Hobbit chapters 11-19 – Flashcards

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.

The arrival of Valère with the news that Tartuffe is closing in thickens the plot and brings everything to a climax. Orgon is suddenly the recipient of a kindness from Valère which he does not deserve in view of the way he has previously treated Valère. Tartuffe's last chance to be hypocritical occurs when he is faced with his devious ways and he can only respond that his first duty is to his king. In order to serve his king, he would sacrifice anyone. These are almost the same words which Orgon used earlier in the play concerning his newfound religion. Thus, the repetition of these same ideas give a final ironic twist to the situation. The final scene in the drama has been severely objected to on occasion by critics as being extraneous to the plot. In other words, there is nothing in the earlier parts of the play to indicate that the king will play any role in the play. The ending of a drama should arise out of the parts of the drama which have preceded it and should never be imposed upon the drama in such an artificial manner. One of the purposes of this ending, however, was to flatter the king, who was Molière's patron. In view of the fact that this particular play was banned several times, it seems necessary that Molière try to offer some type of flattering ending. The flattery is quite blatant when we realize that the qualities attributed to the king are in direct contrast to those exhibited by Orgon. While Orgon was hasty, domineering, and tyrannical over his family, the king is reported to be judicious and forgiving. And whereas Orgon was completely duped by Tartuffe, the king sees through Tartuffe's hypocrisy immediately. In other words, all of the qualities attributed to the king in the speech by the officer are qualities which were missing in Orgon.