IHUM 201 Test 5 – Flashcards
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altarpiece (including predella, triptych/ polyptych, and wings)
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-predella: the base of an altarpiece -triptych/polyptych: a work of 3 parts, usually painted panels hinged together -wings: the parts that swing open and closed
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atmospheric perspective:
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a technique of rendering depth or distance in painting by modifying the tone or hue and distinctness of objects perceived as receding from the picture plane, especially by reducing distinctive local colors and contrasts of light and dark to a uniform light bluish-gray color.
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Black Death (bubonic plague):
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plague that swept through and caused a major drop in population. caused by rats, people abandoned family members, surplus went up because so many people died, laborers could charge more because there weren't a lot of people to do the manual labor. Many people draw nearer to God so they wouldn't be affected, fasted, went on pilgrimage
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cartoon-
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a full-size preparatory design for an artwork in another medium
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centering
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scaffolding used to build arches or domes
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Doge:
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the chief magistrate of Venice or Genoa...
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foreshortening-
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To reduce or distort in order to convey the illusion of three-dimensional space as perceived by the human eye: often done according to the rules of perspective.
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glazing-
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The term used for a thin, transparent layer of paint, particularly in oil painting and acrylics. Glazes are used on top of one another to build up depth and modify colors in a painting.
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grotesque-
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A style of decorative art characterized by fanciful or fantastic human and animal forms often interwoven with foliage or similar figures that may distort the natural into absurdity, ugliness, or caricature
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Humanism-
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An outlook or system of thought attaching prime importance to human rather than divine or supernatural matters. Humanist beliefs stress the potential value and goodness of human beings, emphasize common human needs, and seek solely rational ways of solving human problems.
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Indulgences-
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A payment to the Catholic Church that purchased an exemption from punishment (penance) for some types of sins.
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linear perspective-
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Brunelleschi's "rules" for new style of painting, ex: Perugino, "Christ giving the keys to St. Peter" (including horizon line, orthagonals, picture plane, vantage point, vanishing point)
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madrigal-
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a secular part song without instrumental accompaniment, usually for four to six voices, making abundant use of contrapuntal imitation, popular especially in the 16th and 17th centuries
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Motet:
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a short piece of sacred choral music, typically polyphonic and unaccompanied.
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oil painting
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takes a long time to dry, has transparent characteristics
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polychoral style-
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a style in which choirs sing to and against each other in increasingly complicated forms
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Polyphony:
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addition of harmonies (and instruments)
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predestination-
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The divine foreordaining of all that will happen, especially with regard to the salvation of some and not others
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printing and printmaking (including moveable type)
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is the system of printing and typography that uses movable components to reproduce the elements of a document (usually individual letters or punctuation)The metal type pieces were more durable and the lettering was more uniform, leading to typography and fonts. The high quality and relatively low price of the Gutenberg Bible (1455) established the superiority of movable type in Europe and the use of printing presses spread rapidly
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Renaissance:
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rebirth
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Reformation
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restoration, renewal
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sfumato-
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the technique of allowing tones and colors to shade gradually into one another, producing softened outlines or hazy forms.
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Sprezzatura:
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originating from Baldassare Castiglione's The Book of the Courtier, where it is defined by the author as "a certain nonchalance, so as to conceal all art and make whatever one does or says appear to be without effort and almost without any thought about it"
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Lorenzo de' Medici
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was an Italian statesman and de facto ruler of the Florentine Republic, who was one of the most powerful and enthusiastic patrons of the Renaissance. He is well known for his contribution to the art world by sponsoring artists such as Botticelli and Michelangelo
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Elisabetta Gonzaga
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duchess of Urbino, known for her ability to improvise songs.
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Pope Leo X
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He is probably best remembered for granting indulgences for those who donated to reconstruct St. Peter's Basilica, which practice was challenged by Martin Luther's 95 Theses.He borrowed and spent heavily. Under his reign, progress was made on the rebuilding of Saint Peter's Basilica and artists such as Raphael decorated the Vatican rooms.
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Cesare Borgia
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who machiavelli models for this perfect prince in his "The Prince"
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Savonarola
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Dominican Friar, abbot of the San Marco monastery. He wanted to re-establish Florence as a republic. Collected books, painting, all that was considered "vanities" and burns them in a bonfire. Refuses to stop praying, so he is burned at the stake.
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Pope Julius II
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he commissioned the destruction and rebuilding of St. Peter's Basilica, plus Michelangelo's decoration of the ceiling of the Sistine Chapel.
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Leon Battista Alberti
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was an Italian humanist author, artist, architect, poet, priest, linguist, philosopher and cryptographer; he epitomised the Renaissance Man. Gifted in many ways.
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Erasmus
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was a Dutch Renaissance humanist,and has been called "the crowning glory of the Christian humanists" Using humanist techniques for working on texts, he prepared important new Latin and Greek editions of the New Testament, which raised questions that would be influential in the Protestant Reformation and Catholic Counter-Reformation
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Francesco Sforza
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became the ruler of Milan by marrying the illegitimate daughter, and sole heir, of the duke of Milan. Welcomed artists throughout central Italy to his city and embraced humanism
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Sibyl:
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prophetess
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Petrarch
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the "Father of Humanism" rediscovered the forgotten works of the Roman orator and statesman Cicero. His best work is Canzoniere (over 300 poems) which are love poems written to his love named Laura.
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Laura Cereta
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wrote the Defense of Liberal Instruction for Women. She was very well educated. Taught by nuns until she was 11 when her father called her home to help raise her siblings. She got married young but when her husband died shortly after, she returned to her studies at the age of 19.
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Johannes Gutenberg
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created the first printing press
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Maddalena Casulana
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was the first professional woman composer to see her own compositions in print.
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Virgin and Child from St. Denis, France
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Late Gothic
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Duccio and Simone Martini, Virgin and Child, Italy
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Late Gothic
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Palazzo Pubblico, Siena, Italy (including Lorenzetti and Martini frescoes inside)
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Late Gothic
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(including Lorenzetti and Martini frescoes inside)
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Fraud, vain, greed, devil-figure=tyranny... VS... Angels, justice, prudence. People fighting, dying, running... vs... education, commerce, dancing-wedding. Late Gothic
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Simone Martini's Maesta (Maesta=Majesty)
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It's the virgin Mary surrounded by saints. Each saint identifiable. Peter with keys, etc... Martini put real gold paint and glass gems on Mary. Jesus has the blessing gesture Mary depicted as secular and heavenly queen. Late Gothic
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Giotto, Madonna Enthroned
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More realistic, Better shading and colors, Spacing/depth also more believable, Individuality in the faces Late Gothic
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Dufay, "Nuper rosarum flores" (the rose blossoms)
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Use of polyphony (addition of harmonies) and instruments Late Gothic
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Boccaccio, The Decameron
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Collection of stories told by 10 elite youth hiding from the plague (this painting wasn't done by Boccaccio. he just wrote The Decameron. the painting is by john williams waterhouse, but i doubt we'll need to know that. it was painted much later) Late Gothic
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Brunelleschi (and others), Florence Duomo
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I'm guessing she just wants us to know that brunelleschi was the one that came up with the way to make the dome for this cathedral? He made like a dome inside of a dome Florentine Renaissance
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Brunelleschi, Sacrifice of Isaac;
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Florentine Renaissance
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Brunelleschi, San Lorenzo church
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Florentine Renaissance
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Ghiberti, Sacrifice of Isaac;
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Florentine Renaissance
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Ghiberti, Gates of Paradise
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Florentine Renaissance
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Masaccio, Trinity
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God the Father above Christ, the Dove of the Holy Ghost, lady in blue- Mary, St John- young man in picture, the two kneeling on the side are the donors, Florentine Renaissance
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Masaccio, The Tribute Money
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Horizon line- goes across the tops of their heads, vanishing point lead to Christ's face, Florentine Renaissance
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Botticelli, Primavera,
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diagonal lines, vanishing points, horizon line, Florentine Renaissance
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Botticelli, Birth of Venus,
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Florentine Renaissance
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Botticelli, Adoration of the Magi:
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Florentine Renaissance
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Machiavelli, The Prince
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Florentine Renaissance
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Castiglione, The Courtier
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Florentine Renaissance. "courtier ought to be that of arms, strong and brave. Loyal to whomever he serves. He needs to be well built and shapely in limb. Know how to wrestle." Sprezzatura
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Leonardo da Vinci: anatomic sketches,
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Florentine Renaissance
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Vitruvian Man, Leonardo da Vinci
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Florentine Renaissance
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Last Supper (Milan),
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Florentine Renaissance
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Lady with an Ermine (Milan), Leonardo Da Vinci
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Florentine Renaissance
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Mona Lisa (France), Leonardo da Vinci
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Florentine Renaissance
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Michelangelo Buonarotti: David
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Florentine Renaissance
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Michelangelo Buonarotti: Moses
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Roman Renaissance
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Michelangelo Buonarotti: Pietà
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Roman Renaissance
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Michelangelo Buonarotti: Sistine Chapel ceiling
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Roman Renaissance
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Bramante, Tempietto
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Roman Renaissance
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Raphael, Stanze della Segnatura (Dispute and School of Athens),
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Stanze della Segnatura- connections to past: barrell arches, coffering on arches, Aristole and Plato, shows his interest in theology and humanism. - Mary, John, above, Jesus- God the Father, the dove of the Holy Ghost in the middle, all over a Catholic alter-- holds bread, Transubstantiatoin-doctrine they want want taught "bread but literally body of Christ, wine blood of Christ" Roman Renaissance
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Raphael, Stanze della Segnatura (Dispute and School of Athens), (continued)
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Plato and Aristotle in middle, Michelangelo in picture along with Himself, Message behind differences in painting: Raphael is a Humanist and Theologian- puts the people on the same level, well rounded, Roman Renaissance
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Raphael, portrait of Julius II
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commissioned Michelangelo to paint the Sistine Chapel Roman Renaissance
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Raphael, portrait of Castiglione
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Roman Renaissance
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Raphael, Small Cowper Madonna
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Roman Renaissance
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Josquin des Prez, "Pange Lingua" (sing, my tongue)
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Influential Franco-Flemish composer of the Renaissance. Roman Renaissance
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Titian, Sacred and Profane Love
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Profane- the lady dressed up-- all dressed up "all worldly" the naked lady has "nothing to hide" so she is sacred, Titian loved painting nude women Venetian Renaissance
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Titian, Self Portrait
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oil paint and color, Venetian Renaissance
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Titian, Venus of Urbino
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Venetian Renaissance
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"The Assumption" - Titian:
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Colors, Red, Painted women with red hair, loved the color red, Mary being lifted up into heaven- blue veil and red dress, Triangle with Mary and the two men below her also in red, tall skinny triangle with the men below and up to God, Venetian Renaissance
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Robert Campin, Merode Altarpiece
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Small but a lot of detail, perspective hasn't happened yet- no linear, depth of proportion, Becoming masters of detail -- always symbolically significant People kneeling paid for it Angel Gabriel and Mary- He tells her she's gonna have Christ, formally known as "Annunciation" Mary is always reading in the annunciation scene- reading the bible Joseph on the other side Lily's- flower, it symbolizes purity and virginity Water pitcher- clean Pot water in back with towel- wash hands- clean yo self The candle has been blown out because it shows that the spirit enters Jesus into Mary Light- strength of gospel Details of Josephs tools- making mice trap, Mouse represents Satan, the one who kills the mouse is Christ, Mouse Trap is Christ Northern Renaissance
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Jan and Hubert van Eyck, Ghent Altarpiece
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- Clothes spell out scripture text , God in center, Mary to the right of Christ and to the left of him John, Adam and Eve, Mary- annunciation scene, lamb is Christ, lamb is bleeding into chalace, standing on alter, transubstantiation, fountains- living water Northern Renaissance
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Jan van Eyck, The Arnolfini Wedding
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Her stomach, Not pregnant, but shows they want kids, mirror and two witnesses in mirror and a signature- could be a self portrait in one of the two witnesses, on the mirror we got little scences- scenes from the life of Christ Northern Renaissance
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Hieronymus Bosch, The Garden of Earthly Delights
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Northern Renaissance
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Marguerite de Navarre, Heptameron (story 55)
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Northern Renaissance a man asks his wife to give his money to the church after his death to make amends for some of his sins. he asked that his horse be sold and the proceeds given to the poor merchant class. she has other plans. she agreed to sell his horse to a man for one ducat, as long as he agreed to buy her cat for 99 ducats. she gave the one ducat to the poor merchant class and kept the 99.
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Mathias Grünewald, Isenheim Altarpiece
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Northern Renaissance
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Albrecht Dürer: Draftsman drawing a Reclining Nude
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Northern Renaissance
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Albrecht Dürer: The Large Turf,
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Northern Renaissance
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Albrecht Dürer: Self-Portrait (of 1500),
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Northern Renaissance
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Albrecht Dürer: The Four Horsemen of the Apocalypse,
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Northern Renaissance
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Albrecht Dürer: Melancholy
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Northern Renaissance
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Albrecht Dürer: Adam and Eve
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Northern Renaissance
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Heinrich Krämer, Malleus Maleficarum
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Northern Renaissance, a treatise on the prosecution of witches,
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Titles (think of distinguishing features of these works, maybe include a passage): Gilgamesh
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Mesopotamian, author unknown Gilgamesh, Enkidu, Ishtar and the Bull of Heaven, utnapishtim "Why are your cheeks emaciated, your face cast down, Your heart wretched, your features wasted, Woe in your vitals, Your face like a traveler's from afar, Your features weathered by cold and sun, Why are you clad in a lion skin, roaming the steppe?" The first known literary work to confront the idea of death
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The Odyssey
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Archaic greek, by Homer Odysseus, Telemachus, Athena, Circe, Penelope the poem narrates the adventures of Odysseus on his ten year journey home from the Trojan war. He wants to get home to his wife Penelope, all while Penelope has remained faithful to her husband Themes: The role of the gods in determining the outcome in human events The faithfulness of penelope the poem narrates the adventures of Odysseus on his ten year journey home from the Trojan war. He wants to get home to his wife Penelope, all while Penelope has remained faithful to her husband Themes: The role of the gods in determining the outcome in human events The faithfulness of penelope Hospitality Epithets, invocation to the muse, dactylic hexameter, in medias res (start in the middle)
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Medea
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classical greek, by Euripides Jason, Medea, Glauce, Creon, Aegeus Jason leaves Medea, Medea exacts revenge by killing everyone Jason loves including their own children.
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Antigone
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Classical Greek, by Sophocles Antigone, Creon, Ismene, Haemon, Polyneices "I honored you as wise men would think right But I wouldn't have taken that task on Had I been a mother who lost her child, Or if my husband were rotting out there. For them, I never would defy my city.... Tell me, gods, which of your laws did I break?" She goes to bury her brother, gets caught by the King, is an example of honoring family before honoring civic duties "I honored you as wise men would think right But I wouldn't have taken that task on Had I been a mother who lost her child, Or if my husband were rotting out there. For them, I never would defy my city.... Tell me, gods, which of your laws did I break?" She goes to bury her brother, gets caught by the King, is an example of honoring family before honoring civic duties "...conflicts between community and family, man and woman, young and old, religious and secular duties, and between the rights of the living and those of the dead." (Norton)
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Apology
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classical greek, by Plato this is the testimony of Socrates at his trial. he would rather die than take back the things he has said.
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The Aeneid
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Roman, by Vergil Aeneas, Dido, Story of Aeneas, a Trojan tells the opposite side of the Trojan War Dido Trojan Horse Theme: following and obeying the gods: piety, duty, family
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The Koran-
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Islam, given to Muhammad by the angel Gabriel
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The Rule of St. Benedict
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Early medieval, by St. Benedict Benedict writes down the rules for a pope Rule book of St. Benedict, defined monastic life as a community of like minded individuals, all seeking religious perfection, under the direction of an abbot elected by the monks. (parts we talked about in class: obedience, chastity, silence/no idle chit-chat, humility)
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The Confessions
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early christian, by St. Augustine St. Augustine confesses, talks about his conversion "Damming back a flood of my tears I arose interpreting the incident as quite certainly a divine command to open my book of Scripture and read the passage at which I should open. For it was part of what I had been told about Anthony... By this experience he had been in that instant converted to You."
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Beowulf
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Early medieval, author unknown King Hrothgar has a prosperous kingdom, until the noise from the mead-hall disturbs Grendel. Grendel terrorizes the Danes for many years. Beowulf hears of this beast and comes to slay it. he also slays Grendel's mother. Beowulf is praised. he later becomes king of the Geats. Beowulf later slays a dragon, but is fatally wounded in the process. Writer has Christian beliefs, but definitely still has a pagan background. trial by combat, kennings
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The Divine Comedy
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Gothic, by Dante Inferno - Dante is lost in the woods, the ghost of Virgil shows up and says he'll guide Dante to his love, Beatrice in heaven. their path goes through the different levels of hell. Dante's work divided into three parts, Inferno, Purgatorio, and Paradiso
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The Decameron
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Late gothic, Boccaccio 7 girls and 3 boys go to the countryside to escape the black plague. to keep themselves out of trouble, they begin a storytelling game. after 100 stories, they return to the city to face their fate. group of youth go on a road trip to get out of town during the plague, tell stories as they go. Story 1 Day 1 is the one about the friar who sinned really badly and then confessed minor things and was made a saint.
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The Prince
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florentine renaissance, by Machiavelli a statesman's duty is to preserve his country and its institutions, regardless of the means he uses. Thus, a prince's chief preoccupation and his primary duty is to wage war. Must be willing to sacrifice moral right for practical gain. The well being of the prince is of utmost importance because upon it rests the well being of the state. It is far safer for prince to be feared than loved, although the best situation would have both. Should inspire fear in such a fashion that if he do not win love, he may escape hate. Not essential that he should have all good qualities, but that he SEEMS to have all good qualities. Everyone sees what you seem, but few know what you are.
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The Courtier
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Florentine renaissance, by Castiglione courtier - a person who attends a royal court as a companion or adviser to the king or queen. this book addresses the constitution of a perfect courtier. a courtier should be strong, a good wrestler, good at speaking/languages, etc "courtier ought to be that of arms, strong and brave. Loyal to whomever he serves. He needs to be well built and shapely in limb. Know how to wrestle." Sprezzatura
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Terms (What time periods are these features associated with?): Relief
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a type of sculpture that is found on a wall or made integral to a wall's surface, three-dimensional
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Hierarchy of scale (hieratic scale)
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most important person is depicted as larger than the rest of people in the artwork
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Votive figure
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long wavy beards and kilts, big eyes, folded hands, not realistic, found in temples, praying attitude = statue a person worshiping diety
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Contrapposto
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a stance that shows movement, weight shift, bent knees, and curves.
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Archaic smile
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slight smile
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Lost-wax casting method
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make a sculpture out of wax, use that to make a mold, fill mold with bronze
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Verism
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a form of realism, naturalistic representation, more realistic. (from Latin veritas, TRUTH) (i.e. appreciate age, wisdom, knowledge)
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Mandorla
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almond shape depicted around Christ in paintings
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Illumination
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books with painted and gold leaf images around the edges of the page.
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Linear perspective
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a type of perspective used by artists in which the relative size, shape, and position of objects are determined by drawn or imagined lines converging at a point on the horizon.
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Tesserae
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a small block of stone, tile, glass, or other material used in the construction of a mosaic.
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Time Periods (what are artistic characteristics of these eras?): Mesopotamia
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big beards, hierarchy of scale, big eyes
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Egypt
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headdresses, side views, legs both reach the ground equally (unrealistic), canon of proportions, weird fake beards, hierarchy of scale, mostly really ideal body types (except for amenhotep IV)
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Archaic Greek
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stiff stance. No movement.
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Classical Greek
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contrapposto stance. No emotion.
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Early Christian/ Byzantine
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Halos, Jesus as a miniature adult, Gold/black background, and greek letters
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Hellenistic Greek
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emotional, dramatic
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Islamic
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qibla, horseshoe arches
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Romanesque
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round arches again
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Gothic
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pointed arches, barrel vaults, rip vaulting, tall nave,
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Renaissance
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proportion, humanism, lots of church inspired art and other commissioned pieces.
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Quizzes The word "Renaissance" means
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Rebirth
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Lorenzo Ghiberti's winning design for the doors of the Florence Baptistery differs from Filippo Brunelleschi's in that the - scene is a synoptic view. - figures are depicted in profile. - main action is on the side, not in the center. - figures are shown in contrapposto stances.
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main action is on the side, not in the center.
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The victor of the 1418 competition to create a dome for Florence Cathedral was:
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Filippo Brunelleschi
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Masaccio places the vanishing point in The Tribute Money behind Christ's head to: - make the distant mountains seem larger. - emphasize the absence of the tax collector's halo. - make the figures behind Christ seem smaller. - identify Christ as the fresco's most important figure.
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identify Christ as the fresco's most important figure.
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The Medici were the most powerful family in Florence from 1418 to 1494, because they: - were bankers to the papacy. - led the defeat of Milan's army. - headed the Wool Guild. - descended from longstanding nobility.
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were bankers to the papacy.
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In Mona Lisa, Leonardo achieved the sfumato effect by: - including extensive landscape in the background. - placing the vanishing point behind the subject's head. - juxtaposing the subject against a black background. - building up color with many layers of transparent oil paint.
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building up color with many layers of transparent oil paint.
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Why did Medici supporters hurl stones at Michelangelo's David as it was moved through the streets? - They viewed the nude portrayal as inappropriate for David. - They considered Michelangelo a traitor to the exiled Medici. - They objected to the statue being moved from the Florence Cathedral's facade. - They understood David's symbolism of the city standing up to tyrants.
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They understood David's symbolism of the city standing up to tyrants.
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Ludovico Sforza, duke of Milan, was interested in Leonardo da Vinci because he: - could design great machines of war for him. - could help him earn his people's support. - agreed to paint Sforza's 16-year-old mistress. - could help heal a rift between Sforza and the Medici.
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could design great machines of war for him.
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According to the ancient Roman Vitruvius, the ideal human body should be eight times the size of the - distance between wrist and elbow. - clenched fist. - distance between the ankle and the knee. - human head.
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human head.
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The people were eager to buy the indulgences that the pope sold to finance the St. Peter's project, because they wanted to: - shorten their stay in purgatory. - be in the pope's good favor. - avoid military duty in the Holy Roman army. - be forgiven of their sins.
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shorten their stay in purgatory.
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In the School of Athens, Raphael represents Plato pointing upward to signify the location of: - God. - the realm of ideal forms. - the setting of his book, The Republic. - his allegorical cave.
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the realm of ideal forms.
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Michelangelo was commissioned to paint the Sistine Chapel ceiling by:
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Pope Julius II
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Machiavelli saw the role model for his perfect prince in the Florentine ruler: - Lorenzo de' Medici. - Girolamo Savonarola. - Cesare Borgia. - Cosimo de' Medici
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Cesare Borgia.
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In architecture, Renaissance Venetians favored the: - Romanesque style. - Gothic style. - Neoclassical style. - Florentine style.
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Gothic style.
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The role of most women in Renaissance Italy was to - manage domestic affairs. - support their husbands' public roles. - produce heirs for their husbands. - educate their children.
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manage domestic affairs.
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The patron saint of Venice, to whom the cathedral is dedicated, is saint:
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Mark
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Unlike in Renaissance Italy, patronage of artists in Northern European cities came from: - politically powerful families. - artists' guilds. - foreign sources. - the merchant class.
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the merchant class.
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A particularly distinctive feature of Robert Campin's Mérode Altarpiece is the: - use of symbols to emphasize the Christian nature of the scene. - setting of the Annunciation in an ordinary, middle-class Flemish home. - inclusion of the patrons and their family's coat-of-arms. - juxtaposition of scenes from the Annunciation and the Crucifixion.
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setting of the Annunciation in an ordinary, middle-class Flemish home.
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Flemish painters favored oil paint because of its: - ability be painted in layers that reflected light. - fast drying time. - obvious brushstrokes. - ability to be mixed with egg for opacity.
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ability be painted in layers that reflected light.
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In his landscape study The Large Turf, Albrecht Dürer blended his Northern European interest in minute detail with an Italian Renaissance interest in: - Greco-Roman mythology. - using the secular to symbolize the religious. - one-point linear perspective. - the natural world.
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the natural world.
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Marguerite de Navarre modeled her Heptameron on the work of:
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Boccaccio
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Matthias Grünewald's Isenheim Altarpiece underscores the Northern European preoccupation with - death. - disease. - witchcraft. - salvation by faith alone.
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death.
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A major advantage of tapestries as decorations is that they: - provided employment for peasant women - were highly transportable - served as a means for hiding gold and silver in the threads. - were an inexpensive form of art that members of the lower classes could own.
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were highly transportable