A Short Guide to Writing about Film Glossary – Flashcards

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aerial shot
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A shot from high above, usually from a crane or helicopter.
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asynchronous sound
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Sound that does not have its source in the film image.
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backlighting
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Light that comes from behind the person or object being filmed, often creating a silhouette around that subject.
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chiaroscuro lighting
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The composition of light and dark in an image or picture.
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close-up
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An image in which the distance between the subject and the point of view is very short, as in a "close-up of a person's face."
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composition
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The arrangement and relationship of the visual elements within a frame.
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continuity editing
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An editing style that follows a linear and chronological movement forward, as if the image is simply recording the action. Because it creates the illusion of reality, it is often called invisible editing.
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contrapuntal sound
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Sounds that counterpoints or contrasts the image.
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crosscutting
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An editing technique that alternates between two different actions or scenes.
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cutting
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Changing from one image to another; a version of this linkage is sometimes referred to as montage.
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depth of field
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A range of planes within an image from foreground to background, all of which are in focus.
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direct sound
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Sound recorded at the same time as the image is filmed.
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dissolve
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An editing transition whereby one image fades out while another fades in.
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eyeline match
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The editing or joining of different shots by following the logic and direction of a character's glance or look
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fade-in/out
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An editing transition whereby and image gradually appears/disappears on a blackened screen.
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fast motion
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When action is filmed at less than 24 frames per second, the projection of that action at 24 frames per second will appear to move at a more rapid than normal pace.
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fill light
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Supplemental lighting that fills in or accentuates the key lighting on a filmed subject.
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film gauge
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The width of film stock measured in mm, ranging from 8 mm (home movies) to 70 mm (commercial blockbusters).
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formalism
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A critical perspective that attends mainly to the structure and style of a movie or group of movies.
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full shot
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A shot that shows the whole body of the individual being filmed.
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hand-held shot
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A shot filmed from the shoulder an a camera person, usually creating the subjective perspective an an individual.
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highlighting
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Sharp or intense lighting used to concentrate or highlight a detail of a person or object.
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ideology
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An analytical approach that attempts to unmask the stated or unstated social and personal values that inform a movie or group of movies.
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iris shot
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The expansion or contraction of a small circle within the darkened frame to open or close a shot or scene.
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jump cut
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A cut within the continuous action of a shot, creating a spatial or temporal jump or discontinuity within the action.
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key lighting
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The central source of artificial light on a scene or subject. High-key scenes are entirely lit by this source; low-key scenes have very little artificial lighting.
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long shot
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An image in which the distance between the camera and the subject is great.
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match cut
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An edit that links two shots by a continuous sound or action.
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medium shot
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A shot that shows an individual from the waist up.
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medium long shot
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A shot that reveals the entire body of a person or object along with a large part of the surround scene.
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medium close-up
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A shot that shows an individual from the torso to the head.
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mirror shot
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A shot that reveals a person or scene through its reflection in a mirror.
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mise-en-scène
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The arrangement of the so-called theatrical elements before they are actually filmed; these include sets, lighting, costumes, and props.
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model shot
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A shot that uses small constructions or miniatures to create the illusion of real objects.
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montage
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A specific kind of editing in which objects and figures are linked in a variety of creative or unexpected ways. Usually this kind of editing aims to generate certain effects or ideas.
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narrative
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The way a story is constructed through a particular point of view and arrangement of events
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off-screen space
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Areas that are not shown by the image but sometimes suggested by actions or words within the image.
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180-degree system
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A traditional rule for filing action so that the camera does not cross an imaginary 180-degree line. It is mean to create a stable spatial orientation for all action filmed.
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pan
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A shot that pivots from left to right or right to left without the camera changing its position.
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parallel action
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Two or more actions that are linked by the film to appear simultaneious
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point of view
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The position from which an action is seen, often determining its significance.
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process shot
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A shot that employs special effects during or after the filming of the shot.
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rack focus
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A quick change of focus within a shot so that one object appears suddenly out of focus and another appears suddenly in focus.
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reaction shot
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A shot that cuts from an object, person, or action to show another person or persons' reaction.
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resolution
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The degree of sharpness in an image.
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sequence
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A series of scenes or shots unified by a shared action or motif.
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shallow focus
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A shot in which only objects and persons in the foreground of the image can be seen clearly.
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shot
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A continuously exposed and unedited image of any length.
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shot/reverse shot
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An editing pattern that cuts between individuals according to the logic of their conversation.
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slow motion
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When action is filmed at a speed faster than 24 frames per second that action appears unusually slow when projected at normal speed.
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soft focus
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By using filters on the camera lens (or even Vaseline), objects and individuals will appear blurred or with hazy definition.
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subjective camera
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A technique that re-creates the perspective of a single individual.
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swish pan
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A pan shot that moves rapidly from right to left or left to right, creating a blurring effect.
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synchronous sound
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Sound whose source is identified by the film image.
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tilt shot
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A shot that moves vertically without changing the position of the camera.
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wide-screen
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An aspect ration that exceeds the traditional 1.33:1 ratio of width to height. The most common widescreen ratios are 1.66:1 and 1.85:1.
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wipe
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An editing technique whereby a line crossing or (or wiping) one image replaces it with another image
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