clapping.

Teage delivered sensational performances of "Boogie-Woogie," "Dixzie Land," and "Ragtime," receiving standing ovations from the awe-struck audience after each one. The atmosphere in the hall was charged with excitement and emotion.

I perceived the artist as extraordinary compared to Toure kounda. Going to the concert with Henry felt like being part of a "ba" as described by Kodama (2005). Participating in a "ba" involved pushing past one's boundaries and contributing to a dynamic process of knowledge creation.

9) The definition of Ba is comparable to the process of transforming tacit knowledge into explicit knowledge. It can also be described as a "location" for providing a common context. To broaden my understanding of music appreciation, I have remained receptive and assimilated a

new cultural perspective from a more knowledgeable source. In conclusion, this occurred after the concert concluded.

As a converted fan of Milton Teage, I was impressed by the instrumentalists who played harmonious, distinct, and strong notes alongside him.

In the true tradition of those he emulated, Buddy Bolden, Bunk Johnson, and Clarence Williams, a vernal adult male delivered his vocals.

Combining elements of 1960's wind with contemporary clip wind, it can be inferred that research on creative individuals at The Smithsonian Jazz Cafe and comparing it to Kounda's has led to gaining specific information or understanding about them. Knowledge is regarded as a powerful trait that leaders should possess in order to carry out their tasks, as stated by Lunn (2006).

There may be a tendency for a director to withhold information within an organization due to concerns about their position or job security. However, it is important for an effective manager to encourage dialogue and sharing of knowledge with their subordinates in order to foster communication within the hierarchical structure. According to Lunn (2006), leadership abilities are both learned through social interaction, observation, and continued practice as well as being both tacit and explicit.

"My friend Henry would be an excellent director for sharing knowledge about Teage and the artists at the Smithsonian Jazz Cafe and engaging with me, his classmate, in a social setting. Whilst enjoying the concert, I utilized the "ba" technique explained by Nonaka and Nishiguchi (2001) as a means of generating knowledge. Nonaka and Nishiguchi (2001) broaden the definition of knowledge to incorporate the human element as "a dynamic process of justifying personal belief towards the truth" (p.

The concert experience transformed me into the

protagonist of Milton Teage and I am grateful for the knowledge gained. Mentioned authors: Becerra-Fernandez and Gonzalez.

A. Sabherwal. R.

The book "Knowledge Management: Challenges, Solutions, and Technologies" was published in 2004 by Prentice HallHemming in Upper Saddle River, New Jersey.The article titled "Promoting critical thought" by H. (2000) was published in the McGill Journal of Education (volume 35, issue 2, pages 173-187). It was retrieved on September 20, 2008.

EBSCOhost database contains information about Holland, Dozier, Holland. The best of Toure Kounda, titled "The Best Toure Kounda" was released in 1980.

The website African Music aggregation at http://www.africanmusic.comLeGrand was accessed on September 18, 2008.

J. (2006). Lunn obtained information on Theory and Practice knowledge from the University of Phoenix resource on September 20th.

A.D. (2006) wrote an article on Feedback for the British Journal of Administrative Management, which was published in issue 5-6.

On September 20, 2008, Moser was accessed via the EBSCOhost database.

P.K. Vander Nat A.

The book "Human Knowledge: Classical and Modern-Day Attacks" was published in 2003 by Oxford University Press, authored by J. Neidhart.

(2002). IBRI Research Report 18 (83) presents a theoretical framework called Personal Cognition that focusses on exploration and discovery through communication. It can be accessed at the website and retrieved on September 18.

Nonaka, I. From the GoogleScholar database in 2008.

. & A ; Nishiguchi. T. (Eds.) (2001).

can be rephrased as:

The edited book "Nishiguchi. T. (;A;) (Eds.) (2001)" is presented.

The book "Knowledge Outgrowth: Social, Proficient, and Evolutionary Dimensions of Knowledge Creation" by C. Shepard is published by Oxford University Press.

(2000). The online coach that operates asynchronously can be accessed at hypertext transfer protocol://www and retrieved on September 18, 2008.

The website fastrakconsulting.co.uk/tactix/Features/asynch/asynch.htm can

be visited for more information.

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