Great Expectations Chapters 20-39 Summary & Analysis – Flashcards

Jaggers takes Pip to London, where the country boy is amazed and displeased by the stench and the thronging crowds in such areas as Smithfield. Jaggers seems to be an important and powerful man: hordes of people wait outside his office, muttering his name among themselves. Pip meets Jaggers's cynical, wry clerk, Wemmick.

Wemmick introduces Pip to Herbert Pocket, the son of Pip's tutor, with whom Pip will spend the night. Herbert and Pip take an immediate liking to one another; Herbert is cheerful and open, and Pip feels that his easy good nature is a contrast to his own awkward diffidence. Whereas Pip's fortune has been made for him, Herbert is an impoverished gentleman who hopes to become a shipping merchant. They realize, surprised, that they have met before: Herbert is the pale young gentleman whom Pip fought in the garden at Satis House.

Pip asks Herbert to help him learn to be a gentleman, and, after a feast, the two agree to live together. Herbert subtly corrects Pip's poor table manners, gives him the nickname "Handel," and tells him the whole story of Miss Havisham. When she was young, her family fortune was misused by her unruly half brother, and she fell in love with—and agreed to marry—a man from a lower social class than her own. This man convinced her to buy her half brother's share of the family brewery, which he wanted to run, for a huge price. But on their wedding day, the man never appeared, instead sending a note which Miss Havisham received at twenty minutes to nine—the time at which she later stopped all her clocks. It was assumed that Miss Havisham's lover was in league with her half brother and that they split the profits from the brewery sale. At some later point, Miss Havisham adopted Estella, but Herbert does not know when or where.

The next day, Pip visits the unpleasant commercial world of the Royal Exchange before going to Matthew Pocket's house to be tutored and to have dinner. The Pockets' home is a bustling, chaotic place where the servants run the show. Matthew is absentminded but kind, and his wife is socially ambitious but not well born; the children are being raised by the nurse. Pip's fellow students are a strange pair: Bentley Drummle, a future baronet, is oafish and unpleasant, and a young man named Startop is soft and delicate. At dinner, Pip concentrates on his table manners and observes the peculiarities of the Pockets' social lives.

Pip returns to Jaggers's office in order to arrange to share rooms with Herbert. There Pip befriends the lively Wemmick, who invites him to dinner. Pip sees Jaggers in the courtroom, where he is a potent and menacing force, frightening even the judge with his thundering speeches.

Pip continues to get to know his fellow students and the Pockets, attending dinners at both Wemmick's and Jaggers's. Wemmick's house is like something out of a dream, an absurd "castle" in Walworth that he shares with his "Aged Parent." Pip observes that Wemmick seems to have a new personality when he enters his home: while he is cynical and dry at work, at home he seems jovial and merry.

By contrast, Jaggers's house is oppressive and dark, shared only with a gloomy housekeeper, Molly. Pip's fellow students attend the dinner at Jaggers's with Pip, and Pip and Drummle quarrel over a loan Drummle ungratefully borrowed from Startop. Jaggers warns Pip to stay away from Drummle, though the lawyer claims to like the disagreeable young man himself.

Structurally, this series of brief, quick chapters inaugurates the second phase of Great Expectations, marked by Pip's receiving his new fortune and his move from Kent to London. Pip's move to London marks a drastic shift of setting for the second main section of Great Expectations, away from the desolate marshes of Kent and into the teeming crowds of the city. Dickens, with his consummate knowledge of the London of his era, evokes the city masterfully, describing the stink, the run-down buildings, and the colorful mass of humanity through Pip's stunned perceptions. One of the first things Pip sees after his arrival in London is the terrible gallows of Newgate Prison, which gives Pip "a sickening idea of London." In a novel that places so much emphasis on the relationship between character and setting, it should come as no surprise that Pip encounters objects of punishment and justice everywhere he looks. Beneath his awkward desire to be a gentleman and advance socially, Pip is obsessed with ideas of guilt, innocence, and moral obligation, going all the way back to his first encounter with the convict in the marsh. The gallows evokes not only the memory of the convict, but also the themes of guilt and innocence that preoccupy Pip's young mind. Pip's new acquaintances are unlike anyone he has ever known before, and they make his transformation into a gentleman an unpredictable one. Jaggers is hard, cold, and powerful, but beneath the surface he seems disgusted by his own work. In Chapter 20, he does not allow his clients to talk to him, and he scrubs his hands ferociously at the end of each workday, symbolically attempting to remove the moral taint of his work. Herbert (the "pale young gentleman" of Chapter 11) makes a natural contrast to the lawyer; he is everything Jaggers is not. Kind, relaxed, and poor, he is the perfect gentleman to educate Pip in the ways of the upper class. Herbert's father, Matthew, is kind as well, but his absentminded carelessness makes him a weak figure even in his own household. Of his students, Drummle is an oaf and Startop is a weakling. Wemmick's split personality—he acts hard and cynical in Jaggers's office but wry and merry at home in Walworth—confuses Pip, but it also emphasizes the inner goodness beneath Wemmick's callous exterior. His insistence on obtaining "portable property" and his good-natured teasing of his "Aged Parent" give him two of his most memorable catchphrases, which he uses throughout the novel. The story of Miss Havisham mirrors some of the same themes—social class, romantic anguish, and criminality—that run throughout the main story of the book. The story explains the main mystery of Miss Havisham's life, which was implied by her surroundings and her behavior much earlier in the novel. It answers many of Pip's questions about her but raises many more. Who were the criminals who preyed on her, and what became of them? What is Estella's history, and how is she related to Miss Havisham? As the novel progresses, these questions will become extremely important; for now, they are used primarily to continue the sense of mystery that is so important to the forward momentum of Dickens's plot.

Joe comes to visit Pip in London. Because Pip worries that Joe will disapprove of his opulent lifestyle and that Drummle will look down on him because of Joe, Joe's visit is strained and awkward. He tries to tell Pip the news from home: Wopsle, for instance, has become an actor. But Pip acts annoyed with him until Joe mentions that Estella has returned to Satis House and that she wishes to see Pip. Pip suddenly feels more kindly toward Joe, but the blacksmith leaves before Pip can improve his behavior.

Hoping to see Estella and to apologize to Joe, Pip travels home, forced to share a coach with a pair of convicts, one of whom is the mysterious stranger who gave Pip money in the pub. Though this man does not recognize Pip, Pip overhears him explaining that the convict Pip helped that long-ago night in the marshes had asked him to deliver the money to Pip. Pip is so terrified by his memory of that night that he gets off the coach at its first stop within the town limits. When he arrives at his hotel, he reads a notice in a newspaper, from which he learns that Pumblechook is taking credit for his rise in status.

When he travels to Satis House the next day, Pip pictures himself as a triumphant knight riding to rescue the Lady Estella from an evil castle. He encounters Orlick, now Miss Havisham's porter, at the gate. When he sees Estella, he is stunned: she has become a ravishing young woman. Despite his newfound fortune, Pip feels horribly inadequate around her, as unworthy and clumsy as ever. Miss Havisham goads him on, snapping at him to continue to love Estella. Pip walks with Estella in the garden, but she treats him with indifference, and he becomes upset. Pip realizes that she reminds him of someone, but he can't place the resemblance. Back inside, he discovers Jaggers there and feels oppressed by the lawyer's heavy presence.

The next day, Pip tells Jaggers about Orlick's past, and Jaggers fires the man from Miss Havisham's employ. Pip is mocked by the tailor's apprentice as he walks down the street. He returns in low spirits to London, where Herbert tries to cheer him up, though he also tries to convince him that, even if Miss Havisham is his secret benefactor, she does not intend for him to marry Estella. Herbert confesses to Pip that he, too, is in love and, in fact, has a fiancée named Clara, but he is too poor to marry her.

Pip and Herbert go to the theater, where Wopsle plays a ridiculous Hamlet. Pip takes the hapless actor out to dinner following the play, but his mood remains sour.

Pip receives a note from Estella, ordering him to meet her at a London train station. He arrives very early and encounters Wemmick, who takes him on a brief tour of the miserable grounds of Newgate Prison. Pip feels uncomfortable in the dismal surroundings, but Wemmick is oddly at home, even introducing Pip to a man who has been sentenced to death by hanging.

When Pip meets Estella, he is again troubled by her resemblance to someone he can't place. She treats Pip arrogantly, but sends him into ecstatic joy when she refers to their "instructions," which makes him feel as though they are destined to be married. After he escorts her through the gaslit London night to the house at which she is staying, he returns to the Pockets' home.

Pip feels terribly guilty for his snobbish treatment of Joe and Biddy, and he feels as though his degenerate lifestyle has been a bad influence on Herbert. The two young men catalog their debts, but they are interrupted by a letter carrying the news that Mrs. Joe has died.

Pip is surprised by the intensity of his sadness about his sister's death. He returns home at once for the funeral. He meets Pumblechook, who continues to fawn over him irritatingly. He tries to mend his relations with Joe and Biddy; Biddy is skeptical of his pledges to visit more often. Pip says goodbye to them the next morning, truly intending to visit more often, and walks away into the mist.

These chapters cover a dark and humiliating time for Pip. Ironically, Pip's dizzying rise in social status is accompanied by a sharp decline in his confidence and happiness. He is humiliated in no fewer than four important scenes in this section. First, Joe's visit to London reintroduces the theme of social contrast, showing just how awkward Pip's position between the social classes has become; he worries both that Joe will disapprove of his new life and that the figures in his new life will disapprove of Joe. Second, he is frightened by the convicts in the coach, who remind him of his childhood encounter on the marsh. Third, even his return home is keenly embarrassing, as he learns of Pumblechook's false boast and finds himself mocked by the tailor's apprentice in Chapter 30. And, fourth, most painful of all, what he hopes will be a triumphant return to Satis House as a gentleman is a complete failure: Estella treats him just as cruelly as ever, reminding him coldly that she has "no heart." Pip's behavior throughout this period is not admirable: he treats Joe with barely disguised hostility during Joe's visit to London, and he behaves haughtily and coldly throughout this section. The difference between Pip the character and Pip the narrator becomes clear here. When he visits Satis House, Pip the character feels irritated and unhappy at the thought of visiting Joe, but Pip the narrator judges himself harshly for having felt that way, writing "God forgive me!" in Chapter 29. As a character, Pip is in the grip of his immediate emotions, but as a narrator, he has the capacity to look at his life from a broader perspective and to judge himself. Dickens uses that contrast well, giving Pip the wisdom of hindsight without sacrificing the immediacy of his story. Pip's guilt over his behavior toward Joe and Biddy reaches a high point at Mrs. Joe's funeral. He is stunned by the news of his sister's death. More than anyone else except for Joe, Mrs. Joe raised Pip, and her death marks an important point in his maturation toward adulthood and the development of his character. He tries to rectify his behavior toward his lower-class loved ones, but they are skeptical of his promises to improve, and with good reason. Pip really does mean to visit them more, as he promises Biddy in Chapter 35, but when he leaves, he walks into the rising mists, which symbolize ambiguity and confusion throughout Great Expectations; even he knows he is unlikely to honor his promise. Mr. Wopsle's rise as an actor works as a sort of parody of Pip's rise as a gentleman. The country churchman is as ridiculous onstage in Chapter 31 as Pip feels on the street when Trabb, the tailor's boy, mocks him. Another important contrast to Pip in this section is Herbert, whose practical dream of becoming a merchant, earning money, and marrying Clara is virtually the opposite of Pip's fairy-tale rise in status and his irrational belief that Miss Havisham means for him to marry Estella.

Pip's twenty-first birthday finally arrives, meaning that he is an adult and will begin to receive a regular income from his fortune rather than having to go to Jaggers to access his money. He feels a great sense of excitement, because he hopes that his entrance into adulthood will cause Jaggers to tell him the identity of his mysterious benefactor. Despite Herbert's warning, he feels increasingly certain that it is Miss Havisham and that she means for him to marry Estella. But during their interview, Jaggers is cold and brief; he reveals nothing about the source of Pip's fortune, simply telling him that his income will be five hundred pounds a year and refusing to take responsibility for the outcome. For some reason, the encounter reminds Pip of his meeting with the convict in the graveyard so many years before. Still, Pip invites Jaggers to participate in his birthday dinner, but Jaggers's oppressive presence makes the evening less enjoyable for Pip and Herbert.

Upon receiving his income, Pip decides to help Herbert by buying Herbert's way into the merchant business. He asks Wemmick for advice. At Jaggers's office (in Chapter 36), Wemmick cynically advises Pip not to help Herbert, but later, at the Castle (where Pip also meets Wemmick's girlfriend, Miss Skiffins), he jovially offers exactly the opposite advice and agrees to help Pip with the scheme. They find a merchant in need of a young partner, and Pip buys Herbert the partnership. Everything is all arranged anonymously, so that Herbert, like Pip, does not know the identity of his benefactor.

Pip's twenty-first birthday marks his official transition to adulthood (Jaggers even begins calling him "Mr. Pip"). Jaggers's refusal to comply with Pip's wishes to know the truth about his benefactor is a bad omen, one borne out in the next section with the arrival of the convict and the downfall of Pip's greatest expectations. Even though Pip is still self-critical, he has legitimately matured into early adulthood and developed more sympathetic qualities. His decision to use his large income to help Herbert—being "very desirous," as he says, "to serve a friend"—allows him to share his good fortune with a friend in need. Ironically, Pip adopts secrecy even as he is most anxious to know the identity of his own secret benefactor. Of course, he still believes his benefactor to be Miss Havisham, and he even accounts for Jaggers's refusal to talk with the ridiculous deduction that "Miss Havisham had not taken him into her confidence as to her designing me for Estella; that he resented this, and felt a jealousy about it." That Pip imagines the hard, powerful Jaggers feeling jealousy over anything involving Pip illustrates the extent to which Pip must delude himself to believe that Miss Havisham truly intends for him to marry Estella. It is obvious to the reader and to all the other characters in the book that Miss Havisham has no such idea in mind, but Pip remains blinded by love and continues to equate his social advancement with romantic advancement. This section also continues to develop the character of Wemmick. The bizarre clerk's two distinct sides become even more sharply divided in this section, as office-Wemmick advises Pip not to help Herbert, while Walworth-Wemmick wholeheartedly endorses the plan. Wemmick even acknowledges the split, saying in Chapter 36 that "my Walworth sentiments must be taken at Walworth; none but my official sentiments can be taken at this office." Pip's introduction to Miss Skiffins, Wemmick's girlfriend (and future bride), in Chapter 37 allows Dickens to make an even more sentimental character out of Wemmick, but it also highlights Pip's own romantic troubles. His love for Estella remains desperately impractical, and, as the next section demonstrates, his relationship with her has become humiliating in an entirely new way.

Pip spends a great deal of time with Estella in the house of her London hostess, Mrs. Brandley. However, he is not treated as a serious suitor. Rather, he is allowed to accompany Estella everywhere she goes, watching her treat her other suitors cruelly but being more or less ignored himself. He cannot understand why Miss Havisham does not announce the details of their engagement, in which he continues to believe. Pip and Estella go to visit the old woman, and Pip observes for the first time a combative relationship between her and Estella: Miss Havisham goads Estella on to break men's hearts, but Estella treats Miss Havisham as coldly as she treats her suitors. Shortly thereafter, Pip learns to his horror that Drummle is courting Estella. He confronts Estella about the news, but she refuses to take his concern seriously, reminding Pip that he is the only suitor she doesn't try to deceive and entrap. But this only makes Pip feel less important to her. That night, the young man imagines his fate as a heavy stone slab hanging over his head, about to fall.

Time passes, and Pip is now twenty-three. One night, during a midnight thunderstorm, he hears heavy footsteps trudging up his stairs. An old sailor enters Pip's apartment, and Pip treats him nervously and haughtily before recognizing him. It is Pip's convict, the same man who terrorized him in the cemetery and on the marsh when he was a little boy. Horrified, Pip learns the truth of his situation: the convict went to Australia, where he worked in sheep ranching and earned a huge fortune. Moved by Pip's kindness to him on the marsh, he arranged to use his wealth to make Pip a gentleman. The convict, not Miss Havisham, is Pip's secret benefactor. Pip is not meant to marry Estella at all. With a crestfallen heart, Pip hears that the convict is even now on the run from the law, and that if he is caught, he could be put to death. Pip realizes that though the convict's story has plunged him into despair, it is his duty to help his benefactor. He feeds him and gives him Herbert's bed for the night, since Herbert is away. Terrified of his new situation, Pip looks in on the convict, who is sleeping with a pistol on his pillow, and then locks the doors and falls asleep. He awakes at five o'clock in the morning to a dark sky tormented by wind and rain.

As we saw in the previous section, Pip has now matured into an adult, marking a new phase in the novel; additionally, the reappearance of the convict and the solution of the mystery of Pip's benefactor mark an important milestone in the book's narrative development. Appropriately, the second important stage of the novel concludes at the end of this section; we are told here, "This is the end of the second stage of Pip's expectations." Dickens opens this section by illustrating the extent to which Pip must now fool himself to believe that he is still meant to marry Estella. His relationship with Estella has gone from bad to worse: where he was once her innocent playmate, he is now expected to act as her innocuous companion, accompanying her to meet suitor after suitor at innumerable parties, essentially functioning as her chaperone. Dickens contrasts Pip's romantic quandary with the romantic optimism of his friends, who all seem to find romantic happiness. Wemmick has Miss Skiffins and Herbert has Clara; Pip has only the bitter knowledge that the oafish Drummle has begun courting his beloved Estella. Of course, the most important and most ominous development in these chapters, foreshadowed countless times in the earlier sections of the novel, is the reappearance of the convict, now a rugged old man, and the revelation that he, not Miss Havisham, is Pip's secret benefactor. This revelation deflates Pip's hopes that he is meant for Estella, and it completely collapses the stark social divisions that have defined him in the novel, first as a poor laborer envious of the rich, then as a gentleman embarrassed of his poor relations. Now Pip learns that his wealth and social standing come from the labor of an uneducated prison inmate, turning his social perceptions inside out. The fulfillment of his hope of being raised to a higher social class turns out to be the work of a man from a class even lower than his own. The sense of duty that compels Pip to help the convict is a mark of his inner goodness, just as it was many years ago in the swamp, but he is nevertheless unable to hide his disgust and disappointment. "Look'ee here, Pip. I'm your second father. You're my son—more to me nor any son. I've put away money, only for you to spend." (See Important Quotations Explained) The convict's reference to himself as Pip's "second father" in Chapter 39 allows us to track Pip's development through a succession of father figures. The orphaned Pip identifies most closely with Joe as a father in the first section of the novel, and the blacksmith's soft-spoken good nature most strongly defines his childhood. After the magical appearance of his wealth, adolescent Pip seems to treat Jaggers as a kind of distant father figure, referring to him repeatedly as "my guardian" and allowing him to set the parameters for his life in London. Now a young adult, Pip is confronted with the convict as an unwanted father, a relationship that will develop and deepen in the final section of the novel. With Pip's discovery of his new father figure, this section ends on an extremely ominous note, as the morning sky is darkened by a violent storm. As setting is always connected to dramatic action and atmosphere in the world of Great Expectations, a storm can only mean that trouble lies ahead for Pip and his frightening benefactor.