ombre themes in the play.Empathy and Sombreness in The Merchant of Venice

this idyllic house way up into the air, so that Portia can effectively look down upon people.

It also shows that she is of a higher social class, and therefore separated from the world below. In Venice, all the characters were in the street on the same level, and of a similar social class.The play then cuts to the third scene, back in Venice. The conditions for Shylock lending Antonio and Bassanio the money for Bassanio's trip are being discussed. Shylock, it would seem is driven by money along with a great hatred towards Christians.

This is shown from line 33.'I will buy with you, sell with you talk with you, walk with you, and so following: but I will not eat with you, drink with you, nor pray with you.'Shakespeare has created Shylock to represent all that is wrong with the Venetian society. As Shylock is Jewish, which was largely frowned upon at the time this play was written. He is immediately branded as the 'villain' of the play. He is obsessed with money, and exacting revenge on the Christian community.

This is due to Antonio and other Christians abusing him both verbally and physically, because he is Jewish. Shylock strikes a deal, in which he may have a 'pound of flesh' from Antonio's body if the large sum that he has borrowed for Bassanio is not returned. The audience now sees Shylock portrayed in a very negative light, which is as a cold and calculating individual. Shylock, as a character, is the complete reverse to Portia, she seems to be bored and slightly frustrated in her Palace, but is basically good, and indeed,

later in the play she saves Antonio's life with her quick wit and intelligence.

In conclusion Shakespeare's uses of concepts, such as binary opposition and empathy all contribute to the almost parallel worlds of Belmont and Venice. He either gives his characters a sense of righteousness or immorality, as is shown in the basic nature of Portia and Shylock.