MUL Chap 7-10 – Flashcards

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"Classical" music
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1750-1820, Haydn and Mozart, and early Beethoven.
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Enlightenment
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"The Age of Reason", thinkers gave free rein to the pursuit of truth and the discovery of natural laws, formulated largely by Isaac Newton (1642-1727). French encyclopedists Voltaire (1694-1778) and Jean-Jacques Rousseau (1712-1778) espoused the principles of social justice, equality, religious tolerance, and freedom of speech. By the end of the eighteenth century, the Age of Reason gave way to the Age of Revolution.
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Concert spirituel
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(founded in 1725), the most successful Parisian concert series. at which the West's first non-court orchestra played a regular schedule of performances. advertised its performances by means of flyers distributed in the streets. To make its offerings accessible to several strata of society, it instituted a two-tiered pricing scale for a subscription series (4 livres for boxes and 2 livres for the pit, roughly $200 and $100 in today's money). Children under fifteen were admitted for half price. The "for profit" concert as we know it today dates from this time.
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comic opera "opera buffa"
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exemplified social change and championed middle-class values. Made use of everyday characters and situations; it typically employed spoken dialogue and simple songs in place of recitatives and lengthy arias; and it was liberally spiced with sight gags, bawdy humor, and social satire.
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Don Giovanni (1787) - written my Mozart
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the villain is a leading nobleman of the town
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Le nozze di Figaro (1786) -The Marriage of Figaro Written my Mozart
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a barber outsmarts a count and exposes him to public ridicule. (So seriously did the king of France and the Holy Roman Emperor take the threat of such theatrical satire that they banned the play on which The Marriage of Figaro was based.)
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pianoforte
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soft-loud
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antecedent and consequent phrases
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are units that operate together: one opens, the other closes (again, "away"-"home" if you wish).
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Neoclassicism
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Many major artists of the eighteenth century journeyed to Rome to absorb the ancient classical style, and what they created in painting and architecture.
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Angelica Kauffmann (1741 - 1807)
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Englishwoman, in the Character of Design Listening to the Inspiration of Poetry (1782) shows classical balance (two women and two columns). Not coincidentally, the complementary figures in this painting function as do antecedent-consequent phrases in Classical music: they are somewhat different, but they balance each other.
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triplet rhythm (groups of three)
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To avoid a feeling of inactivity when the harmony is static, Classical composers invented new "filler" patterns for accompaniment. Sometimes they simply repeat the accompanying chord in a uniform
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Alberti bass
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named after the minor Italian keyboard composer Domenico Alberti (1710-1740), who popularized this figure. Instead of playing the pitches of a chord all together, the performer spreads them out to provide a continual stream of sound. Mozart used an Alberti bass at the beginning of his famous C major piano sonata (1788). The Alberti bass serves essentially the same function as both the modern "boogie-woogie" bass and the process of "tapping" on a guitar (made famous by Eddie Van Halen). It provides an illusion of harmonic activity for those moments when, in fact, the harmony is not changing.
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Viennese School
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The careers of Haydn, Mozart, Beethoven, and the young Franz Schubert all unfolded in Vienna, and from Vienna radiated their powerful musical influence. For that reason, we often refer to them collectively as the Viennese School and say that their music epitomizes the "Viennese Classical style."
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Vienna
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Was then the capital of the old Holy Roman Empire, a huge expanse covering much of Western and Central Europe. Vienna had a population of 215,000, which made it the fourth-largest city in Europe, after London, Paris, and Naples. Ruled by aristocratic gentry. Served as a cultural mecca.
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Franz Joseph Hayden (1732 - 1809)
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was the first of the great Classical composers to move to Vienna, and his life offers something of a "rags-to-riches" story. Haydn was born in 1732 in a farmhouse in Rohrau, Austria, about twenty-five miles east of Vienna. His father, a wheelwright, played the harp but could not read music. When the choir director of Saint Stephen's Cathedral in Vienna happened to be scouting for talent in the provinces, he heard the boy soprano Haydn sing and brought him back to the capital. Here Haydn remained as a choirboy, studying the rudiments of composition and learning to play the violin and keyboard. After nearly ten years of service, his voice broke and he was abruptly dismissed. For most of the 1750s, Haydn eked out a "wretched existence," as he called it, much like a freelance musician or aspiring actress might in New York City today. But in 1761, Haydn's years of struggle ended when he was engaged as director of music for the court of Prince Nikolaus Esterházy (1714-1790). For a period of nearly thirty years, Haydn served Nikolaus Esterházy at his remote court on what is today the border of Austria and Hungary. Here he composed symphonies, operas, and string trios in which the prince himself participated. 106 symphonies, about 70 string quartets, nearly a dozen operas, 52 piano sonatas, 14 Masses, and 2 oratorios. He began composing before the death of Bach (1750) and did not put down his pen until about the time Beethoven set to work on his Symphony No. 5 (1808). Thus, Haydn not only witnessed but, more than any other composer, helped to create the mature Classical style.
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Esterhazy
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Were wealthy aristocrats who wintered in Vienna and summered on their extensive landholdings to the southeast. Prince Nikolaus ruled much like a benevolent dictator. But the prince was an autocrat with a fondness for music, maintaining an orchestra, a chapel for singing religious works, and a theater for opera. As was typical of the period, the musician Haydn was considered a servant of his prince and even wore the garb of the domestic help, as can be seen in his portrait. As a condition of his appointment in 1761, Haydn signed a contract stipulating that all the music he composed belonged not to him, but to his aristocratic master.
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London Symphonies
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Hayden's last 12 symphonies. In a series of concerts at the Hanover Square Rooms, a new public concert hall that catered to the growing middle-class demand for classical music.
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Wolfgang Amadeus Mozart (1756 - 1791)
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was born in 1756 in the mountain town of Salzburg, Austria, then a city of about 20,000 residents. His father, Leopold Mozart, was a violinist in the orchestra of the ruling archbishop of Salzburg and the author of a best-selling introduction to playing the violin. Leopold was quick to recognize the musical gifts of his son, who by the age of six was playing the piano, violin, and organ, as well as composing. In 1762, the Mozart family coached off to Vienna, where Wolfgang and his older sister Nannerl displayed their musical wares before Empress Maria Theresa (1717-1780). They then embarked on a three-year tour of Northern Europe that included extended stops in Munich, Brussels, Paris, London, Amsterdam, and Geneva. In London, Wolfgang sat on the knee of Johann Christian Bach (1735-1782) and improvised a fugue. And here, at the age of eight, he wrote his first two symphonies. Eventually, the Mozarts made their way back to Salzburg. But in 1768, they were off again to Vienna, where the now twelve-year-old Wolfgang staged a production of his first opera, Bastien und Bastienne, in the home of the famous Dr. Franz Anton Mesmer (1734-1815), the inventor of the theory of animal magnetism, or hypnotism (hence, "to mesmerize"). The next year father and son visited the major cities of Italy, including Rome, where, on July 8, 1770, the pope dubbed Wolfgang a Knight of the Order of the Golden Spur. "The most universal composer in the history of Western music."
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Freemasons
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an Enlightenment fraternity, which espoused tolerance and universal brotherhood. Many view Mozart's last opera, Die Zauberflöte (The Magic Flute, 1791) as a hymn in praise of Masonic ideals.
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How did composers treat melody during the Classical period?
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short, balanced phrases create tuneful melodies; more vocal than instrumental in character
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Identify the statement that correctly describes the harmonic style of the era.
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the harmonic rhythm varies dramatically, creating a dynamic flux and flow; simple chordal harmonies made more active by "Alberti" bass
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Which answer correctly describes the rhythm of Classical period music?
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it becomes more stop-and-go; greater rhythmic variety within a single movement
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The texture of Classical period music is generally
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homophonic with a thin bass and middle range, hence it is light and transparent.
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Phrases that are dependent upon each other to produce a complete musical idea are called ________ and ________ .
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antecedent, consequent
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Which definition is correct for "Alberti bass"?
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instead of having the pitches of a chord sound all together, the notes are played in succession to provide a continual stream of sound
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What is a "comic opera"?
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a genre of opera originating in the eighteenth century that portrayed everyday characters and situations, and used spoken dialogue and simple songs
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The "pianoforte" is
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the original name of the piano.
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The new comic opera, called ________ in Italy, was the opera of the middle class.
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opera buffa
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During the Enlightenment, also referred to as the Age of Reason, thinkers gave free rein to the pursuit of truth and the discovery of natural laws.
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True
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Which idea did NOT emerge during the Enlightenment?
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the importance of communicating passion no matter what sort of imbalance, contradiction, or formal inconsistency might result
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Spurred on by economic self-interest and the principles of Enlightenment philosophers, the middle class of France and America rebelled against the monarchy.
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True
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Due to the physical power required to play the pianoforte, the most common players of the new instrument were professional male musicians.
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False
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Which aspect contributed to the dynamic mood of Classical music?
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- the use of crescendos and diminuendos - alternating the mood between themes - quickly changing the texture from light and airy to dense and more contrapuntal - rapid changes in rhythmic patterns
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Identify the statement that does NOT apply to Vienna during the late eighteenth century.
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It was the largest city in Europe.
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Which statement does NOT apply to Haydn's early years?
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Because he displayed great musical talent as a child, his father forced the boy to practice at all hours with the intent of exploiting him as a child prodigy.
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While Haydn toured Europe to acquire fame and fortune, what actually happened was that his compositions increased in breadth and substance because of his exposure to a wealth of musical styles.
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False
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Mozart was born in the town of ________ .
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Salzburg
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Which composers are representative of the Classical period?
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Mozart, Haydn, Beethoven, and Schubert
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All of the following statements regarding the early years of Mozart are accurate EXCEPT this:
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His father served as court composer to Joseph II of Austria, and later gave composition lessons to Beethoven
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From 1781 until his death in 1791, Mozart lived almost exclusively in which city?
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Vienna
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Which statement about Mozart's compositions and his childhood experiences touring Europe is WRONG?
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as a result of his touring he acquired fame and fortune, and was court composer to Emperor Joseph II from 1780 until his untimely death in 1791
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Which musical tradition was NOT influential in the development of Mozart's musical style?
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Spanish flamenco
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Mozart found the system of aristocratic patronage irritating, and after several unpleasant scenes with his patron, he cut himself free and moved to Vienna, determined to make a living as a freelance musician.
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True
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Identify the INCORRECT statement regarding Mozart's life in Vienna during the 1780s.
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He was responsible for an orchestra that was never larger than twenty-five musicians and saw to it that all musicians appeared in uniform and followed instructions.
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form
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refer to that artifact's external shape or to the way it is positioned in physical space. (same number of beats per bar and same number of bars per phrase)
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canon
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standard repertoire
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ternary form (ABA)
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the idea of statement-contrast-repetition is obvious (like twinkle, twinkle, little star)
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minuet
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a stately dance in triple meter, When the minuet appeared as a movement of a symphony or quartet, it came in pairs
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trio
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Because the second minuet of the pair had originally been played by only three instruments, it was called the trio (also performed in ternary form)
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serenade
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a light, multimovement piece for strings alone or small orchestra, one intended for an evening's entertainment and often performed outdoors. (Mozart's Eine kleine Nachtmusik - A Little Night Music - 1787)
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sonata-allegro form
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Sonata-allegro form is the most complex of all musical stories, and it tends to result in the longest pieces. A sonata is a genre of music usually involving a solo instrument; sonata-allegro, however, is a form giving structure to a single movement within any one of several genres: a sonata, string quartet, serenade, symphony, even a one-movement overture. from the fact that most sonatas employ this form in the first movement, and the first movement almost always goes fast, or "allegro." four distinctive musical styles found in sonata-allegro form: thematic, transitional, developmental, and cadential (ending).
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exposition (thematic) - thematic passage has a clearly recognizable melody, often a singable tune
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the composer presents the main themes (or musical personalities) of the movement. It begins with the first theme or theme group, which is always in the tonic key. usually concludes with a closing theme
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transition, or bridge (transition) - is full of motion, with melodic sequences and rapid chord changes.
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which carries the music from the tonic to a new key, usually the dominant, and prepares for the arrival of the second theme. The second theme typically contrasts in character with the first; if the first is rapid and assertive, the second may be more languid and lyrical.
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development - perhaps confusing; the harmonies shift quickly, and the themes, while recognizable, often pile one on top of another in a dense contrapuntal texture.
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As the name indicates, a further working out, or "developing," of the thematic material occurs here. The themes can be extended and varied, or wholly transformed; a character we thought we knew can turn out to have a completely different personality.
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retransition
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is tonal order restored, often by means of a stabilizing pedal point on the dominant note. When the dominant chord (V) finally gives way to the tonic (I), the recapitulation begins.
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recapitulation
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is not an exact, note-for-note repetition of the exposition, it nonetheless presents the same musical events in the same order. The only change that regularly occurs in this restatement is the rewriting of the transition, or bridge. Because the movement must end in the tonic, the bridge does not modulate to a different key as before, but stays at home in the tonic. Thus, the recapitulation imparts to the listener not only a feeling of return to familiar surroundings but also an increased sense of harmonic stability.
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introductions
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are, without exception, slow and stately, and usually filled with ominous or puzzling chords designed to get the listener wondering what sort of musical excursion he or she is about to take.
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coda (cadential passage) - coming at the end of a section or the end of the piece, sounds repetitive because the same chords are heard again and again in a harmony that seems to have stopped moving forward
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indicates, this is a section added to the end of the movement to wrap things up. Like tails, codas can be long or short. no matter how long the coda, most will end with a final cadence in which the harmonic motion slows down to just two chords, dominant and tonic, played over and over, as if to say "the end, the end, the end, THE END." The more these repeat, the greater the feeling of conclusion.
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transformational imperative
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The compulsion to endlessly reimagine a song, an object, or a grammatical phrase
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theme and variations
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occurs when a melody is altered, decorated, or adorned in some way by changing pitch, rhythm, harmony, or even mode (major or minor). The object is still recognizable but somehow doesn't seem to sound the same.
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binary form
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a simple AB arrangement
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rondo
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must have at least three statements of the refrain (A) and at least two contrasting sections (at lease B and C). is typically light, quick, and jovial in nature.
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finale
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end
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cadenaz
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a passage of brilliant technical display by the soloist alone
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Which statement about the trio is INACCURATE?
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It utilized the same theme as the minuet, but with lighter scoring.
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Which musical form was NOT important during the Classical period?
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ritornello form
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The most accurate statement about musical form during the Classical period is:
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A few standard forms regulate much of the music.
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Identify the INACCURATE statement regarding the recapitulation in sonata-allegro form.
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The second theme is played in the dominant or relative major key.
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Identify the form that began during the Classical period.
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sonata-allegro
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Which term best characterizes the B section in ternary form?
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contrast
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The "retransition" is
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the end of the development section where the tonality often becomes stabilized on the dominant in preparation for the return of the tonic and the beginning of the recapitulation.
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Identify the correct definition for "exposition," as used in sonata-allegro form.
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the principal section in which all thematic material is presented
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"Sonata-allegro form" is
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- perhaps the most popular form of the Classical era. - a form that was invented during the Classical period. - a form that has the potential for dramatic presentation, conflict, and resolution. - a dramatic musical form that involves an exposition, development, and recapitulation.
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What is the "coda"?
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the final and concluding section of a musical composition
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Identify the correct definition for "development."
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the centermost portion of sonata-allegro form, in which the thematic material of the exposition is developed and extended, transformed, or reduced to its essence
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Which definition for "minuet" is correct?
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a stately dance in triple meter, first developed in the Baroque period
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Which section of sonata-allegro form is slow, stately, and filled with ominous or puzzling chords?
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introduction
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Which statement does NOT apply to Eine kleine Nachtmusik?
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Mozart composed it for the outdoor wedding reception of a friend.
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As a general rule, Classical composers restricted sonata-allegro form to the first movement of multi-movement compositions.
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FALSE
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About half the mature symphonies of Haydn and Mozart have brief introductions before the exposition begins.
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TRUE
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Which response is NOT an example of rondo form?
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ABA
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Which statement does NOT apply to Symphony No. 94, the "Surprise"?
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The style conveys an introspective mood of tragedy and despair.
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Which movement of a sonata, quartet, or symphony was typically in a slow tempo?
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second
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Mozart's Variations on "Twinkle, Twinkle, Little Star" are based on a(n)
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French folksong.
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In a Classical string quartet or symphony, the third movement is usually
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- lively in tempo. - a minuet and trio. - in ternary form. - light and elegant, and sometimes spirited in mood.
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One of the ways Classical composers created variation within theme and variations form was by altering the length of the melody.
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FALSE
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Rondo and sonata-allegro were the only two forms invented during the Classical period.
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FALSE
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What is the unexpected occurrence in Haydn's Symphony No. 94 that gave it the name "Surprise"?
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a sudden fortissimo chord
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In rondo form, the A sections are called
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refrains
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In Classical compositions, the rondo is typically light, quick, and jovial in nature.
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TRUE
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What were the trumpet and French horn lacking in Haydn's day that is now "standard equipment" on modern instruments?
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valves
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Which movement in a sonata, quartet, or symphony tended to be in a lyrical and tender mood?
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second
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Sonata-allegro form was most often used in which movements of a string quartet or symphony in the Classical period.
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first and fourth
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Which movement of a string quartet or symphony was typically a bright, light-hearted, and sometimes humorous movement set in sonata-allegro, theme and variations, or rondo form?
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fourth
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Which movement(s) in a Classical period symphony is (are) nearly always in minuet and trio form?
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third
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genre
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simply means the type or class of music to which we listen (ex: string quartet, opera aria, country music ballad)
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In the age of Haydn and Mozart, there were five main genres of art music
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the instrumental genres of symphony, string quartet, sonata, and concerto, and the vocal genre of opera.
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symphony
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is a multimovement composition for orchestra lasting about twenty-five minutes in the Classical period to nearly an hour in the Romantic era. By mid-century the symphony had assumed its now-familiar four-movement format: fast-slow-minuet-fast
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sinfonia
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The origins of the symphony go back to the late-seventeenth-century Italian opera house, where an opera began with an instrumental sinfonia (literally, "a harmonious sounding together"). Was a one-movement instrumental work in three sections: fast-slow-fast.
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Köchel (K) number
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To help us keep track of this enormous amount of music, a nineteenth-century musicologist, Ludwig von Köchel, published a list of Mozart's works in approximately chronological order, assigning each a Köchel (K) number.
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andante (second movement)
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After the feverish excitement of the opening movement, the slow, lyrical Andante comes as a welcome change of pace.
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menuetto: allegretto (third movement)
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We expect the aristocratic minuet to provide elegant, graceful dance music (see Figure 8.2). But much to our surprise, Mozart returns to the intense, somber mood of the opening movement. This he does, in part, by choosing to write in the tonic minor key—a rare minuet in minor. This again demonstrates how the minuet had changed from "dance music" to "listening music."
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Allegro Assai (fourth movement)
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The finale (last movement) starts with an ascending "rocket" that explodes in a rapid, forte flourish—and only carefully rehearsed string playing can pull off this orchestral special effect. The contrasting second theme of this sonata-allegro form movement is typically Mozartean in its grace and charm, a proper foil to the explosive opening melody. Midway through the development, musical compression takes hold: There is no retransition, only a pregnant pause before the recapitulation; the return dispenses with the repeats built into the first theme; and a coda is omitted. This musical foreshortening at the end produces the same psychological effect experienced at the very beginning of the symphony—a feeling of urgency and acceleration.
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string quartet
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typifies chamber music—music for the small concert hall, for the private chamber, or just for the enjoyment of the performers themselves. the string quartet normally has four movements, all unified by a common key. the string quartet features only one player per part: first violinist, second violinist, violist, and cellist.
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sonata
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(Italian for "something to be sounded") is a genre of chamber music played on a solo instrument or a solo instrument accompanied by piano. The usual format was three movements (fast-slow-fast), and each movement might be in any one of the preferred Classical forms: sonata-allegro, ternary, rondo, or theme and variations.
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concerto
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Classical concerto, like the symphony, was a large-scale, multi movement work for instrumental soloist and orchestra intended for a public audience.
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solo concerto
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usually for piano but sometimes for violin, cello, French horn, trumpet, or woodwind. In the new concerto, a single soloist commanded all the audience's attention.
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triplets
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(groups of three) that continue unabated from beginning to end
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vocal ensemble
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Which allows the plot to unfold more quickly. Instead of waiting for each character to sing in turn, three or more characters can express their own particular emotions simultaneously, singing together.
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Singspiel
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Style of German comic opera, is made up of spoken dialogue (instead of recitative) and songs.
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diminished chord
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a tension-filled chord comprised entirely of minor thirds.
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Which definition accurately describes the term "sinfonia"?
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a one-movement orchestral work in three sections (fast-slow-fast) that originated as an overture in seventeenth-century Italian opera
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The best definition for "solo concerto" is:
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a composition in which an orchestra and a single performer in turn present and develop the musical material in the spirit of harmonious competition
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Which response accurately describes the term "sonata"?
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a work, usually in three movements, for keyboard or other solo instrument
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Identify the response that most accurately applies to "The Emperor's Hymn."
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it was written to honor the Emperor and came to serve as the Austrian national anthem
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Which response best describes the term "string quartet"?
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- a genre of chamber music - the genre of music, usually in four movements, composed for four string instruments - an instrumental ensemble consisting of a first and second violin, a viola, and a cello - a genre that was developed or "fathered" by Haydn
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Which statement about Mozart's Symphony No. 40 in G minor is ERRONEOUS?
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The sadness in the symphony reflects the composer's difficult personal circumstances—the death of his father and children—during the period immediately preceding the composition of the work.
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Which statement does NOT apply to Haydn's String Quartet Opus 76, No. 3, The "Emperor"?
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Haydn disliked composing patriotic music and was embarrassed by the popularity it achieved.
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Which statement regarding Köchel (K) numbers is most accurate?
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- It is a means of identifying Mozart's compositions. - Köchel numbers arrange Mozart's works in approximate chronological order. - It is a handy way of identifying multiple works of the same genre that are in the same key. - Ludwig Köchel, a nineteenth-century musicologist, first published the list.
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A "diminished chord" is
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a chord made up entirely of minor thirds that produces a tense, unstable sound.
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Who was Lorenzo da Ponte?
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Mozart's principal librettist during the 1780s
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What is the correct definition for "Singspiel"?
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a German musical comedy with spoken dialogue, tuneful songs, and topical humor
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Identify the INACCURATE statement regarding Classical operas.
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Recitatives are gradually replaced by arias.
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Don Giovanni is implicitly critical of the aristocracy, and Mozart and da Ponte danced quickly to stay one step ahead of the imperial censor before production.
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TRUE
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Don Giovanni is not the kind of guy you would want your daughter to date.
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TRUE
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Which Mozart opera is a German Singspiel?
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Die Zauberflöte
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In Don Giovanni, the character of Leporello is
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a faithful, though reluctant, servant.
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Identify the answer that most appropriately describes the operatic "vocal ensemble."
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- an element derived from comic opera, it was especially favored at the ends of acts to help spark a rousing conclusion - another manifestation of the democratic spirit, and better dramatic sense, of the late eighteenth century - consists of three or more characters who simultaneously sing about their individual responses to the dramatic action - allows the plot to unfold more quickly on stage
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What type of chord accompanies the stabbing of the Commandant in Don Giovanni?
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diminished chord
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"Pathétique" Sonata.
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A Classical sonata, as we have seen (Chapter 9, "The Sonata"), is a multimovement work for solo instrument or solo instrument with keyboard accompaniment. This particular sonata, for solo piano, is identified as Beethoven's Opus 13, denoting that it is the thirteenth of 135 works that Beethoven published. —"Pathétique" ("Plaintive")—underscoring the passion and pathos he felt within it. Its great drama derives in large part from the juxtaposition of extremes. There are extremes of dynamics (from fortissimo to pianissimo), tempo (grave to presto), and range (from very high to very low).
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opus
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latin for work
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legato
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long and lyrical
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staccato
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light and detached
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cantabile
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songful
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Heiligenstadt Testament
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In this confessional document for posterity, like a last will and testament, named after the Viennese suburb in which Beethoven penned.
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"heroic" period
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(1803-1813; also simply termed his "middle period"). His works became longer, more assertive, and full of grand gestures. Simple, often triadic, themes predominate, and these are repeated, sometimes incessantly, as the music swells to majestic proportions. When these themes are played forte and given over to the brass instruments, a heroic, triumphant sound results.
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"Eroica" ("Heroic") Symphony
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epitomizes the grandiose, heroic style. More than any other single orchestral work, it changed the historical direction of the symphony. It assaults the ear with startling rhythmic effects and chord changes that were shocking to early-nineteenth-century listeners. It makes mountains of sound out of the simplest triads by repeating them with ever-increasing volume. Most novel, the work has biographical content, for the hero of the "Eroica" Symphony, at least originally, was Napoleon Bonaparte
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thematic penetration
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stripping away all extraneous material to get to the core of a musical idea.
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scherzo
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meaning joke. And while there is nothing particularly humorous about the mysterious and sometimes threatening sound of the scherzo of Beethoven's Symphony No. 5, it is very far removed from the elegant world of the courtly minuet. In ghost-like pizzicatos the conclusion disappears, rather than ends.
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All of these statements about the "Pathétique" Sonata are correct EXCEPT for:
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The title "Pathétique" was intended to suggest French manners and moods.
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With Beethoven's ________ , the genre moved from one played by amateur performers in their homes to become standard repertoire for professional musicians.
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piano sonatas
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Which statement about Beethoven's Heiligenstadt Testament is most correct?
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- Its name derives from the village where Beethoven wrote the document. - It was written in despair over his impending deafness. - It is part last will and testament, part artistic manifesto. - In the document he admits that he considered suicide, but that his dedication to art (music) held him back from such a step.
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Identify the phrase that does NOT apply to the "Eroica" symphony.
answer
The Austrian emperor asked Beethoven to change the title from "Bonaparte" to "Eroica"; Beethoven complied, but demanded an extra fee.
question
The "heroic" period is when Beethoven
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composed six of his nine symphonies
question
Which statement does NOT apply to Beethoven's Symphony No. 5?
answer
It is the first symphony to use theme and variations form as one of its movements.
question
Identify the response that does NOT apply to Beethoven's early biography.
answer
He toured northern Europe for three years and heard his first two symphonies performed in London when he was only eight years old.
question
Beethoven initially made his living in Vienna as a concert pianist, and in order to be acceptable to polite society he bought new clothes, found a wigmaker, and took dancing lessons
answer
TRUE
question
Which statement does NOT apply to Beethoven's style of playing the piano?
answer
His career as a virtuoso was cut short due to an injury to his right hand, but he thereafter focused his attention on writing sonatas for left-handed pianists.
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Which response does NOT describe Beethoven's relationship with the Viennese aristocracy?
answer
He served as court composer to Joseph II of Austria.
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Which statement about Beethoven's later years is WRONG?
answer
He made two visits to London where he was treated as a celebrity and awarded an honorary degree from Oxford.
question
Identify the INCORRECT statement about Ode to Joy.
answer
It is based on a text written by Voltaire, the Enlightenment philosopher.
question
All of the following statements are true about Beethoven's legacy EXCEPT:
answer
His music is inherently theatrical and perfectly suited to the genre of opera.
question
Which of the following statements is true about Beethoven's music?
answer
Beethoven embraced the use of Classical forms and genres in his music, but the spirit of his music is one that foreshadows the musical style of the Romantic era.
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