AP Art History: Gothic Art Review – Flashcards
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Gloucester Cathedral
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1331 to 1351 CE ENGLAND Perpendicular style - more vertical, more ornate Large, tall window visually unites choir from floor to vaulting Use of fan vaulting - a collection of ribbed vaults that meet and project downward like stalactites English perpendicular style is similar to French Flamboyant style - both have exaggerated decorative elements
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Amiens Cathedral
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FRENCH Nave is taller than Salisbury Cathedral West Façade, France, Building begun c. 1220-36. 1220 CE HIGH GOTHIC four-part rip vaults, extremely high, large expanse of windows, more sculpture on facade, narrowing of nave enhances verticality
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Salisbury Cathedral
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Influenced by Romanesque architecture Accentuates horizontality NO FLYING BUTTRESSES Has a square base and a double transept
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Royal Portal, Chartres Cathedral
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Early Gothic Sculpture The doorjambs are carved columns of Old Testament kings and queens The figures are rigid and elongated to follow the form of column - lack of naturalism, stylized drapery, lack of shift in weight, lack of individuality
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Southern Portal, Chartres Cathedral
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HIGH GOTHIC SCULPTURE Saint Martin, Saint Jerome, Saint Gregory Their heights, clothing, and gestures vary to reflect the personalities of the saints The statues extend farther from the building - no longer conform to the column form
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Annunciation and Visitation
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1200 CE HIGH GOTHIC Increase in naturalism Jamb statues Annunciation on the left Visitation on the right Differences in statues is because they were created by different workshops The Visitation figures are completely independent of the columns The Visitation figures show a weight shift similar to a contrapposto stance and interact with each other
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Virgin of Paris
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1300 CE LATE GOTHIC Severe weight shift = S-curve Gothic S-curve seems forced instead of natural The folds in the robe are developed, but do not reveal the natural structure of Mary's body
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Rottgen Pieta
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1300 CE to 1325 CE GERMANY Conveys intense emotionalism Lacking in naturalism, but compensates with emotion Intense grief on Mary's face Body of Christ - accentuate suffering through emaciated figure and grotesque wounds
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