Intro to Music 101 Exam #3 Study Guide – Prelude 4 & Chapter 30 – Flashcards

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1. Mozart's Eine kleine Nachtmusik is an example of a:
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B. Serenade
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2. Eine kleine Nachtmusik is:
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A. German for A Little Night Music
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3. We can best regard sonata-allegro form as a drama between:
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B. Two key areas
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4. The three main sections of sonata-allegro form are the exposition, the development, and the:
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B. Recapitulation
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5. In sonata-allegro form, a modulatory section that leads from one theme to the next is called the:
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C. Bridge
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6. What is the function of the bridge in sonata-allegro form?
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B. To modulate to a new key
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7. In sonata-allegro form, the contrasting key is established by the statement of the:
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C. Second theme
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8. In sonata-allegro form, the section that features the most tension and drama through modulation and motivic interplay is the:
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B. Development
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9. The psychological climax of sonata-allegro form appears when the tonic returns at the:
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C. Recapitulation
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10. The final section of a sonata-allegro movement, which rounds it off with a vigorous closing cadence, is the:
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D. Coda
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11. Mozart is remember today as:
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C. The most gifted child prodigy in the history of music.
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12. Which composer rebelled against the patronage system and struggled to achieve financial independence?
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B. Mozart
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13. Mozart died while writing his:
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A. Requiem
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14. Mozart's Eine kleine Nachtmusik was originally written for what orchestration?
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C. String quartet plus double bass
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15. Which of the following best describes the form of the first movement of Mozart's Eine kleine Nachtmusik?
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A. Sonata-allegro
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16. Which of the following best describes the opening of the first movement of Mozart's Eine kleine Nachtmusik?
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B. It has march-like character
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17. What is the standard meter of the minuet?
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A. Triple
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18. The overall form of a minuet and trio is best outlined as:
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B. A-B-A
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19. The second dance, or the middle section, of a minuet, is called the:
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B. Trio
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20. The Italian words da capo are commonly found in _________ form.
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B. Ternary
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21. What is a raga in North Indian classical music?
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C. A series of pitches project a mood.
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22. The long-necked, plucked string instrument common in North Indian classical music is called the:
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A. Sitar
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23. How did Classical artists differ from their Romantic counterparts?
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B. Classical artists emphasized clarity and beauty of form.
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24. Interest in Greek and Roman antiquity during the eighteenth century greatly influenced:
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D. All of the above Painting; Architecture; Literature
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25. Which of the following was NOT an eighteenth-century ruler?
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D. Elizabeth I of England
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26. Which of the following historical events did NOT have an impact on the Classical era?
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D. The Russian Revolution
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27. Which American president was a leading figure during the Classical period?
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B. Thomas Jefferson
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28. Who was the French philosopher called the "father of Romanticism?"
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C. Rousseau
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29. The Storm and Drang movement came about about largely because of two works, written by Schiller and:
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D. Goethe
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30. The Classical period in music ranged from approximately:
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D. 1750 to 1825
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31. Which of the following composers was NOT a master of the Viennese school?
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C. Chopin
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32. Which of the following doe NOT characterize the Classical style?
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B. Highly chromatic harmony
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33. Which of the following best describes the lyrical melodies of the Classical period?
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D. Conjunct, diatonic, and singable
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34. A melody composed with a symmetrical four-bar phrase structure delineated by cadences is characteristic of the _____________ period.
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D. Classical
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35. The concept of rhythmic regularity suggests:
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A. Strong rhythms moving at a steady tempo.
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36. The system in which the aristocracy sponsored musicians is called:
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A. Patronage
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37. Which role in musical life was socially acceptable for eighteenth-century women?
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A. Performer
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38. Which of the following best describe(s) musical life in the Classical era?
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B. The rise of public performances gave composers new venues where their works could be heard.
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1. The Classical divertimento and serenade were light genres intended for social functions.
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True
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2. The finale of a multi-movement cycle is generally the longest and most developed.
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False
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3. In sonata-allegro form, the development section manipulates thematic material from the exposition while remaining in the tonic key.
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False
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4. In sonata-allegro form, the recapitulation is essentially identical to the exposition.
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False
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5. In sonata-allegro form, the bridge is the transition between the development and the recapitulation.
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False
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6. The minuet was originally a Baroque court dance.
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True
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7. Mozart was able to complete masterworks during his long career.
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False
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8. The musical processes of repetition, variation, and the introduction new material also occur in North Indian classical music.
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True
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9. The complexity of North Indian classical music is passed down through musical treatises.
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False
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10. Harmony, often using just a drone, is not important in North Indian classical music.
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True
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11. The Classical attitude toward art was considerably more objective than the Romantic.
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True
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12. The Classical era saw the publication of important new encyclopedias.
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True
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13. Despite intellectual attitudes in the Classical era, few significant advances were made in the sciences.
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False
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14. The American Declaration of Independence reflects the intellectual climate of the Classical era.
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True
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15. The Classical period also has been called the Enlightenment.
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True
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16. Eighteenth-century thinkers and artists turned away from the idealized civilization of the Greeks and Romans and embraced the realism of the Middle Ages.
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False
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17. Romantic elements can be found in the late works of Mozart, Haydn, and Beethoven.
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True
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18. Music of the Classical era is characterized by lyrical, singable melodies.
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True
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19. The harmony employed by the Classical-era composers was largely chromatic.
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False
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20. Classical-era composers rarely performed their own works in concerts.
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False
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21. Some women achieved fame during the eighteenth century as opera singers and as solo instrumentalists.
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True
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22. In the eighteenth century, composers were viewed as equal to nobles at the highest level of society.
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False
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23. The audience of the eighteenth century, like that of today, was mainly interested in music from the past.
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False
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24. Public performances were rare in the Classical era.
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False
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