The Waste Land Essay Examples
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âThe Waste Landâ (1922) is one of the most outstanding poems of the 20th century written by the great master Thomas Stearns Eliot. The poem expresses with great power the devastation, decay, futility and despair of the civilization after World War I. In this essay I would like to comment upon the structure as well […]
T. S. Eliotâs The Waste Land is an intricate poem that is intentionally difficult to understand; it contains a myriad of allusions to other texts, it has a fragmented narrative structure, speaks in various languages and utilizes surreal imagery. These features, amongst others, contribute to the poemâs complexity. I wish to examine, in detail, how […]
During two important periods in literature, poetry and prose were both considered art forms and occupations for the educated. These periods are known as the Victorian era or Romantic Poetry and modern poetry. The selected poems for analysis are T.S Eliot’s The Waste Land and Robert Browning’s Memorabilia. The article compares two poems, giving a […]
In poetry, readers often find themselves in other worlds and other dimensions â either through the poetâs conscious evocation of these worlds through the images employed in the poem, or through the reader who creates a world out of the melding of what the poem says and what he thinks the poem means. Poetry consists […]
One of the indications of T. S Elliot’s bleak and pessimistic approach to âThe Wastelandâ is the brief citation he opted to use to initiate the poem. To underline the decayed and diminished state of a formerly thriving world, Elliot borrowed a quotation from Petronius Arbiter’s âSatyriconâ. This sets the poem’s tone when Elliot selects […]
Metonymy doesn’t substitute like metaphor something like the thing that is meant for the thing itself, but substitutes some attribute or cause or effect of the thing for the thing itself. As an elaborate and repetitive device, it fulfils two functions in modernist poems. It depicts a fragmentation of perception – which it in part […]
